Gunja Narasimha Swamy Temple, Tirumakudal Narasipura

Gunja Narasimha Swamy Temple

Next to Andhra Pradesh and Telangana, there are several well-known and lesser-known Sri Narasimha Swamy Temples in Karnataka. Some are in the crowded cities/towns which are ancient and hence in the interior area; some are on the river banks and some on the confluence of three rivers such as Nira Narasingpur in Maharashtra and some in the caves.

However, there is one temple which is dedicated to Lord Narasimha Swamy (Gunja Narasimha Swamy) in Tirumakudal Narasipura locally called TN Pura. This temple is old and unique. It is well known for ‘’Kumbha Mela’’ in South India. It is on the right bank of the Kaveri.

Two other rivers Kapila and Spatika which is Gupta (hidden) join the confluence. This place is just about 30 Km from Mysore on Mysore Kollegal State Highway and about 140 Km from Bengaluru.

Gunja Shri Lakshmi Narasimhaswami Temple – Google Map’s Location

Gunja Narasimha Swamy Temple, Tirumakudal Narasipura
Gunja Narasimha Swamy Temple, Tirumakudal Narasipura

Sthala Purana

Before this Temple came into existence in this area near Kaveri River, one Washerman (Dhobi) was daily coming to wash clothes on one big stone. One night he had a dream in which Lord Narasimha asked him to remove his idol which is below the stone on which he was washing the clothes and construct a temple for him. But he asked God where and how he would get money for this work.

Finding Gold

Lord asked him to look under the stone. He removed the stone dug the soil and found some gold coins there. He then arranged to construct the Sanctum Sanctorum for Lord and used the stone also he was using for washing the clothes. Lord after seeing this Temple asked him to visit Kashi which is now known as Varanasi in U.P, the very famous Pilgrim Center.

Dakshin Kashi

He visited and the Lord told him that he earned an additional Punya (Merit or Sanchit) of about a coral bead vine seed (Rosary Pea) more than that one accrues by visiting Kashi. So with this, this place became ‘‘Dakshin Kashi’’ for him and it is said that devotees who visit this ‘‘Gunja Narasimha Swami Temple’’ get one Gunja more Punya than Kashi. And the name tag Gunja came into usage with the name of the God Narasimha.

It signifies therefore the importance of this place and vice versa to Kashi. Gunja is a seed from a plant known as Rosary Pea or Gulaganji in Kannada The botanical Name is Abrus Precatorius. This plant grows in front of this temple and on the sides.

As Washerman built this temple and wished that he would be given Moksha which the Lord granted, after Washerman’s death, the temple authorities of that time carved their images on the threshold [Hostilu in Kannada] of the door in his memory and his wife’s.

480px
Decorative door jamb and lintel over a minor shrine in the rear prakara of the Gunja Narasimha Swamy temple at Tirumakudal Narasipura

Temple Renovations

Over time, Gunja Narasimha Swamy temple was renovated by the then-ruling kings in Dravidian style. Hoysala architecture with inscriptions from the Krishadevaraya period in Nagari script is also found. The temple is a protected monument under the Karnataka state division of the Archaeological Survey of India.

However, there was another major repair and restoration work needed in recent times due to flooding and loosening of soil during the year 2008 in this temple. It developed cracks and some structures of the temple crumbled.

However, some devotees extended help for this work and completed it with the help of the descendant.

Inside the Temple

On entering the temple there are colorful pillars in Ranga Mandapa followed by the main Sanctum where the main idol is seen weighing balance with a twig (berry stalk) with seeds of Gunja tree between his thumb and forefinger.

Another interesting aspect to note is that the devotees here (who believe it as an ill omen if the Lizard falls on any part of the Body,) touch the Lizard carved inside the roof just like Kanchipuram’s Varadaraja Perumal temple (Arulmigu Sri Varadharaja Perumal Temple) to remove the evil effect. Devotees climb up one small ladder kept there to touch it and get rid of any doshas on them.

Pillared_entrance_to_mantapa_of_Gunjanarasimhaswamy_temple_at_Tirumakudal_Narasipura
Pillared entrance to mantapa of Gunja narasimha swamy temple at Tirumakudal Narasipura

About Temple Rituals and Festivals

The temple is open daily from 9 AM to 12:30 PM and 5:30 to 8:30 PM and Puja is performed as per Agama Shastra.

Every year Chariot / Car Festival is conducted for Narasimha Swamy and Agastheswara Swamy and once in three years Kumbha Mela is held for three days. The Kumbha Mela commenced in 1989 in this holy place of which there is reference in Skanda Purana.

The Kumbha Mela of Allahabad and Nashik is replicated here when lakhs of devotees assemble to take a holy dip in the confluence of three rivers. A spectacular view of ancient India unfolds with ochre-clad sadhus joining people to take a dip.

Devotees may visit one temple after another in this town. One of the oldest Peepal Trees (Botanical name Ficus religiosa) is situated here. It is said to be approx. 200 years old. The place is known as “Bahuvara Prasadi’’.

It is believed that childless couples come here to pray for a child and install a Naga idol to fulfill their wishes.

Pancha Linga Darshan

Devotees go for Pancha Linga Darshan when they come here.

These Lingams are

  1. Markandeswara Lingam,
  2. Someshwara Lingam,
  3. Garageshwara Lingam,
  4. Agastheshwara and
  5. Hanuman Lingam.

Hanuman Linga Agastheshwara Temple which is one of five Pancha Lingams which was believed to be founded by Agastha Rishi is worth visiting. To reach this temple, one has to cross a river in Coracle. Ganapathi Temple and Sri Sasal Vyasaraya Mutt are other attractions.

Explore Hindu Temples

Sri Garuda Swami Temple – Koladevi

Sri Garuda Swami Temple

Many animals and birds are worshipped as the vahanas of many deities. In Vishnu temples, we worship Garuda along with two lions which are installed on the gopuras, vimanas, and on the four corners of the outer wall which represent the prominent members of animal and bird kingdoms.

Lord Krishna identified Himself with Garuda and Lion in Bhagavad Gita as:

“I am the Lion among the animals and Vainateya (Garuda) among the birds: (verse 10:30) “Mruganamcha mrugendra aham, Vainateyascha Pakshinam”.

Every year Sravana Sukla Panchami Day is earmarked for the adoration and worship of Garuda.

garuda puranam

Amruta Kalasa Garuda

Maharshi Kashyapa married Vinata and Kadru. Garuda was born to Vinata and hence he is adored as Vainateya. Sri Vaishnavas worship him as the personification of the Vedas. Kadru gave birth to snakes. When Vinata lost a wager with Kadru, as agreed, she became a slave to Kadru and to release his mother from bondage, Garuda went to Indra Loka and brought nectar (amrutham).

In many places, Garuda is shown holding a pot of nectar in his hand and is called “Amruta Kalasa Garuda”. Lord Maha Vishnu is at all times surrounded by Nityasuris, Anantha, Garuda, and Vishwaksena.

Sruti declares, “tat Vishnor Paramam Patham; satha pasyanthi Soorayaha” (In the paramapada Lord Vishnu is forever be held by the Nityasuris with unblinking eyes.).

  • Garuda and Hanuman are the two prominent carriers of Lord Maha Vishnu.
  • Garuda is always in the presence of the Lord with folded hands waiting for the command of his master. He is hailed as “Garudalwar.”
Statue of Garuthmantha - Garuda Panchami
Statue of Garuthmantha inside Tirumala Temple

There is a Garuda Temple… (Koladevi)

This Garuda temple is situated in Koladevi Village, Kolar District of Karnataka State. Koladevi village is located in the Mulbagal division. During the reign of Vijayanagara kings, Mulbagal was the eastern entrance to the empire (Moola Vayil meaning primary entrance and Moola vayil corrupted as Mulbagal).

Here in a separate temple, a very unusual statue of Garuda has been installed.

Sri Garuda Swami Temple, KolaDevi

Legends Behind the Origin of the Temple

Jayatu fought with Ravana

There is an interesting Puranic legend behind the origin of this temple. When Ravana was abducting Sita Devi the Eagle King Jatayu fought with him and fell wounded. When Rama and Lakshmana were roaming the forest searching for Sita Devi, they met Jatayu, gathered information about the Devi and when Jatayu breathed his last Lord Rama performed his obsequies.

The people of Koladevi village believe that this is the place where Jatayu was cremated. In Kali Yuga Bhrighu Maharishi erected a temple for Garuda here in memory of Jatayu.

Arjuna’s worship of Garuda (To get rid of Sarpa Dosha)

One more legend says that the presence of the unusual statue of Garuda in Koladevi is due to Arjuna’s worship of Garuda here. Though Dakshaka Naga residing in the Khandava forest escaped unscathed when the forest was burnt by Agni at the behest and collaboration of Arjuna and Krishna, Arjuna suffered for sarpa dosha.

Saints advised Arjuna to worship Garuda to get rid of the dosha. Garuda was ready to remove the dosha on condition that, Lord Vishnu and Sri Mahalakshmi should come to this holy spot, sit on his two shoulders, and give darshan to devotees. Garuda also wanted the Lord to wield a bow and arrow in his two hands reminiscent of his avatar as Sri Rama.

To help Arjuna, Lord Mahavishnu fulfilled the wish of Garuda. Arjuna worshipped Garuda who appeared carrying Lord Vishnu and Sri Mahalakshmi on both his hands, and got rid of his sarpa dosha.

Darshan of Garuda

In the Sanctum we have the darshan of Garuda in a relief sculpture of wonderful workmanship and beauty. Garuda with prominent canines and mustache, and with a dagger in his waist, has his right leg bent to the back with the left in front, sporting widespread wings. Ashta Naagas adorn his various limbs.

Garuda’s serene and satisfied countenance faces north where the separate shrine of Hanuman is located. He carries on his right palm Lord Vishnu with two hands armed with a bow and arrow and on his left palm Sri Mahalakshmi.

It can be noticed that both the Lord and His consort are seated on peetams. Shanka and Chakra adorn the sides of Garuda’s face.

There is a legend that after the Kurukshetra war, Pancha Pandavas visited this place when Arjuna established the Hanuman Sannidhi adjacent to Gardua and Sage Vasishta installed Lord Srinivasa, Sri Padmavathi and Rama, Sita, Lakshmana idols. In recent years lots of devotees have visited this temple of Sri Garuda Bhagavan.

Hanuman Sannidhi - KolaDevi

Belief…

Devotees believe that a visit to this temple and darshan of Lord Garuda would cure them of their chronic ailments, mental stress, fear, sickness following bites by venomous creatures, etc. Devotees have the great opportunity of having the darshan of Lord Mahavishnu and Sri Mahalakshmi and Garuda together.

Thondaman Chakravarthi – In service of Lord Venkateswara – Thondamanadu

Thondaman Chakravarthi / Thondamanadu Temple

The holy place where the Supreme deity of Kaliyuga Sri Venkateswara Swami along with His Consorts Sridevi and Bhudevi appeared to the King Thondaman Chakravarthi who built the temple in Tirumala and receives His puja and prayers and stayed as per king wish is ‘Thondamanadu’.

The deity of the ‘Thondamanadu’ temple Sri Venkateswara Swami is known for His consideration towards the devotees who are in dire need of God’s blessings and He blesses all the devotees liberally. Thondaman Chakravarthi, who was the brother of Aakasaraju ruled the kingdom Thondamandalam or Thurdeeramandalam with this place as the capital. Hence this place was named ‘Thondamanadu’.

Legend

There is an interesting sthalapuranam behind why Lord Venkateswara Swami stayed in Thondamanadu. Aakasaraju, father of Padmavathi Devi and fatherin- law of Sri Venkateswara Swami ruled Narayanapuram or Narayanavanam as his capital.

After the death of Aakasaraju, his son Vasudasa, brother of Thondaman fought for the Kingdom. As per the wish of Padmavathi Devi, Lord Venkateswara Swami supported Vasudasa, brother of Padmavathi Devi. But Thondaman is a dearest devotee of Lord Venkateswara, hence Lord gave His Conch and Discuss to Thondaman.

When the battle became fierceful, Lord Venkateswara made peace between both. According to the peace treaty, the kingdom was divided into two and Narayanapuram was given to Vasudasa and Tundarimandalam was given to Thondaman. As per Lord Venkateswara’s order, Thondaman built a temple in Tirumala. Lord Venkateswara Swami stayed there.

Thondaman Chakravarthi – Visiting Tirumala every day

Thondaman Chakravarthi used to go to Tirumala temple every day to worship Lord Venkateswara. As days passed on, due to his old age it became difficult for Thondaman Chakravarthi to visit the temple every day. He felt very unhappy. On seeing his unhappiness and struggle, Lord Venkateswara Swami visited Thondaman’s house and received his prayers and as per Thondaman’s wish, Lord Venkateswara Swami stayed here with Sridevi and Bhudevi.

The speciality of this temple is, that we can see Lord Sri Venkateswara Swami with His Consorts here in sitting posture. It is the rear posture of Lord Venkateswara. We cannot see anywhere else. Thondaman Chakravarthi built a temple in his own house and spent his whole life praying to Lord Venkateswara Swami.

Temple Structure

In Thondamanadu, Sri Venkateswara Swami temple is towards the East and it was built in a large area. The main Entrance has Raja Gopuram. The Raja Gopuram consists of Three Tiers at the top. There are Balipeetam, Dwajasthambam, and Garudalwar Mandapams in front of the main temple in temple premises.

The main Temple consists of four mandapas i.e.

  • Mahamandapa,
  • Mukhamandapa,
  • Antaraalayam and
  • Garbhagruha.

At the entrance of Antaraalayam, we find the idols of two dwarapalakas Jaya and Vijaya.

In the main Sanctum Sanctorum, we find the Idol of Sri Venkateswara Swami in sitting posture having four hands with Conch, Discus, Yogamudra, and Abhaya hastam along with His Consorts Sridevi and Bhudevi on both sides. This is the only place where Lord Venkateswara Swami is in a sitting posture.

Thondamanadu

Belief

It is believed by the devotees that, intimacy will be increased between the married couple, and quick marriage for unmarried youth is done by praying to this god. In addition to Main Deities, we can also see Utsava Murthies

  • Sri Srinivasa Swami,
  • Sri Sitaramalakshamana Swami,
  • Sri Anjaneya Swami,
  • Sri Viswaksena,
  • Sri Ramanujacharya and
  • Sri Thondaman Chakravarthi in Antarala.

History of the temple

It is known from the Historical Evidence that the Temple was constructed during the 9th and 10th Century AD. The Vimana of this temple resembles that of the Anandanilaya Vimana of Tirumala. The kings of Chola, Pallavas, Vijayanagara, and other rulers performed pujas here for their well-being.

During the later 20th century the temple lost its Glory. The Tirumala Tirupati Devasthanams took over the temple in 2008, initiated many developmental works and reconstructed the temple. After reconstruction, in 2016 kumbabhishekam was performed. In August 2017, TTD organized Pavitrotsavams in the temple. Recently TTD constructed Rajagopuram also.

Festivals and Rituals

In the temple, everyday daily rituals are being performed as per Agama Sastras. In Every Friday, Abhishekam is being performed. Vaikunta Ekadasi and Dhanurmasa Utsavas are being performed every year grandly.

How to Reach

Thondamanadu is situated Seven kilometers from Srikalahasthi and 28 kilometers from Tirupati in Chittoor District of Andhra Pradesh. Transport facilities are available from Srikalahasthi. The visit of ‘Thondamanadu’ and the Darshan of Sri Venkateswara Swami results endless blessings for the Devotees.

Arulmigu Manakula Vinayagar Temple

Article by P.Raja, posted in Sapthagiri Magazine

Arulmigu Manakula Vinayagar Temple, Pondicherry

Every temple is a place of great importance and it forms the very crux of almost every pious Hindu’s existence. As everything is done with the blessings of the Lord, the Hindus invariably go to temples to offer their prayers.

There was a time when temples played multipurpose roles in the life of the people. Apart from a place of worship, a temple was also a court of law, a center for distributing medicine, a school where education was given free of cost to the privileged few, and a yoga-practicing hall.

A consolation center for bereaved souls and a savior of folk arts, the temple also played the role of a provision hub during times of famine. It was also a museum of architecture and paintings.

Seeking the blessing of the Lord in a temple is a custom in our land. The Lord’s blessing can be sought only through prayer. Knock and it shall open. Ask and it will be given. The blessing people receive from the Lord is not only meant for that day but all the days to come.

People pray to God saluting Him all the time with their palms joined together. It symbolically means that they are together; they think alike; and their vibrations are in harmony with each other. The action denotes the recognition of soul and soul force.

Arulmigu Manakula Vinayagar Temple Ganesha

Saluting as per Dharma Shastras

Dharma Shastras have devised certain codes of conduct in saluting others.

  • The guru or the teacher should be saluted by placing the joined palms against our forehead.
  • The father, responsible for our sojourn on planet Earth, and the king who cares for our safety deserve to be saluted by placing the joined palms close to our mouths and noses.
  • Wise men, sages, and elders should be saluted with both palms joined together in front of our chest.
  • The mother takes the best of places in the human body. She should be saluted with both hands joined together in front of our navel.

Inside the temples, the deities should be saluted with the palms joined together and raised above our heads.

anjali mudra prayer gesture

All these parts of our body play significant roles. The belly, the heart, the nose, the mouth, the head, and the overhead are symbols of a healthy body, happiness, long life, knowledge and prosperity, and enlightenment respectively.

Spiritual science also explains that the force generated by the soul in its field of electricity and magnetism is stored in three important centers of the body and made to radiate from here to different parts. To raise our palms together above our heads is to say that the lord is above everything else.

It is good to meet the Lord quite often to receive His blessings. We get the satisfaction of being blessed by the Lord Himself and the blessed being can be sure of the fruits thereof.

The Glorious Manakula vinayagar Temple

Folklore and History vie with each other to say a lot about a temple for the pot-bellied and elephant-headed God, Lord Ganesh, in Pondicherry. A favorite among locals and tourists alike, He is also a much sought-after God.

Word – Manakula

Regarding the name ‘Manakula’, two different interpretations exist.

  1. The word ‘Manakula’ is a combination of two Tamil words – Manam (Mind) + Kulam (Pond). In a pond like a mind, a fallen dead leaf too can create a ripple. Vinayagar’s blessings, it is believed, will make the mind unperturbed and calm. That may be a symbolic interpretation.
  2. The following down-to-earth interpretation is more appropriate: Manal (Sand) + Kulam (Pond).

Old Pondicherry was punctuated with a lot of ponds surrounded by dunes. A deity, mostly Vinayagar, was installed on the bank of the pond. That made it conducive for the local people to worship the deity immediately after their bath in the pond. Hence the name Manakula Vinayagar.

Manakula Vinayagar temple is the only Hindu temple in the French Quarters of Pondicherry, while the Tamil quarters house several temples on every street. To our doubt ‘why?’ the following folktale typical of Pondicherry clarifies it thus: Long ago when Europeans ruled Pondicherry there lived an atheist who was a bosom friend of the governor of the colonized territory. No one knows for certain whether the governor and his friend were Dutch, Portuguese, English, or French, for these were the four who ruled this historically renowned place at different times.

Arulmigu Manakula Vinayagar Elephant

Story of Manakula Vinayagar Temple

To come to the story, the atheist behaved like a despot and quite often ill-treated the natives. The governor neither questioned his attitude nor lent his ear to the grievances of the natives. Since none dared to question him, the atheist poked his nose into the worship of Hindu idols. He had often seen the natives going to a temple, very near to the sea. He had nurtured a strong desire to throw away the idol of the temple into the sea and demolish the temple.

One day the atheist went with his henchmen to see what the natives did in the temple. He was taken by surprise when he entered the temple. Some people prostrated themselves before the image; some lit camphor and broke coconuts against the stone slabs; some closed their eyes and recited mantras while some stood silently praying to the Lord. What was more surprising to the atheist was the curiously shaped image that the natives called God.

The image had a big and oval face with a long trunk for a nose. It had a pot-like belly and its colour was pitch black. “What the hell is the name given to the half elephant and half glutton?” the atheist enquired of his men. “They call it Pillaiyar,” replied someone in his gang. The atheist laughed and his villainous laughter brought utter silence in the temple.

Atheist – Tried to throw stone image into the sea

Everyone shivered. “Go and lift that stone which they call God and throw it into the sea,” he commanded his henchmen. The unruly gang immediately jumped into action. Helpless, the natives stood watching the evil action of the vandals. With great difficulty, they lifted the image and carried it to the seashore.

They boarded a catamaran with the image, while the atheist stood on the shore happily watching their movements. Soon his men returned to tell him that the stone image had been thrown into the deep sea. Happy at heart, the atheist with his followers marched towards the temple to bully and insult the natives. But he was taken aback to see the image of Pillaiyar seated in the very same place in the temple.

manakula-vinayagar-temple

The reappearance of Stone Image (God)

He saw the natives praying in silence. He knew well that the natives could not have brought in another image within that short time. But at the same time, he wondered at the sudden reappearance of the image. “How did that stone come back?” he shouted at the natives in the temple. “We do not know. When you left this temple we prayed with our eyes closed. And when we opened our eyes we saw Him seated in the vacant place,” said a native. “Is that so? Does that stone presume to set its wits at me?” the atheist roared.

He then commanded, “Carry the statue. Tie it to a bigger stone. Go a long distance into the sea and roll the stones together into the depth of the sea”. His order was obeyed. But when they came back to the temple they were shocked to see the Pillaiyar again. Suspecting some foul play, the atheist stared at the smiling faces of the natives. One mustered courage and said, “This Pillaiyar is a very powerful deity. No force on earth can destroy Him”.

Final Attempt

The atheist wanted to make a final attempt. He told his men to lift the image and take it to the seashore. When it was done he asked all the natives who had gathered in the temple to quit the place. He then closed the doors of the temple and locked it.

Carrying the key with him, he went to the seashore and boarded a boat with his companions and the image. Under his supervision, the image was thrown into the deep sea. With great satisfaction, they returned to the temple. When the atheist unlocked the doors of the temple, he was horrified to note the reappearance of the Pillaiyar.

A large crowd had already gathered there. Many laughed at the foolish action of the atheist. Sneering at the crowd, the atheist ordered his men to fetch crowbars.

Gangsters trying to break

When the weapons reached the place, he commanded, to the sorrow of the natives, “Use these crowbars against their Pillaiyar and break the idol into pieces. Let the powerful deity save himself”. The gangsters began to smash the sharp edges of their crowbars against the image. But they could not make even a dent in it. They repeated their action but to their great disappointment, the crowbars broke up into tiny pieces and fell. A splinter from a broken crowbar flew whizzing toward the atheist and hit his right kneecap. Crying in pain he fell before the image.

Later it was reported to the governor that the atheist went to the temple every morning and evening without fail to worship Pillaiyar, the powerful deity. No wonder that the governor realizing the unquestionable powers of the Lord, arranged for a decent construction to house Lord Vinayagar. Hence the name ‘Vellakaran Pillayar’ (Whiteman’s Vinayaga).

manakula-ganesh

Stopping Natives from worshipping

The fact that Francois Martin, the Founder of Pondicherry, tried to stop the natives from worshipping the Lord or performing any form of Pooja in 1674 proves without an iota of doubt that the temple is nearly five centuries old.

As the story goes, the weavers and others who lived in that area planned an exodus for they believed that it was foolish to live in a place where worship of the deity was banned. And Martin has no other go but to lift his ban for without those weavers his company would have undergone a heavy loss. It must be mentioned in passing that during the reign of Dupleix, Manakula Vinayagar, and His abode remained undisturbed although Madame Dupleix was bent on transforming the places of Hindu worship into churches.

Diary of Ananda Ranga Pillai

An uxorious Dupleix had no way but to lend deaf ears to the complaints and grumbling of the locals. Another proof of its existence and survival can be seen through the famous Diary of Ananda Ranga Pillai (1709-1761). The most famous Tamil diarist to date, Pillai was Dubash to Monsieur Dupleix, the French Governor-General of French India. The Diary he maintained from 1736 till his death immortalized him as it was a record of matters political, social, and personal. Being an eyewitness report of the manners of the court and society, it is an invaluable treasure.

Ranga Pillai’s keen observation, fostered by his status in society, made his Diary a sourcebook of history. Very interested in contemporary events, he records in it “the valuable account of things historical, political and social appertaining to the period embracing the rise, the Zenith and the decline of French power in India.” The Diary opens to us vistas of bygone times. We are introduced to the customs and manners of the natives in the 18th century. He describes the religious rites and festivals of Hindus and other sects.

Not only do Pongal and Sivarathri other sects find their places in his Diary but also the Fire Festival and the hunting festival. In the entry dated April 7, 1748, Pillai wrote: “…Between half-past eight and nine tonight, Murugu Pillai, the Choultry manager, came to my nut-godown and, standing near the door of the Manakukulam Pillaiyar Temple, called me and asked if I had heard what had been going on in the town for the last two or three days” (Vol.5, p.18).

Another entry dated October 2, 1748

reads: “The shells burst in the air, and twenty or thirty fragments would fly half a mile or a mile. The pieces whistled as they flew, like a kite flying in the air. One shell struck Mir Ghulam Husain’s gate, another struck the Governor’s kitchen house and gardens. Others fell near the tobacco godown and the stable on Vellala Street. Another struck a Topasi woman’s house near the Pillaiyar temple beside the Manakulam tank, and broke her legs…The Europeans, I think, are a hundred times more alarmed than the Tamils. All of them fear the shells. Such is the effect of the shells which the English fire daily.

Many would have been wounded and killed if such had been God’s will; but by His grace, it has been otherwise, and despite all the bombardment, there has been little loss. God’s will is too great for man to comprehend, as all the Shastras say. Is it not true? That was why many of the great and wise renounced worldly pleasures for solitary meditation. All know this…” (Vol.5, P. 381) (The quotes are from H. Dodwell’s English translation of The Private Diary of Ananda Ranga Pillai).

These two entries serve ample testimony to the facts that Ranga Pillai had his tobacco godown quite close to the Pillaiyar temple and his was an unquestionable belief in Pillaiyar’s power.

Manakula Vinayagar - Golden Kavasam

During 17th Century

Perhaps built during the 17th century, it is one of the ancient temples here. Sandwiched between the street that takes us to Sri Aurobindo Ashram and the street to the Governor’s House, this temple facing east is only a stone’s throw from the promenade.

Mahakavi Subramania Bharati and The Mother of Sri Aurobindo Ashram shower their highest honor on this Lord Vinayagar, popularly known among the locals as Manakula Vinayagar.

First, listen to Bharati praying to Pillaiyar during his decade of stay (1908-1918) in Pondicherry:

“…ManakulaVinayagar, Master of the heavenly mystery, Grant to me, I pray, the strength and skill Of self-control. For this gift gained, All other gifts ensure unsought. Grant me firm courage. Then wishing For happiness for all living beings, With the worship of Your Feet my sole vocation, God Ganapati, I shall live in joy.

Sri Aurobindo Ashram

Historians and scholars believe that the Ashram of Sri Aurobindo and the temple are nearer to each other not by accident but on purpose. Lord Vinayaga is chief of all Vedas while Sri Aurobindo is an authority on the Vedas. And both bless all their devotees who come seeking their help. No wonder their abodes are quite close.

960px Aurobindo Ashram Pondichery Outside view

The Mother of Sri Aurobindo Ashram had a special relationship with Pillaiyar. She considered him her friend. On several occasions, she has referred to Ganapathi. The Mother who never recommended idol worship had a statuette of Pillaiyar on her desk. When asked, it is reported that she replied: ‘He is our friend’.

In her letter dated 8th November 1962 (later published in Sri Aurobindo’s Action, March 1980) addressed to her devotee, Mr. Madanlal Himatsingka, she writes: “… each one must invoke Ganesh according to his feeling – the traditional way is not necessarily the best” and continues to narrate her own experience with him, “In 1930 we were having regular meditations in the Prosperity hall, on the significance of flowers.

At one of these meditations, quite unexpectedly, Ganesh appeared suddenly to my inner view. He was of golden light and surrounded by a very luminous golden aura. His form was the usual one as in his images. It was the first time I ever saw him and I expressed some surprise over his sudden appearance. Then he told me, “You see I am a living being quite real and concrete – and to give you a concrete proof of my reality I shall send to you henceforth, all the money you will need. And on this promise, he disappeared. He has kept his promise for years and the money was coming abundantly”.

In the issue dated November 2004 of Sri Aurobindo’s Action, its editor Shri Shyam Sunder writes:

“…In the 1960s when Sri Aurobindo Memorial Fund Society purchased the huge adjacent property bearing premises No. 64, rue d’Orleans (as the present Manakula Vinayagar Koil Street was then known) out of funds provided by Shri Madan Lal Himatsingka, a devotee of the Mother, she arranged the transfer of a small piece of land on the northern side of the property, by way of a gift, to the Ganesa temple to provide the needed suitable space for parikrama inside the temple. As the story goes Ganesa had asked her for it. Ganesa, Mother had told us, had helped her in financing the Ashram” (p.12).

Thus a piece of land measuring roughly 12’x120’ went from Sri Aurobindo Memorial Fund Society to Lord Ganesa and today devotees are happy to go round the deities and do Parikrama. What a wonderful gift of the Mother of Sri Aurobindo Ashram to Lord Ganesa who kept his word!

No wonder that visitors to the Ashram from different corners of the globe rush to have His blessings as well.

Thousands of Pillaiyar devotees throng His abode every day and on Fridays, not to speak of Vinayaga Chaturti festival, it is always a milling crowd. Twowheelers, four-wheelers, and heavy vehicles pay their homage to the Lord before they start serving their new masters. Visitors to the Ashram from different corners of the globe rush to have His blessings as well.

A ten-day festival in Manakula Vinayagar Temple is celebrated every year since 1957 and each day’s expenditure is met by a particular community in the town.

Kindly visit our BLOG page for POPULAR ARTICLES

Eri Katha Ramar Temple, Maduranthakam

Eri Katha Ramar Temple

One of the most important and famous Sri Rama temples in Tamil Nadu is in Maduranthakam, a small town in Chengalpattu district, of Tamil Nadu. Officially known as Sri Kodandarama temple, it is popularly called Eri Katha Ramar temple. This ancient place was originally known as Madurantaka Chaturvedimangalam as the Chola emperor Madurantaka Uttama Chola (973-985 A.D.), the son of Gandaraditya Chola donated this village to scholars of the four Vedas (Chaturvedins) who lived here.

The principal deities (moola-vigrahas) enshrined in the main sanctum of this east-facing temple are Sri Kodandarama (Eri Katha Ramar), Lakshmana, and Sita. These huge deities are made of stucco (sudhai in Tamil). In Tamil Nadu, there are many temples wherein the main deities are made of stucco such as the famous Lord Ranganatha Swami temple in Srirangam and also Lord Vishnu enshrined in the Yathoktakari, Pandava Doota and Ulagalanda Perumal temples in Kanchipuram.

In the temple at Maduranthakam, Rama and Lakshmana are seen holding their respective bows in their left hands and Sita stands to Rama’s right. The processional deity (utsava-bhera) of Lord Rama in this temple is also worshipped as ‘Eri Katha Ramar’. Here we can see, Karunakara Perumal (Lord Vishnu), flanked by Goddesses Sridevi and Bhudevi, believed to have been worshipped by God Rama.

All the deities in the main sanctum, including Sri Sudarsana are enshrined under the Pushpaka Vimana. An inner enclosure (prakaram) with a raised pillared veranda runs around the main sanctum.

Eri Katha Ramar Temple, Maduranthakam

In this temple, Lord Rama and Lakshmana are seen holding their respective bows in their
left hands and Sita Devi stands to Rama’s right. Here Swami is called ‘Eri Katha Ramar’.

An interesting story

In the outer open prakaram, are situated many sub-shrines of which the most important one is for Maa Sita, worshipped here as Janakavalli. This sanctum, which faces east and has an inner prakaram and a pillared mandapa in front, was constructed in 1798. An interesting detail about this sanctum is that it was constructed on the orders of Colonel Lionel Place, who was then the Collector of Chengalpattu.

The story of how an English official came to be associated with this temple is truly fascinating. In Maduranthakam, close to this temple is a large irrigation tank. Whenever it rained heavily, the breaches in this tank led to the flood waters damaging the crops in the village. During 1795-1798, the Collector of Chengalpattu decided to rectify the situation and in 1798, he stayed in Madurantakam during the rainy months with his engineers.

He came to see the temple and saw lots of stones inside. On enquiring why they were there, the people there said that they were constructing a separate sanctum for Sita but unfortunately were unable to complete it as the crops had been damaged due to floods and they could not donate to this noble cause. The Collector then said that if God Rama would prevent the breaches in the irrigation tank, he would construct the shrine for Sita.

In the following days, there was heavy rainfall in the area. The Collector, wanting to see if the arrangements for preventing the breaches were intact, walked near the bund of the irrigation tank when he saw two Divine Beings with bows and arrows guarding the bund. At once, he knelt and prayed to Rama and later said that he had a vision of Rama and Lakshmana. The tank did not breach that year and the crops were saved. Colonel Place immediately kept his promise and made the necessary arrangements for building the shrine for Goddess Sita (Janakavalli).

There is a Tamil epigraph that mentions that Colonel Lionel Place built this shrine. There is a sanctum for Andal Devi and opposite it is one for Sri Vishvaksena. Near the entrance to the temple is a sanctum enshrining a stone image of Sudarsana (personification of the discus of Lord Vishnu) in His pose of moving forward with God Narasimha on the reverse side. Situated nearby are shrines for the Alwars and Sri Vedanta Desika.

There is also a sanctum for Sri Lakshmi Narasimha with a circumambulatory path (pradakshina patha) in this temple. At the entrance to the temple is a tall five storeyed gopuram. The sacred tank (pushkarini) of this temple is called Sri Rama Tirtham and Sri Ramanuja Tatakam. On the banks of this tank is a shrine for Anjaneya Swamy, facing the main temple.

Ramanujacharya’s connection with Madhurantakam

There are many Vishnu temples in Tamil Nadu which are connected to the life of Ramanujacharya. This temple in Maduranthakam is one such and is connected with an important milestone event in his life. Yamunacharya (Alavandar), a famous Srivaishnava Acharya, wanted Ramanuja to come to Srirangam to spread and establish the Srivaishnava tradition (sampradaya).

Periya Nambi (also known as Maha Purna), Yamunacharya’s disciple started from Srirangam to go to Kanchipuram to meet Ramanuja. Ramanuja was also anxious to meet Periya Nambi and decided to go to Srirangam. The important and historic meeting between Ramanuja and Periya Nambi took place at Maduranthakam.

There is a small four-pillared mandapa to the rear of the Andal shrine is the place under the Magizha tree where Sri Ramanuja was given Pancha Samskara (Samashrayanam) by his teacher (Acharya), Periya Nambi. Shrines for Udaiyavar (Ramanuja) and Periya Nambi are seen near the Vishvaksena shrine.

Festivals

The most important festival in this temple is the Rama Navami Utsavam.

Sri Amaralingeswara Swamy Temple, Amaravati

Sri Amaralingeswara Swamy Temple

Amaravati, a celebrated center of Saiva pilgrimage in Andhra Pradesh, is situated on the southern bank of the river Krishna in Palnadu district. Amaravati also called Dharanikota or Dhanyakataka, was the capital of many dynasties in ancient times.

It is one of the Pancharama kshetras and the seat of a Simhaparishat of the Saivas and its God. Amareswara Swamy is said to have been installed by Lord Indra. The consort of Lord Amaralingeswara Swamy is Bala Chamundika devi.

Description of the temple

The Linga of Amareswara is situated on the upper floor of a small shrine surrounded by three prakaras. The main entrance to the outer or first prakara is in the south and faces the main road. It is surrounded by a gopura of later construction.

The courtyard inside this prakara contains nine shrines which house in order, a linga named ‘Parameswara, Virabhadra, Jwalamukhi, Parthisvara, Somesvara, Mahishasuramardini, Kosalesvara and Virabhadra’. Inside is the second prakara with only one entrance in the west.

There are six small shrines inside this enclosure housing the images of Kumara, Hanuman, Ganapati, and Bhairava. At the center of this enclosure is a big raised platform with a flight of steps in the north and south near the eastern extremity. In this enclosure are to be found four small shrines in the cardinal directions, each with a linga inside.

There is one dhvajastambha to the east and another with a balipitha to the west. In the center is the shrine of Amareswara. The adhistana of the garbhagruha and antarala consists of upana, tripatta, patta, a narrow gala cut into compartments by short pilasters, and a broad allinga pattika.

The north and south walls of the garbhagriha contain in order, two pilasters, and a projecting kosta. The walls of the antarala contain two pilasters, a kosta between two pilasters. (Ramarao. M, Eastern Chalukyan Temples of Andhradesa, Hyderabad, 1984, p.40). The shrine contains on the axis the garbhagruha, antarala, mukhamandapa and mahamandapa. The mahamandapa has four rows of six pillars of the Chalukyan type.

There is a life-size statue of Raja Vasireddi Venkatadri Nayudu in this mandapa standing with his hands in Anjali facing the linga of Amareswara. The mukhamandapa beyond has openings in the north and south. There are four stout pillars in the centre slightly raised with the space between them.

There is a small Devi shrine to the north of this mandapa. The antarala is plain and narrow. The garbhagriha contains a tall marble linga emanating out of the vedi with an indenture at the top.

The vimana contains on each side a row of six pilasters, a kapota above them, a step with a lion in each corner, another step, a four-sided Nagara sikhara, and kalasa. The vimanas of all the minor shrines in this temple area contain two or more steps, a narrow gala, and Vesara sikharas.

History

As per some Legends, the demon king named Tarakasura defeated the gods. Then gods came to reside here and since then the place came to be called ‘Amaravati’. Lord Siva is worshipped as Amareswara Swami with his consort Bala Chamundika Devi.

Swami in this temple

The Sivalinga here in this temple is very tall. According to some legends, Sivalinga was growing in size, and to stop its growth, a nail was hit onto the top of the Sivalinga. When the nail dug into the Linga, blood oozed from the Sivalinga.

The main festivals and rituals in the temple are Maha Sivaratri, Navaratri, and the Kalyanotsavas. Amaravati is thus an important kshetra situated at a particularly sacred spot of the river Krishna and is a consecrated place of worship for the devotees.

How to reach?

This temple is located at a distance of 40 km. from Guntur, A.P. One can move on Busses and Trains to this temple.

Click here for google map’s location

Popular Articles

Sri Chinthala Venkataramana Swamy Temple

Sri Kurmanatha Swamy Temple

Sri Kurmanatha Swamy Temple – Lord Vishnu in Kurma Incarnation

The second incarnation of Lord Vishnu was Kurma avatar. The Lord had taken this incarnation to help the Gods and demons churn the milk ocean to get Amrutam (the elixir of immortality).

The demons were dominating the devatas on the battlefield because their Guru Sukracharya obtained the Sanjeevini (mantra for making the dead alive). All dead demons were multiplying even after they were killed by devatas in war.

Kurma Avatar of Maha Vishnu
Kurma Avatar of Maha Vishnu

When gods prayed to Lord Vishnu, he advised them to churn the ocean with the help of Mandara Hill as the churning rod and snake God Vasuki coiled around it as a rope to pull either side by devatas and demons. While churning the ocean, the Mandara Hill was sinking into the ocean making it difficult for them to churn. Then Lord Vishnu took the form of Kurma (turtle). He supported the hill on his back and saved the hill from sinking.

 

Churning of ocean

It is believed that praying to Lord Vishnu in the form of Kurma brings wealth, health prosperity in life, and sturdiness. Kurma Jayanti is celebrated on Purnima day in the month of Vaisakha month. Many also believe that starting the construction of houses on this auspicious day brings happiness to the family.

Sri Kurmanatha Swamy Temple Location

One of the famous temples dedicated to this incarnation is situated in the Srikakulam district in Andhra Pradesh. One can easily reach this place which is 15 km away from Srikakulam. The temple is popularly known as ‘Sri Kurmanatha Swamy temple’.

Click here for Google Map’s Location 

Legend of the Temple

Swetha Chakravarthi desired to make love to his wife, Vishnu Priya when she was observing austerities on Ekadashi day. To stop the advances of her husband, she prayed to Lord Vishnu who sent a stream of rushing water to separate her husband. He was carried away to Swetha Giri by the gush of the water stream. Narada appeared before the king and advised him to do penance by reciting the Kurma Narayana Mantra.

Pleased by the prayers, Lord Vishnu appeared before him and agreed to stay back there to bless the devotees. Lord Brahma consecrated the deity in the form of Kurma (turtle) and installed with holy Gopala Yantra. Lord Vishnu also created a pond called Swetha Pushkarini with his Sudarsan Chakra to enable his devotees to take a bath and worship him in the temple. Vishnu’s consort evolved from the pond and stayed with the Lord with the name Kurma Nayaki mounted on Garuda.

More about Temple.

The temple was renovated several times. The present structure of the temple was built in the 13th century by Ananthavarman who was a Ganga King. Before Sri Ramanuja visited this temple, the holy rituals of God were being done according to Shaivite culture. With the help of King Ganga, the rituals have since been performed in Vaishnava tradition.

However, this is one temple that follows both traditions. Every day abhishekam is being done. Akhanda Deeparadhana, Special Nitya Kalyanam, and Nitya Bhogam are done. The annual celestial marriage of the Lord is done on Vaiskha Suddha Ekadasi. The idol is made of a large saligrama stone. It is 2.5 feet long.

The idol is in three parts,

  • the head facing the west,
  • the middle stone representing the body of the turtle, and
  • the small stone at the end represents the Sudarshan chakra.

The superstructure of the temple is in the shape of an Octagonal sikhara with a kalasa on the top. The main hall has 108 monolithic stone pillars each one in a different style and architecture. The postal authorities released a five-rupee postal stamp depicting the temple in the year 2013.

Sri Kurmanatha Swamy Temple inside
Sri Kurmanatha Swamy Temple

This is the only temple that has two dwajastambas (flag posts) facing the East and West. The Lord originally was east-faced but turned west at the request of his devotee and hence a flag post in the west direction was also established. There was a story for this. Once a tribal king visited the place and being amused by the pushkarani he constructed a tank and was worshipping the Lord.

He was staying in the ashram of Sage Sampangi which was situated on the western side of the temple. At his request, the Lord turned towards the west, and hence a flag post was consecrated in the temple. The temple is guarded by Lord Anjaneya instead of Lord Bhairava because a curse was bestowed on him. When Balarama wanted to visit Lord Vishnu, Bhairava, the kshetrapala of the temple, did not allow him to enter.

Angered by this, Balarama replaced him with Hanuma as the protector of the place. A flag post is also constructed on the east side as the Lord was originally facing east. Devotees are allowed to enter the temple both from the west side as well as the east side.

Before entering the temple, devotees have to visit the Pathalasiddheswara temple. The temple has 108 pillars and the architecture on one pillar is different from the other. It is believed that Lord Krishna played with Gopikas in the Pushkarini, hence the sand in the Pushkarini turned white.

A Place for Salvation

Sri Kurmam temple is considered a moksha sthanam (place of salvation) and Pushkarini has cosmic powers. Some people believe that this is as pious as Varanasi and hence people are obligated here to perform the rites of the departed souls. A bath in the Pushkarini is said to cleanse not only the soul but also all the ills of the body.

There are two more temples dedicated to the Kurma avatar,

  • one is Sri Gavi Ranganatha Swamy temple in Chitradurga, Karnataka and
  • the other one is Sri Kurma Varadharaja Swamy Temple in Chittoor.

Sri Chinthala Venkataramana Swamy Temple

Sri Chinthala Venkataramana Swamy Temple

Sri Chinthalarayaswamy Temple or Sri Chinthala Venkataramana Swamy Temple is situated at Tadipatri, a town in the Anantapur district of Andhra Pradesh. The temple is dedicated to Lord Venkateswara, who is referred to as Chinthala Venkataramana.

Sthalapurana

According to a legend, it is said that once a huge noise burst out from a tamarind tree and when the villagers gathered to find out the source of the noise, they saw an idol of Lord Vishnu, which had erupted from the tamarind tree. Later that night, Lord Vishnu appeared in the dream of Thimma Nayudu, the ruler of the region, and instructed him to build a temple by placing the idol found inside the tamarind tree.

The temple was named after the tamarind tree, as ‘Chintha’ in Telugu means ‘Tamarind’. Chinthala in Telugu means that this deity will remove worries.

Inscriptions

The earliest inscription in the temple is dated 1551 and registers gifts to the temple. There are other inscriptions belonging to the 16th and 17th centuries.

Builder of the temple

Sri Chinthala Venkataramana Swamy Temple was built by Pemmasani Yerra Thimma Nayudu II of the Pemmasani Nayaks (son of Thimma Nayudu), a subordinate of Sri Krishnadeva Rayalu during the reign of the Vijayanagara Empire in the 16th century. Thimma Nayudu appointed two archakas and a chief priest and he gifted lands to the temple.

Originally the temple was called Chinthala Tiruvengala Natha Swamy Temple. Spread across five acres of land, this temple was built according to the Silpa Sastras.

Sri Chinthala Venkataramana Swamy Temple

Mandapas

The carvings of episodes of the Ramayana, the Mahabharata, and the Bhagavatha are seen around the Garbha Griha, Ranga Mandapa, Mukha Mandapa, Main Gopura, and the Prakaras. The Mukha Mandapa has 40 pillars in the Vijayanagara style. Beyond the Mukha Mandapa is a Ranga Mandapa, which has scenes of the Ramayana and rare sculptures of the Vishnu avatars or incarnations.

Temple Complex

There are other temples inside the complex, one dedicated to Goddess Lakshmi worshipped as Anandavalli Thayar, Lakshminarayana, Varaha, and the other to Lord Anjaneya. There is a shrine for Sri Ramanuja Acharya, the founder of Vishishta Advaitha philosophy.

Three Entrances

The temple has three entrances – one each on the North, South, and East. On the East, is the Dhwaja Stambham. The sculptures of the river goddesses – the Ganga and the Yamuna are prominently displayed on either side of the entrance.

The rajagopuram faces the east and is a solid structure, built using stone and brick. The stone part contains figures of Vidyadharas, Apsaras and Avatars, Elephants, Horses, and parrots arranged on different levels.

Chinthala Venkataramana

Important festivals in the temple

The important festivals held in this temple are Diwali, Sri Rama Navami, and Brahmotsavam which falls in October. A mighty temple gopuram greets the visitors and the devotees. Right after it is the Dhwajasthamba and then comes the Garuda mandapa. Right in front of the Garuda Mandapa is the large Mukha Mandapa followed by the Ranga Mandapa and the Garbha Griha.

Garbha Griha

The presiding deity of the temple in the Garbha Griha is a 10-foot-tall idol of Lord Venkateswara. It is very beautiful and a classic example of a masterpiece of the Vijayanagara architecture. Lord Venkateswara is in a standing position and is holding the Sankha (conch) and Chakra (Discus) in the upper left and right hands. The lower right hand is in abhaya hasta (reassuring the devotees) and the lower left is in kati hasta (resting on the waist).

The ceiling in the main temple is an octagonal-shaped flower. The Mukha Mandapa and the Ranga Mandapa are full of images and stories from the Mahabharatha, the Ramayana, and the Bhagavatha, all in proper sequence of events. It is certainly one of the highlights of this temple as each pillar tells beautiful stories through its intricate carvings.

One of the rare sculptures in the Ranga Mandapa is the Matsya (fish) incarnation of Vishnu killing the demon Hayagreeva.

Lord Vishnu Incarnation - Matsaya Avtaar - Killing Hayagriva
Lord Vishnu Incarnation – Matsaya Avtar – Killing Hayagreeva

Every inch of the exterior walls of the temple are carved and each carving tells us a lot about our gods and our puranas. The temple is famous for sculpture and is classified as one of the Monuments of National Importance by the Archaeological Survey of India. The temple occupies a pride of place in the history of Indian art and architecture.

Every Indian must preserve and protect it for the sake of the future generations.

The Divine Vahanas of gods and goddesses

– Smt. T.S. Rajalakshmi

Divine Vahanas

Vahana in Sanskrit means “that which carries,” a vehicle for Gods and Goddesses. All Gods and Goddesses have their vehicles (Divine Vahanas or Vahanams). The vehicle may be a bird or an animal. Yet, they too are considered with high respect and offered prayers.

They become vehicles to serve them out of devotion. They are staunch devotees who are ready to serve the Almighty at any point in time.

Lord Ganesha – Mooshika

“Mooshika” (mouse), is the vehicle for Lord Ganesha who is worshipped first in all types of worship in the Hindu Tradition. The interesting story is that “Mooshika” was Gandharva Krauncha in his previous birth and due to a curse he was born in the rat family. He was disturbing everybody in the hermitage of Sage Parashara. Gajanana who was there caught hold of him and warned him of dire consequences.

Mooshika Vahanam

Mooshika surrendered to Gajanana and offered to serve him as his vehicle always. Ganesha is also known as “Mooshika Vahana” and is sung as “Mooshika Vahana Modhaka Hastha”. Lord Ganesha mounted on Mooshika teaches us that one should not be distracted by whatever he sees and be wavering in his mind and that one can be controlled by the grace of the Lord.

Lord Subramanya – Surapadma

“Surapadma–the Peacock”, is the vehicle of Lord Karthikeya. Surapadma was a cruel Asura who was torturing the angels. When Lord Muruga fought with Surapadma vigorously, the latter took the form of a tree. Lord Muruga split the tree into two halves turning one half into Peacock and the other into a rooster (which is the symbol for Muruga’s flag).

Lord Subramanya - Peacock

Surapadma surrendered to Lord Muruga and became his vehicle. Lord Muruga is known as “Mayil Vahana”. There is a famous poem as “Erumayil EriVilayaduMugam” in which the vehicle is primarily called upon along with the Lord. Lord Muruga riding on a peacock teaches that even though one takes pride in one’s beauty, he has to submit to the Lord.

Lord Siva – Nandeeswara

“Nandi”, the divine bull, is the vehicle for Lord Siva. He is also the Dwarapalaka of Lord Siva. Nandi means happiness, joy, and satisfaction. He was the son of Sage Shilada who was an ardent devotee of Lord Siva. He wanted a son to be born to serve Lord Siva. Thus, with the Lord’s blessings, Nandi was born to serve as his gatekeeper.

Special Abhishekam and Alankaram is performed during the early hours (Pradosha kaala). He is considered to be the chief of Siva Ganas and a primary Guru. He was a preceptor to Patanjali and Thirumulainathar as well and hence called Nandikeshwara. All Siva temples have Nandi in the front-facing Lord Siva. It is believed that if anyone confides his wishes in Nandi’s ears, he would convey them to Lord Siva and Mother Parvati and get them fulfilled.

“Bairava” who is also the manifestation of Lord Siva has a dog as his vehicle. One can identify Siva temples from the outside by seeing Nandi idols on the walls of the temple.

Many Siva temples have very big Nandi idols as

  • Rameshwaram temple,
  • Brihadeeswara temple and
  • Gangaikonda Chozhapuram temple in Tamil Nadu,
  • Lepakshi temple,
  • Virupaksha temple in Hampi,
  • Chamundeshwari Temple at Chamundi Hills,
  • Hoysaleshwara Temple at Halebid in Karnataka,
  • Bhanjanagar temple at Orissa and
  • Mahanandiswara temple in Kurnool.

Devotees recite the shloka on Nandi during Lord Siva’s darshan: “Nandikesha Mahaabhaaga Sivadhyaana”. A Great Saiva Devotee named Nandanar was not able to view Lord Siva (Sivalokanathar) at Thirupunkur in Tamil Nadu as Nandi was obstructing the darshan.

Nandi Idol - Shiva

Lord Siva commanded Nandi to move aside to enable Nandanar to have His Darshan. Nandi complied with the orders and moved aside. Thus, Nandi aids other devotees to get the blessings of the Lord irrespective of caste and creed. The message from Nandi shows that every Jeevatma should focus only on serving the Lord.

Goddess Parvathi – Simha

“Simha – the Lion” is the vehicle for Goddess Parvathi. Durga kills Mahishasura by mounting on the Lion. The vehicle depicts the power of a woman who controls anger and pride and saves the world from the wicked.

goddess Parvati

Lord Vishnu – Garuda

“Garuda –the Divine eagle” is the vehicle for Lord Vishnu. He was the son of Sage Kashyapa and Vinata. To liberate his mother from slavery, he went to heaven and brought back ambrosia for his stepmother, thus performing the toughest job. Such is the power of Garuda. He symbolizes speed and power.

Natural Stone Garuda Formation
Natural Stone Garuda Formation – Tirumala Ghat Road

Many ancient texts praise Garuda as Pakshiraja–the King of Birds. Garuda Purana is one of the puranas categorized as Saatvik Purana. It has the dialogue between Garuda and Lord Vishnu. Garuda is praised in many puranas as a savior because he takes the Lord with great speed to enable him to save the devotees in time.

A classic example is Gajendra Moksha where the Lord mounted on Garuda saves the elephant. It is believed to be auspicious to remember Garuda Seva and Gajendra Moksham while waking up in the morning.

Garuda also symbolizes the Vedas. It is also said that the wings of Garuda always sound Vedic hymns. He is also praised as Suparna, Vainateya, Nagari, Jitantak, Nagbhishan, Garutman, Vishari, Vrihadtantrasaar, Ajit, Vishwaroopi, Khagshresta (best among birds) and Kashyap Nandan. One can identify the Vishnu temple from the outside by seeing Garuda’s statue on the walls of the temple.

Some temples are famous for Garuda. Naachiyaar Kovil near Kumbakonam is famous for Stone Garuda (Kal Garuda). This is the place where Garuda arranged for the marriage of Vanjulavalli Devi and Lord Srinivasa. Here, during Garuda Seva, Garuda becomes heavier when going out of the temple and becomes lighter when entering the temple. Garuda Seva in Kanchipuram, Tirumala, and Sri Rangam is very famous. Amrutha Kalasam offered to Garuda cures various diseases.

Garuda Seva with Umbrellas during Brahmotsavam
Garuda Seva – Tirumala

A few villages near Tirunelveli have a practice of performing special Abhishekam and dressing (Sattai Sathal) for one of the Garuda Statues seen on the top of the temple wall. During annual Brahmotsavas, the Garuda flag is hoisted on the main mast and it is called “Dwajarohanam”. Sri Rangam Garuda is quite huge and magnificently painted with beautiful natural colors. Garuda wore snakes as his ornaments.

DWAJAROHANAM, Tirumala

There are many songs mentioning Garuda like “Garuda Gamana, Garuda Dhwaja” etc.

Famous Shloka “Mangalam Bhaghavan Vishnu Mangalam Garudadhwaja” praises the Lord along with Garuda. Garuda was born as Perialwar, father of Sri Andal. Hence, Srivilliputtur’s inner shrine has Garuda along with Lord Rangamannar and Sri Andal. “Pallandu Pallandu” divya prabhandam was sung by Perialwar when he saw the Lord with his consorts mounted on Garuda and gave him darshan. The Garuda Flag of Lord Vishnu indicates the “Speed, Power and Dharma”.

It is also believed that the darshan of Garuda will cure diseases and bring prosperity.

Goddess Mahalakshmi – Elephant

“Elephant” is the vehicle for Goddess Mahalakshmi. We can see mostly Mahalakshmi in a sitting posture with two elephants on either side at the entrance of a temple or house as it is considered very auspicious. An elephant is a symbol of power and prosperity.

Goddess Mahalakshmi - Elephant
Tiruchanur – Alamelu Ammavaru/ Goddess Mahalakshmi – Elephant Vahana

Goddess Lakshmi is also known as Gaja Lakshmi. Gaja Vahana seva is auspicious to Goddess Padmavati Devi in Tiruchanur as Garuda Seva to the Lord. The Paraphernalia from the Lord of Seven Hills is brought on the elephants to Goddess Padmavathi Devi during Panchami theertham during Brahmotsavas.

Lord Brahma-Hamsa

“Hamsa–the Divine Swan” is the vehicle for Lord Brahma and Goddess Saraswati. The word Hamsa is a combination of two words “Aham” +” Sa” which is “I am He”. This reveals that one can get enlightened by the Supreme Personality of Godhead. Knowledge, wisdom, purity, peace, and truth are imparted.

Divine Vahanas - Brahma Vehicle or Vahan - Swan or Hamsa

Lord Indra – Airaavatha

“Airaavatha – the white Elephant” is the vehicle for Lord Indra, King of Heaven. He is praised to be a king of elephants. It stands at the entrance of (Svarga) heaven. Some texts reveal that Airaavatha emerged during the churning of the Milky Ocean. Airaavatha in Puranas is praised as a symbol of protection and success.

Churning of ocean

Vahana symbolizes a strong relationship between Paramatma and Jeevatma like that of Master and Servant. They may appear two different individuals but the truth is that Jeevatma is controlled by Paramatma. The vahana is the foremost Bhakta who helps other Bhaktas in getting the blessings of the Lord by carrying him to them. It also shows the loyalty towards the Lord. It points to the easiest way to approach the Lord and get his blessings.

All the Vahanas have a special power of cleansing the mind, body and giving us positive energy. Let’s be blessed more when we get the Darshan of the Lord in these vahanas. We should also look forward to every moment to get the opportunity to serve the Lord like Vahanas.

The 4 Abodes of Lord Vishnu (Char Dham)

The 4 Abodes of Lord Vishnu

Lord Vishnu, who is the preserver among the Trimurtis is worshipped across India. Lord Vishnu takes Avatar (incarnation) to uplift the Dharma in this world. The Dashavataras are well-known and there are many famous temples related across India that pilgrims visit every year and get blessed by Lord Vishnu.

Apart from that, many temples are grouped based on Avatars, Leelas, visits by Saints, sacred hymns, Ages, etc.

  • “Char Dham – Four Abodes” are temples at Yamunotri, Gangotri, Kedarnath, and Badrinath grouped in Uttarakhand.
  • Like that, the “Chote Char Dham–Small Four Abodes of Lord Vishnu” are grouped based on the act of Lord Vishnu.

Shaantaakaaram Bhujagashayanam Padmanaabham Suresham
Vishva Aadhaaram GaganaSadrusham Megha Varnna Shubha Angam|
LakshmiKaantam KamalaNayanam YogibhirDhyaana Gamyam
Vande Vishnum Bhava Bhaya-Haram SarvaLokaEkaNaatham ||

Badrinarayana

Badrinath, which is also called Badrikashram (10,000 feet approx. above sea level) is a place in the Himalayas, Uttarakhand, Northern part of India. The first act of “Waking up of Lord Vishnu and Taking Holy Bath” is in this Divya Kshetra.

It is one of the “Swavayam Vyakta Kshetras” among the Self-Manifested 108 Vaishnavaite Divya Desams. The Lord here is known as “Badri Vishal or Badrinarayana”.

The Lord is in Padmasana posture. Legend says that this forest area was covered by Badri Trees (Berry or Jujube fruit) and Goddess Mahalakshmi took the form of Badri Tree to give shade to Lord Badrinarayana. Lord Narayana selected this place for meditation.

4 Abodes of Lord Vishnu - Badrinath

Many puranas regard this place as equivalent to heaven. River Alakananda flows in front of this shrine. People perform rituals near Brahma Kapala for their ancestors. The temple is in between Nar and Narayana mountains. Kerala priests “Namboodris” perform puja. They are also called Rawals. The puja process is set up by Adi Sankaracharya. Maha abhishekam will start early morning with ghee, yogurt, milk, sandalwood, saffron, etc., continuously chanting the mantras.

Special Abhishekam— Shravani Abhishekam is done in Shravana month. The temple is closed during winter (mid-Nov to mid-Apr). During that time, the Utsava Murthy is brought to Joshimutt (6000 feet approx.).

Before leaving for Joshimutt, the priest dresses the Lord in woolen vests and cotton muslin dresses on top of that. He is decorated with the finest silk, jewelry, and orange flowers.

Along with Badrinath, there are other deities- Narada, Uddhava, Kubera, Garuda, Silver Ganesha, Nar, and Narayana in the Garbha Griha (sanctum sanctorum). There is Taptha Kund, a natural hot water spring where pilgrims take a holy dip. Alwars have also sung in praise of this Lord. Adi Sankaracharya has set up Mutt in Badrinath to spread the Hindu Philosophy in the north.

Dwarakdesh

Shanku Chakra Gadha pani!
Dwaraka Nilayachyuta!
Govinda Pundarikaksha!
Rakshamam Sharanagatham

Dwaraka which is also called Dev Bhoomi is in Gujarat which is the Western part of India. The second act of “Dressing up–Divya Alankar” is in this Divya Kshetra which is also one of the 108 Divya Desams. As the name mentions it’s the gateway to heaven. It is also one of the Seven Mukthi sthalas (places for Salvation).

Dwaraka is a place where Lord Krishna has set up the city built by God’s Architect Vishwakarma. All the people of Mathura were shifted to Dwaraka. The Lord here is known as ‘Dwaraka desh’. Deep daan is very divine in River Gomati. It is considered the most popular city of those times. It shows the prosperity of the place.

Dwarka

The current temple dedicated to Dwarkadesh was built by Vajranabha, grandson of Lord Krishna. Lord Krishna is in standing posture with four arms bearing Shanka (Conch), Chakra (Discus), Gadha (Mace), and Padma (Lotus).

The specialty of this temple is that Mother Devaki is facing Lord Krishna. There is a separate temple for Goddess Rukmini Devi. Lord Krishna of Dwaraka is beautifully decorated from the day start of Mangala Arati till Shayan Arati (Ekanta Seva) at night. After Abhishekam, the adornment starts with Pitambar (Yellow silk garments). It is like a Pyjama (Salwar type), then Vagho (one piece of cloth), and four pieces of cloth for four hands of the Lord.

The ornaments are Chandanmala, Betelnut mala, and Vaijayanthimala. The crown is named ‘Kuve’ which has Chandrakala beautifully ornamented. The conch and the discus are decorated with precious diamonds and stones. Great Acharyas, Adi Sankaracharya, and Ramanujacharya have visited this shrine. Adi Sankaracharya has set up Mutt in Badrinath to spread the Hindu Philosophy in the Western region.

Lord Jagannath

Neelachala Nivasaya Nithyaya Paramathmane!
Balabadra Subadhrabhyam Jagannathaya te namah!!

Puri Jagannath is a temple dedicated to Lord Jagannath (Mahavishnu – Ruler of the World) situated in Puri, Orissa in the Eastern part of India. The third act “Divine Dining Feast” is the world-famous richest prasadam offered. Many Puranas have mentioned the story of how Lord Jagannath, Sister Subhadra, and Brother Balaram reside in this temple.

King Indradyumna dreamt of the Lord as “Neela Madhava” and wanted to get his Darshan. He told the same to his ministers and asked them to find out how to get the Lord’s Darshan. Vidyapati, one of the Brahmin priests, set out to search and found Lord Neela Madhava prayed by a tribal group. They did not allow any of them to get the Lord’s Darshan. Vidyapati, somehow, managed to marry the daughter of the tribal chieftain and requested for the Lord’s Darshan.

Four Abodes - Jagannath Temple, Puri

They agreed on the condition that they would take him blindfolded to the place. Vidyapati agreed and got the Divine vision of the Lord. He cleverly put mustard seeds on the path which grew later and he showed the path to the King. Unfortunately, when the King reached the place, he could not find the Lord. The vexed king desperately cried for the Darshan. He heard a celestial voice informing him to come to the seashore where he could find a fragrant wood floating that could be used to carve out the Divine idol. Thus, he got the wood but was waiting for a sculptor.

Vishwakarma appeared in disguise as an artisan and informed him that he would carve the idols provided he is not disturbed until the carving is complete. He closed the door and days passed. As King did not hear any sound even after a few days, he was worried. Impatiently he opened the doors and found the idol half-complete as is seen today. The Lord informed that he would like to be in this form and bless the devotees.

As mentioned, the Lord’s naivedyam (food offering) is called Bhog (food), and the prasadam is considered sumptuous to consume. The kitchen is considered to be the largest temple Kitchen in the world. Daily Naivedyam is offered six times to the Lord. Naivedyam offered in the morning is called ‘Gopala Vallabha Bhoga’. It consists of around seven items.

At 10.00 a.m. ‘Sakala Dhupa Naivedyam’ is offered with thirteen items. Then, ‘Chatra Bhoga’ in the afternoon is given to pilgrims. Then, ‘Madhyahna Dhupa’, the heavy meal; ‘Sandhya Bhoga’ at night, and the last one is Bada ‘Simhara Bhoga’. The prasadam is called “Mahaprasad”. Around fifty-six varieties of Naivedyams are prepared in this kitchen.

The specialty of the Mahaprasad is that Goddess Mahalakshmi herself is believed to supervise the Kitchen. Cooking is done in earthen pots. There is an open market named Anand Bazar where Prasadam is sold. The Adi Sankaracharya visited the temple and set up Mutt there.

Puri Jagannath Rath Yatra
Puri Jagannath Rath Yatra

Puri Jagannath Rath Yatra is world famous where millions of pilgrims flock to get the Darshan of the Lord on the gigantic chariot. Enchanting Lord Vishnu in the reclining posture gives bliss to the devotees. In the four Dhams, reclining posture is in two places from the South. Some consider that Thirupullani near Rameshwaram and Sri Rangam for Shayan (lying) are legendary. Both places are related to Srimad Ramayana.

Lord Ranganatha Swami of Srirangam

Kaveri VirajaSeyam Vaikuntam Rangamandiram!
Sa Vasudevo Rangesha: prathyaksham paramam padam!!

Srirangam is the foremost Divya Desam which is considered the resting place for Lord Vishnu. Alwars have sung the praise of Lord Ranganatha elegantly. It is Swayam Vyaktha Kshetra (Self- Manifested). Here Lord reclines on a huge Adi Sesha (Serpent). The idol was first given by Lord Vishnu to Lord Brahma, then to the Ikshvaku dynasty, and finally to Vibheeshana by Lord Rama himself.

Lord Ranganatha wished to reside on the banks of River Kaveri and Kollidam. Ekanta Seva is unique in Srirangam, especially during Ira Pathu Seva. This practice was started by Ramanuja. Sri Ramanujacharya served this temple for many years.

Sri Ranganatha Swamy Temple, Srirangam (Divya Desam)
Sri Ranganatha Swamy Temple, Srirangam (Divya Desam)

 

The unique playing of Veena is soothing to hear. Adi Sankaracharya visited this temple. Many hymns highlight the beauty of Sri Rangam temple. The greenery in this temple is considered to be equivalent to Sri Vaikuntam which made the Lord rest happily in this place.

Many songs question the Lord why he is reclining; is it because he walked with Sita Devi in the forest or he had danced on snake Kaliya or walked to get three steps of land from Mahabali? The beauty of the Lord is to the fullest when the Lord is in a reclining posture as seen in Sri Rangam.

Wherever the Lord is, whatever he does, it gives ecstasy to the devotees as they visit the temples for Darshan and blessings. At each place, he is celebrated with pomp and glory. His beauty steals the minds of the devotees.

In the North, he does penance for the wellness of the world; in the West, he shows his beautiful form by dressing himself which cools the minds of the devotees; in the East, he wants to feed the devotees, in the South, he wanted to maintain peace and give salvation to his devotees. Thus, he is ready to save the world from the clutches of the wicked and guards from all sides by performing simple acts.

Lord Adi Jagannatha of Thirupullani

Thirupullani (near Rameshwaram), is the Southern Divya Desam, where Lord Rama is in a reclining posture. Here Lord is in ‘Yoga Nidra’ pose. The temple is one of 108 Divya Desams. It’s on the way to Rameshwaram. This temple is dedicated to Lord Adi Jagannatha perumal.

It is believed that King Dasaratha first performed Putra Kameshti Yagna in this place and later in Ayodhya. In the same temple is another important shrine where Lord Rama is in reclining posture on Darbha Grass. It is believed that Lord Rama did penance for the Lord of the Ocean (Sagara) to give way to reach Lanka. Alwars have praised the Lord in this Divya Desam. Pitru Tharpana (rituals for ancestors) are performed in Sethu Samudra (on the shores of Sethu). As devotees, we are blessed by visiting these places.