Padmavati Srinivasa Parinayam

Sri Padmavati Srinivasa Parinayam at Tirumala

Celebrating the wedding of the Aadhi Dampathi (Divine couple) Sri Lakshmi and Lord Narayana is a great event celestial since time immemorial. Indeed in every marriage ceremony of humans, the Divine couple are invoked so that the human marriages have the blessings of the Lord and the Goddess.

The marriage of Lord Srinivasa and Sri Padmavathi took place at ‘Narayanavanam’ amidst the chanting of Vedic mantras by sages and was attended by all the celestial gods including Sri Parvathi, Parameswara, Brahma and others on an auspicious day. Akasa Raja called Brihaspati to fix the date of the marriage after discussing it with all his family members and ministers.

Padmavati Srinivasa Parinayam / Srinivasa Parinayam / Padmavati Parinayam

They all gave their consent for the marriage to Lord Srinivasa, the son of Vakuladevi. Since the native star of Sri Padmavati is Margasirsha and Lord Srinivasa is Shravana the marriage was arranged at the conjunction of the two starts. Brihaspathi selected the uttaraphalguni day of the month of Vaisakha and the Lord became an idol along with Goddess Lakshmi as Vyuhalakshmi on His chest approx. after 52 years.

After Marriage

After His marriage with Padmavati, Lord Srinivasa moved towards Tirumala to make it His permanent abode till Kaliyuga ends to bless His devotees. Lord Venkateswara stayed for 6 months at a place on the advice of Agastya Muni. Agastya Muni wanted the newly married couple to stay near his penance grove on the Banks of the Swarnamukhi River.

Swarnamukhi River at Srikalahasti
Swarnamukhi River at Srikalahasti

It was a custom that newly married couples should not climb Hills at least for six months. So, they stayed in this place. The place where Lord Srinivasa and Sri Padmavati stayed now is called ‘Srinivasamangapuram’.

The grand celestial wedding conducted by Akasaraju for his daughter with Lord Srinivasa at Narayanavanam was a feast to the eyes of all those who attended the unforgettable event. The TTD on the request of a Bhakta started celebrating the parinayotsavam of Lord Srinivasa and Sri Padmavathi at Narayanagiri in the year 1992. The great wedding Day of the Divine couple was to get a glimpse of the marriage performed some centuries ago so that we the Bhaktas enjoy and experience it.

sri kalyana venkateswara swamy Temple, narayanavanam
Sri Kalyana Venkateswara Swamy Temple, Narayanavanam

Padmavati Srinivasa Parinayam – At Narayanagiri Gardens

This festival called ‘Padmavati Srinivasa Parinayam’ is celebrated from April – May.  The Lord’s marriage took place in Narayanavanam and the TTD selected Narayanagiri a befitting place for the event in Tirumala. The Narayanagiri Gardens is the venue of the celestial wedding of Lord Srinivasa and Goddess Padmavati. This three-day Annual festival is performed in the evening under the moonlight in the Parinayotsava Mandapam decorated artistically.

This three-day festival is conducted on Navami, Dasami and Ekadasi in the month of Visakha. Sri Malayappa Swami the processional deity of Lord Venkateswara arrives in the Gaja, Aswa and Garuda vahanams on each day and Sridevi and Bhudevi arrive on separate palanquins.

This Divine re-cap wedding ceremony takes place as per the Hindu orthodox tradition elaborately and interestingly in the beautiful garden with special decorations of the flora. Lord Malayappa Swami occupies the centre stage of the mandapam and His consorts are on the opposite side in a decorated place.

As per the tradition ‘Edurkolu’ receiving each other, Poola Banthulata (game of flower balls), and Vastradharanam (offering new clothes) are conducted.

Padmavati Srinivasa Parinayam / Srinivasa Parinayam / Padmavati Parinayam

Padmavati Srinivasa Parinayam – 3 days

The same process will take place on all three days. At the end of this grand divine marriage, there will be a display of crackers. The most important of all the above will be the recitation of four Vedas by Vedic Pandits and the music programme by TTD Annamacharya project. After the above programme, Lord Malayappaswami and His consorts return to the temple as usual. Hence Vaisakha Sudha Dasami is the wedding Day of Lord Srinivasa and Padmavati.

The Kalyanotsavam which was celebrated in that (Brihaspathi’s) time is celebrated every year during April-May on that particular day in addition to the Nitya Kalyanotsavam of the Lord every day in Tirumala. The devotees attend in large numbers the wedding (parinayam / kalyanam) to seek the blessings of the Lord and His consorts.

Sriyah Kaantaaya Kalyaana
Nidhaye Nidhayertinaam
Sri Venkata Nivaasaaya
Srinivaasaaya Mangalam

Significance of Silver (Metal)

Significance of Silver

Silver is one of the most widely used precious metals in jewellery. The jewellery made from silver is elegant, classy, long-lasting, and more affordable than other precious metals.

Generally Indians like wearing gold ornaments but don’t wear gold ornaments under the waist, as it represents the goddess of wealth and prosperity. Due to this reason anklets and toe rings are made of silver.

Our Hindu dharma says wearing silver toe rings on the second toe of both feet by married women is very promising and good for their health. Further, the Ayurveda sastra says a nerve on the second toe of the feet regulates their menstrual cycle and also balances their hormonal levels.

As per Rasa Shastra (a special branch of Ayurveda) Silver is considered a purer metal than gold. This is why the worship utensils like lamps, idols of gods and goddesses, harati plate, bell and naivedya bowl etc. are made of silver. As per astrology silver is associated with the moon. Moon bestows peace in our minds.

Hence by wearing a pearl-studded silver ring, stress and anxiety can be reduced. As the moon is the ruling deity of Monday, those who worship lord shiva with silver flowers on Mondays get free from the ill effects of the moon and are blessed with wealth and luck.

In Garuda Purana, under the 47th chapter of the Preta Khanda mentioned the river Vaitarni. It lies between the earth and the Naraka, the realm of Yama, the Hindu god of death. It is believed to be capable of purifying one’s sins.

After the soul leaves the body, it must cross this river. Persons who have done good karmas and dhaanas in their lifetime can easily cross this river. It is believed that people who do Go (cow) dhanam never fall into the Vaitarni river after death.

Significance of Silver (Metal) - Silver Cow

Nowadays donating a cow to a brahmin is too expensive. So it is suggested that instead of a cow, a silver cow can be donated.

Scientific research says that drinking water in silver vessels stays pure and free from contaminants. If we drink this stored water it helps to balance the ‘ph’ level of water which can support our immune system and reduce inflammation in our body. Due to this reason thousand years back when sailors used to travel on long voyages, they carried silver coins with them and kept them in their water bottles. Then they used to drink this silver-induced water.

Of course, it is one of the reasons for distributing tirtha (sacred water) kept in silver bowls to devotees adjust at temples.

Health Benefits of Silver

It can treat and prevent sinus infections and benefit allergy sufferers. It can heal wounds and skin conditions. Silver alloys are used inside the human body for placing plates in bones etc. It can prevent and kill viruses. It treats and fights against bronchitis and pneumonia. It has Anti-Inflammatory properties. Thus silver is an amazing natural resource that can help us in many ways, both physically and spiritually.

Silver Coins and Dollars in Tirumala Temple

Generally, the devotees of lord Venkateswara use to perform various sevas like Vasanthotsavam, Dolotsavam, Sahasra Deepalankarana seva etc. In addition to this Niluvu dopidi (giving up their belongings-silver, gold or cash to the lord), Thulabharam can also be performed at Tirumala.

Srivari Thulabharam

The objective of the Srivari Thulabharam is to donate some offerings as per the wish of the pilgrim which is equal to their weight.

Offerings like Rice, Jaggery, Sugar Candy, and gold and Silver Coins can be offered to the Lord. But devotees need not bring these things along with them because TTD will provide these offerings to the devotees on a payment basis inside the temple.

In addition to this 5 grams, and 10 grams of silver dollars of Lord Venkateswara and his divine consort Padmavati Devi are also sold by Tirumala Tirupati Devasthanams to devotees at bullion market rates on the date. People also consider these dollars as sacred as it is sold directly from TTD.

Sanakadi Maharishis (4 Kumaras)

Sanakadi Maharishis

Sanaka Kumara, Sanatana Kumara, Sanandana Kumara, and Sanat Kumara are collectively called Sanakadi maharishis.

They are created by Lord Brahma out of his mind and thoughts. They roam the entire universe in the form of children. Lord Brahma desired that these children would enter into a materialistic world by marrying and creating the universe.

But, against the wishes of their father, they vowed to follow the path of celibacy and wandered all over the universe to teach the knowledge of dharma. They spend time meditating on Lord Vishnu and get enlightened with spiritual knowledge. They impart divine knowledge to the rulers so that they can rule their countries with peace by following the right path stated in the Vedas.

Sanaka Kumara, Sanatana Kumara, Sanandana Kumara, and Sanat Kumara

Meaning of the Names

Their names represent the wholesomeness of life,

  • Sanaka means the ancient,
  • Sanatana means eternal,
  • Sanandana means ever joyful and
  • Sanat means ever young.

All the brothers live in the abode of knowledge and Vaikunta and always sing the praise of Lord Vishnu. They acquire the knowledge of Yoga and preceptors in the knowledge of scriptures.

They practised and preached that one should have inner contemplation (Nivritti) for the realization of God.

Curse to Jaya and Vijaya

Once the Sanakadi maharishis were stopped by Jaya and Vijaya, the gatekeepers of Lord Vishnu, when they went to see Lord Vishnu. Assuming that these are four kids, they interrupt them from entering the Vaikunta where Lord Vishnu is resting. The rishis felt that these gatekeepers should come out of their flaws and hence cursed them to take birth on earth.

Curse to Jaya and Vijaya - Sanakadi Maharishis

When they prayed to Lord Vishnu that they could not live separated from Him, the Lord has given two options to them.

2 Options

Take seven births and spend in the service of the Lord or take three births as cruel demons and die at the hands of the Lord. They preferred the second one assuming that they could serve the Lord as gatekeepers after completing only three births instead of seven.

3 Births

They took three births

  1. as Hiranyaksha and Hiranyakashipu in Satya yuga;
  2. as Ravana and Kumbhakarna in Treta yuga and
  3. as Shishupala and Dantavakra in Dwapara yuga.

As enemies of Lord Vishnu, they were demolished by the Lord. After completing their three births, they reached the abode of the Lord.

Advice to King Vritra and Sage Shukra

In the Santhi Parva of Mahabharata, the Rishis narrated the greatness of Lord Vishnu. They consider Lord Vishnu as the creator and destroyer of all beings in the Universe. They also categorized all human beings into six colours. The colours are dark, tawny, blue, red, yellow, and white.

They represent various stages of the Sattva, Rajas, and Tamas qualities of humans. They described how a human being should raise from tamas quality to sattva quality to reach the abode of Lord Vishnu in different births.

Advice to King Prithu

The King asked the rishis to elaborate on the easiest way to obtain emancipation from worldly life. They advised the king that one should pray to Lord Vishnu and keep trust in him. He can only liberate humans from the clutches of the life cycles.

One can free oneself when one follows the path of nonviolence, and by living a simple life. They affirmed to the King that the final destination for any human is salvation and this could be achieved when we surrender to the lotus feet of Lord Vishnu.

Other references

They visited Lord Rama in Tretayuga when the Lord with his brothers and Hanuma were resting in a mango grove. They were mesmerized to see Lord Vishnu in the incarnation of Lord Rama and bowed before him. They also set up traditions and the Nimbarka sampradaya is said to have originated from the rishis. Sanat Kumar Samhita finds a place in Shiv Purana.

As child prodigies, they have enlightened many through their discourses, speeches, and narrations of the great deeds of Lord Vishnu.

Ganga Aarti (Holy Harathi at River Ganga) – Varanasi

Ganga Aarti

The Ganga Aarti in Banaras is amongst the most exquisite religious ceremonies on the planet. It takes place near Kashi Vishwanath Temple in the Ghat Dashashwamedh. The Aarti is held on the stairs at the river’s bank. In honour of the Goddess Ganga, a group of pandits dressed in saffron robes erect massive brass lanterns.

The ritual starts with blowing a conch, which is said to clear bad energy and improve your sensibilities. The air is thick with the scent of sandalwood. People begin gathering early to secure a good viewing spot for the Aarti.

A good method of viewing it is via boat. Alternatively, several nearby establishments rent out their decks to visitors. Varanasi is also a popular tourist spot in North India package tours.

7 Cities

Seven cities in India have been declared holy and sacred which leads one to attain salvation.

They are

  1. Ayodhya,
  2. Mathura,
  3. Maya (Haridwar),
  4. Kanchi,
  5. Kasi (Varanasi),
  6. Avanti (Ujjain) and
  7. Dwaraka.

Among them, Varanasi gets its importance, where Lord Shiva was said to be relieved of the curse of having chopped off the head of Brahma. It is also told that Lord Shiva chants the Rama Mantra in the ears of those who are about to die here, to attain salvation. Every Hindu would like to visit Varanasi at least once in their lifetime, to ward off their sins.

Ganga Aarti (Holy Harathi at River Ganga) - Varanasi

Varanasi – the spiritual capital of India

Varanasi is situated on the banks of River Ganga, which is considered to be the holiest river. In the Scriptures, Ganga is said to have originated from the Holy feet of Lord Sri Vishnu when He took the Aavatara of Trivikrama when His feet enclosed all the worlds. Further, It has been said to be held in the Locks of Lord Shiva. It is a perennial river, with flowing waters throughout the year.

A dip in the Holy Ganga cleans all the sins. Ganga is worshipped as Ganga Mayya.

Varanasi may be said to be the spiritual capital of India, where attending the Ganga Aarti is a visual treat to watch. The Aarti is the main attraction when thousands of people gather on the banks of Ganga, every day. The Aarti at the Sunset offers an extraordinary spiritual feeling.

Every evening, priests of Varanasi perform elaborate and extremely beautiful Aarti on the Ghats of Ganga. The most prominent of these Ghats is Dashashwamedh Ghat which is located right next to Kasi Vishwanath Temple. The other ghats where people can watch Varanasi Aarti are Assi Ghat and Rajendra Prasad Ghat.

At Dashashwamedh Ghat, the entire place keeps silent when a Shankh (conch) is blown. The Shankh’s holy sound heralds that the Aarti is beginning and it draws everyone’s attraction. A statue of Ganga is placed in the centre of the platform. With the sound of bells and chants, and lighting of incense sticks and Diyas (lamps), the Aarti carries on.

The priests do pujas with great devotion for the River Ganga in such a synchronized manner that it makes for a spellbound sight. The Aarti goes on for about 45 minutes and it is impossible to take your sight even for a second. People gather together to witness the wonderful sight.

Timings of Ganga Aarti

For a long period, Ganga Aarti was performed only in the evening. It was always scheduled just after the Sunset. In Summer it would start at 7 pm and in Winter around 6 pm. Nowadays morning Ganga Aarti is also performed.

  • In Summer, morning Aarti is performed from 5 am to 7 am and in Winter from 5.30 am to 7.30 am.
  • The evening Aarti is performed with a focus on Dashashwamedh Ghat and the morning Aarti is focused on the Assi Ghat.

Morning Aarti is a spiritual treat for the Soul.

It begins with the chanting of Veda hymns and is followed by Aarti. A grand tribute is paid to the four basic elements that comprise everything in this universe, viz., Earth, Water, Sky and fire. After the Aarti, classical musicians perform sweet musical concerts.

Ganga Pushkaram a very famous and sacred festival is said to be celebrated during the period April – May, this year, when the planet Jupiter enters the constellation of Aries (Mesha rasi). It will be an added benefit to perform and witness the Holy and Sacred Aarti.

Varanasi is a very sacred place with the presiding deity of Kasi Viswanath with His divine consort Sri Kasi Visalakshi; Ganga is the holy river; Ganga Aarti is a spirit kindling performance. Then what to tell about witnessing Ganga Aarti at Varanasi – a great experience to be felt only and in warding off the sins.

Purisai Garden Ceremony – Tiruvaadippooram Shaattumurai

Purisai Garden Ceremony

On the day of Tiruvaadipuram Shaattumurai itself, Lord Venkateswara goes to Purisai Garden. On the evening of the day of Poorvaphalguni star in Kataka month, Sri Malayappa Swamy goes to Purisai Garden in a wooden Tiruchi in a wider circumambulation. There, different preparations are distributed to the devotees after offering them to the Lord. Later, the Lord is taken to Pogada tree and is offered camphor light.

The remnants of camphor light, flower garland and sathari are given to the Pogada tree. The priests get the Sathari without keeping it in the tiruchi. As the Lord enters the street crossing the Gajendra Moksha pavilion, He is offered camphor light followed by anointing of Lord’s sathagopa for sanctification. After another offering of camphor light, the sathari is placed in the Tiruchi. Then, the Lord goes back to His original abode. This is the ceremony at Purisai Garden.

The Tiruvadipooram Festival

Background to Tiruvaadippooram

108th chapter of Sri Venkataachala Mahaatmyam episode of Varaha Purana mentions: “Govindaaya Namastubhyam Srinivaasaayate Namaha,” indicating the non-duality of Lord of Venkatachala and Govindaraja. Sri Bhagavad Ramanuja lived during the rule of Kattiyam Yadava kings.

Once, Chidambaram Govindaraja Swamy had to leave the sacred legendary shrine of Chitrakoot on the banks of the Kaveri river and reach Tirupati in the footsteps of Tirumala. He was hailed as another form of Lord Venkateswara and worshipped here. At that time, Sri Ramanuja wanted Govindaraja should enjoy all rituals and riches on par with Lord Venkateswara.

Towards this end, he laid a lotus flower in the hand of Andal and got the sacred throne engraved with the yantra and mantra required for the wealth-yielding Vyooha Lakshmi. He erected Govindaraja Swamy on the left side as per the Vaikhanasa tradition and proposed for the conduct of all ceremonies.

During the month of her birth star Poorvaphalguni, Goda Devi was added to Govindaraja Swamy and erected in the sacred lotus feet of self-manifest Lord of Venkatachala in Adipuli (Alipiri) pavilion on the footsteps of Tirumala.

Purisai Garden Ceremony - Tiruvaadippooram Shaattumurai

Some inscriptions reveal the details of this ceremony. Let us go into the details.

Purisai Garden Ceremony in the Inscriptions

Purisai Garden ceremony was restored in Tirumala on September 23, 1983. Though it was in vogue in the past, it was discontinued in the middle. It was called Tota Tirunal or Topu Tirunal. It figures for the first time in the February 17, 1494 Inscription (113th Inscription, Volume 2) during the regime of Saluva Narasimha. It belongs to Niyogi Timmana Danda Nayaka of Haaritha Gotra and Aswalayana Sutra, a resident of Chandragiri.

It refers to the Purisai Garden ceremony held for twenty days. It also mentions that Timmana Dandanayaka offered services to the Lord on the eleventh day of the ceremony. The September 15, 1542 Inscription (28th Inscription, Vol. 3) during the rule of Srikrishna Devaraya is the second one to mention this ceremony.

Pappushetty Ayyan

Pappushetty Ayyan, son of Pandayar Shennam Shettiyar, resident of Narasingapuram near Tirupati, distinctly described the order of rituals to be offered to Govindaraja Swamy and Lord Venkateswara during their visit to his gardens at Tirumala and Tirupati.

The March 6, 1536 Inscription (73rd Inscription, Vol. 4) during the rule of Achyuta Devaraya proclaims that Raamayyan, son of Mattamallayan and disciple of Parashara Bhattacharya, donated for the conduct of Garden Ceremonies of Ramabhatta, Ramachandra Deekshita and Appa Pillai.

Inscription 18 of Vol. 4 mentions the Garden Ceremony of Jayyapu Nayakar. 19th Inscription mentions the Garden Ceremony of Moorthi Nayakar, son of Katlakonda Nayakar, resident of Kumarapalli. August 7, 1554 Inscription is the only complete inscription that we find in this regard.

It mentions the order of this Garden Ceremony in detail including the services, donations, offerings of food and other items, etc. for Malayappa Swamy, His twin consorts (Sridevi and Bhudevi), Lord Krishna, Vishvaksena and Bhashyakara. To meet this expenditure, Moorthi Nayakar purchased land worth 75 rekhaipans including Rajendrasinga Nalloor land worth 50 rekhaipans and Pudipatla Lake canal land worth 25 rekhaipans, and offered it to the treasury of Tirumala.

It also details the different heads of expenditure. In the auspicious hour of shravana star during ankurarpana of Aani Brahmotsava arranged by Sri Ramanuja and Tallapaka Tirumalayyangar (June- July), Lord Venkateswara with His twin consorts, Srikrishna and His Commander-in-Chief (Vishvaksena) are seated in the pavilion of Murthy Nayakar Garden. These deities are anointed with musk, sandal powder, etc. Decoration, offering of food, camphor light offerings, sathari rituals are continued even now.

Vishvaksena - Supreme commander
Commander-in-Chief (Vishvaksena) / Supreme commander

The last Garden Ceremony conducted like this was mentioned in the 6th Inscription of Volume 13 of March 31, 1606. Vijayanagara treasurer Bokkasam Krishnaiah conducted this in the flower garden named after his father Bokkasam Narasaiah. But, there is no evidence of its continuance later during the rule of Nawabs or Company, or Mahants. It was held in 1983 after about 400 years.

Though the nomenclature of Tototsava was not used, this ceremony could be seen in the Lord’s visit to some important places in Tirumala and Vanabhojana (Dining in the Forest). Purisai Garden Ceremony also comes under this category. It is being conducted in the Tirumala rock garden of 1527. The birthday of Goda Devi happens to be Anantaalvan’s breathing his last. Hence, this festival marks both of these occasions.

Andal’s Tiruvaadippooram festival is also held. In this context, let us try to know about the flower garden of Anantaalvan.

Anantaalvan’s Garden

Anantaalvan and his wife grew flowers of variegated plants in the Ramanuja Pushpa Vaatika erected with great labour. He used to collect those flowers, braid them into garlands and offer them to the Lord of Tirumala every day. Adorned with these garlands from top to bottom, the Lord used to give His darshan to the devotees exceedingly bright.

Fascinated by the beauty of these garlands, the Lord, it appears, was once inquisitive to see Anantaalvan’s garden. He went to the garden along with Alamelmanga at night after the doors of Ananda Nilayam were closed. Overjoyed by the beauty of the garden, they took a walking tour through it plucking the flowers throughout the night and went back to the Ananda Nilayam in the early hours. Anantaalvan was disappointed to see his garden spoiled the next day.

It became a routine every day for the divine pair to visit the garden and spoil it. Anantaalvan prayed to the Lord with great anguish. Feeling sorry, the Lord appeared to Alvan along with His consort at midnight the next day. Anantaalvan wanted to catch hold of them. But, the Lord escaped somehow, while the Lady was caught.

Sri Devi Caught for plucking flowers

The Alvan tied her to the Sampangi tree with creepers. She appealed to him for release in vain. He was on the prowl for her husband. At last, he saw the man running away from the garden and running north to the temple from the south street. He ran after him, but could not catch him. He returned in disappointment.

In the meanwhile, it dawned. The temple priests woke the Lord up and could not find the golden image of Alamelmanga on His chest. The Lord then pacified the anxious priests and directed them to go to Anantaalvan’s garden where she was confined and take her back with all honours. Awe-struck, they all went to Anantaalvan and praised him as the most fortunate devotee for confining no less a lady than the consort of the Lord Himself. Anantaalvan deeply regretted his ignorance.

He prostrated before and seated her in a flower basket and took her to the temple. Lord Srinivasa was quite happy and called him his father-in-law for offering Alamelmanga like a daughter in a basket as in marriage to Him. The Lady flew to the Lord to occupy His chest as usual. The Lord felicitated Alvan with new clothes, sandal powder and betel leaves.

Significance as the birthday of Goda Devi

Thus, in the Kataka month (Aani maasa) on the day of Poorvaphalguni star during the Tiruvayi(di)pooram ceremony, the Lord goes to Anantaalvan’s garden every year in procession in the circumambulatory direction to receive worship and then felicitate the Pogada tree in the Anantaalvan Brindavan with His sathari.

He would go back to the temple in procession later. So, this day is regarded as the day of Anantaalvan’s breathing his last. Anantaalvan, it is believed, was transformed into a Pogada tree in his Brindavan. This day is significant as the birthday of Goda Devi, i.e. Tiruavaadippooram as well.

History of Temple Architecture

Temple Architecture

The temple is the heart of Sanatana Dharma. It is where the human learns to seek, understand and reach out to the universal power called God. It is a sacred site where art, science and spirituality come together to help the devotee attune himself to the sacred vibrations of the Supreme power.

A temple makes use of all the five elements, from fire to water, images from nature and of deities, the smell of Incense and the sounds of holy instruments to create an environment to create and propagate “Bhakti”.

It is a sacred abode where the nothingness of the sanctum sanctorum also represents universality. Thus the temple also becomes an important aspect in understanding the culture, period and ideology of Sanatana Dharma.

Types of Temple Architecture

The architectural texts of Shilpa Shastra were written during early medieval times. These texts refer to the three major styles of architecture – Nagara, Dravida and Vesara.

Nagara Style of Architecture

Nagara architecture has its origins in the structural temples of the Gupta period. These temples are usually found in the lands between the Himalayas and the Vindhyas. The plan of the temple is usually a square with gradual projections in the middle of each side, which imparts a cruciform shape.

The Puri Jagannath temple is contemporaneous to the Lingaraj temple, Bhubaneswar, Orissa and is nearly 56.7 m high.

Shree Jagannath Temple puri Odisha
Shree Jagannath Temple, PURI – Odisha

Dravidian Style of Architecture

This style of architecture is associated with the temples of South India or Deccan. The Dravida architectural style goes back to the Gupta period. The outstanding feature of the Dravida architecture is the pyramidal elevation of the Vimana. It consists of a multiplication of storey after storey, slightly reduced than the one below in a domical manner, technically known as a stupa.

Pillars and pilasters are vastly used. The square inner sanctum is set within a large covered enclosure.

Dedicated pavilions can be seen such as the Nandi mantapa in Shaivite temples and the Garuda mantapa in Vaishnavite temples. The Kailashnath temple complex at Kanchi is an excellent example of Dravidian architecture.

Vesara style of Architecture

It is a hybrid architectural style that borrows from both the Northern and Southern styles. It is a combination of both Nagara and Dravidian styles. The Vesara style reduces the height of the temple towers even though the number of tiers is retained. This is achieved by reducing the individual tiers. Sometimes the semicircular structures of some sects are also borrowed. This trend of merging styles was started by the Chalukyas of Badami.

Sri Somanathalinga Temple / History of Temple Architecture
Sri Somanathalinga Temple

The Rashtrakutas of Manyakheta (750-983 A.D) further refined the style as seen in Ellora. It was epitomized by the Hoysalas (1000-1330 A.D) most temples built in Halebid, Belur and Somnathapura are superb examples of Vesara style.

Temple Symbolism

The temple concept is a curious mixture of Vedic, tantric and Agama principles. The tantra regards the human body as a Mandala. Here it is chara or mobile. The agama shastras also regard the temple as a Mandala, but here it is a chala or immobile. The analogy of the temple with the human body finds a closer relationship when the architecture of the temples is keenly observed.

Most often, the temple is seen as a relationship between man and God; the link between the actual and the ideal. Hence the temple is usually called a Devalaya, the abode of God or a Prasada, which means a very pleasing arena or palace.

Thus the symbolism of the temple is conceived in several layers. One, the temple complex is compared to a human body in which God resides. The other symbolism associated with the Vimana is looked upon as the body of the deity. The last symbolism is its comparison to a Sri Chakra.

Sri Chakra Image

Very often the ground plan of a temple is a Mandala. Just as the Sri Chakra is the unfolding of the Bindu at its centre, the temple is the expansion of the deity residing in the Brahmasthana at the centre. The Chakra structure employs the imagery of an all-enveloping space and time continuum issuing out of the womb.

Thus, the centre of the Sri Chakra, Bindu is dimensionless. Therefore it is an imperceptible source of energy. The icon or the Vigraha in the Garbagriha or Sanctum is a manifestation of the imperceptible energy and radiates the same.

The devotee circumambulates in the Avarana or Prakaras and his only goal is to reach the Lord residing serenely within the Garbagriha. This is a representation of the One cosmic principle.

Human Body as a Temple

Human Body as a Temple

The analogy explains that the human body is a temple in which Antaryami resides. The same analogy is extended to explain the various parts of the body representing various aspects of the temple.

  • The forehead represents the Sanctum and the head represents the tower or Shikhara.
  • The space between the eyebrows, the ajna chakra is the seat of divinity.
  • The finial of the tower is the unseen Sahasrara located above the head.
  • This is the passage through which the currents of life ascend to the tower through the stone slab called Brahma Randhra Shila.
  • The images of vehicles or emblems that represent the icon inside the Sanctum are placed on the four corners of this slab.

Human Body as a Temple

The third concept of temple symbolism is the concept of Vimana or the central part of the temple as the physical form of God.

  • The sukhanasi or Ardhamandapa in front of the Garbagriha is the nose;
  • Antarala is the neck;
  • various mandapas are the body;
  • Prakaras are the hands and so on.
  • Vertically, the Garbagriha represents the neck, and the Shikara (superstructure) over the Garbagriha is the head.
  • The Kalasha (finial) is the tuft of hair.

Prominence of Anaghaa Vratham

Prominence of Anaghaa Vratham

According to the Hindu calendar, the month MARGASHIRSHA Maasa starts with the winter season, generally in December as per the English Calendar. It is a lovely month for Lord Sri Mahavishnu and Sri Maha Lakshmi. It is an auspicious month for performing Pujas & Vrathas like ‘Anaghaa Vratham’ and ‘Kaatyayani Vratham’ etc.

Anaghaa Vratham is mainly performed on Krishna Ashtami in Marghashirsha or at least on Ashtami (Krishna/Sukla) every month. The main deities of this Vratha are Anaghaa Devi & Sri Guru Dattatreya. Both were treated as the incarnations of Goddess Maha Laxmi and Sri Maha Vishnu respectively.

Prominence of Anaghaa Vratham / Sri Dattatreya Swamy

Sri Dattatreya Swamy

Sri Dattatreya Swamy was born to the couple Atri Mahamuni and Anasuya Devi. Once the three maataas (Saraswati, Lakshmi, and Parvati) decided to test the chastity of Anasuya. They asked their consorts to test her chastity. Brahma, Vishnu and Shiva went to Anasuya and asked her to give them hospitality undressed. Then Anasuya Devi with the power of her chastity changed them into babies and fed them.

The three maataas anxiously went to Anasuya Devi and requested her to give their consorts back. She accepted their requisition and solicited the trio of Gods to take birth as their sons. As a result of this, the Anasuya and the Atri Mahamuni got Brahma in the form of Chandra, Shiva in the form of Durvasa and Vishnu in the form of Dattatreya as their sons.

Dattatreya Swamy was born on full moon day of Margashirsha maasa. This day is performed as ‘Datta Jayanthi’.

Anaghaashtami

In Kritha Yuga, a demon called ‘Jambaasura’ was insisting devatas in many ways. Devatas went to Dattatreya Swamy to protect them from Jambaasura. Dattatreya Swamy made a fire altar and performed puja there.

From that altar, a lady incarnation came out wearing in eight hands Shanka, Chakra, Gada, Damaru, Trisula, Padmam, Japamaala and Kamandalam to destroy Jambaasura. She is no one but Mahalakshmi in the form of Anaghaa Devi.

As Sri Mahalakshmi took the incarnation of Anaghaa Devi on Krishnaashtami in Margas hirsha Maasa, it is called, ‘Anaghaashtami’.

Anaghaashtami Vratham

Anaghaashtami Vratham had been performed in kruthayuga by Kaarthaveeryarjuna who stood first in the list of devotees of Sri Datta Swamy, in Treta Yuga by Lord Sri Rama and in Dwapara Yuga by Dharma Raja. In this kaliyuga also, the Anaghaastami is being performed in many places of our country for good health, wealth, prosperity, good yielding of crops, good education, employment, marriage and good progeny. It can be performed by unmarried men or women or married couples.

On this auspicious day, those who are going to perform Vratham should clean their houses; and decorate their houses with rangolis, flowers, mango leaves and plantain saplings. Take an oil bath, and be well dressed. After that, install a stool applied with turmeric and vermilion paste on north-east side in the puja mandir.

Anaghaashtami Vratham

Draw two Padmas with rice flour and put the idols of Sri Anaghaa Devi and Sri Datta Swami made either of silver or clay or at least of turmeric paste on this sacred stool.

On backside of these idols put a branch of Amla tree (usirika) as in every vratha here too, lighting the lamps, Kalasa Sthapana, Prana Pratishta, Ganesha Puja, Shodasha Upachaara Puja, Athaanga Puja, Astottara Sata Nama Puja, will be performed with many a fragrant flowers, turmeric and vermilion powder, and perfumed sacred rice. Cow Milk, Fruits and Paayasam (sweet) should be offered. Last but not least, stories of the Vratham consisting of five chapters should be read.

Those who perform this puja with concentration and devotion will obtain the grace of Anaghaa Devi. Their desires will be fulfilled.

Alipiri to Ananda Nilayam (Ascent to Heaven)

Ascent to Heaven – Alipiri to Ananda Nilayam

Tirumala, situated in the plateau of Seshachalam, in Eastern Ghats, is the most preferred pilgrim centre for Hindu devotees. It’s replete with scenic, serene and divine ambience. People from all walks of life, irrespective of caste and religion visit this place in large numbers. That includes – rishis, yogis, poets, artists, sidhis — in other words, common men to kings.

All of them are fretful and desperate to have His darshan. It’s a blend of religious, historical, cultural and social backgrounds.

Ever since the Govindaraja Swami idol was installed on the premises of Sri Pardhasarathi temple, Tirupati has gained more prominence as an important pilgrim town. Several temples, temple towers, and royal palaces were built during the reign of the Pallavas, Chola emperors and their vassals, Yadava kings.

With this, the facilities for the pilgrims visiting Tirumala too have steadily increased. Because of all these, the steps route via Alipiri has gained more prominence. The service rendered by the Vijayanagar emperor, Saluva Narasimha Rayalu is exceptionally remarkable and incomparable. He had introduced several new festivals in Tirumala temple and also built several smaller temples and towers en route to Tirumala thus ushering in a new era for Tirumala.

Similarly, Matla kings, who were vassals to the Vijayanagar emperor and while ruling Sidhavatam and Seema in the present Kadapa district also had taken up several constructions for the benefit of the pilgrims. They repaired the steps route to the temple.

Alipiri - Path way to Tirumala

Alipiri – Path way to Tirumala

4 Main Routes to Tirumala

Earlier, pilgrims visited Tirumala hills mostly on foot. There used to be four main routes for the pilgrims to reach the hills.

They are –

  1. Firstly, for those who set out to Tirumala from Tirupati, Alipiri to Ananda Nilayam route,
  2. secondly a little further to the Srinivasa Mangapuram, Srivarimetlu or Sripati Steps route;
  3. thirdly, for the convenience of the pilgrims coming from Karnataka, Bhakrapet – Devarakonda Forest route, and
  4. fourthly, for those coming from the Kadapa area, the Sacred Feet route begins from Maamanduru.

The Alipiri route

The Alipiri route is historical and cultural, passing between two hills. All through this route, we find several inscriptions on the steps, reflective of the sentiments of the pilgrims. Not only their names and village names but also religious inscriptions, diktats, statutes and the details of the mandaps etc., can be found on them.

On either side of the steps, statues and figurines are used to delight the pilgrims. There used to be surging crowds singing bhajans and performing ecstatic dances. All of them had different devotional ways with one goal — to reach out to God.

Alipiri is a divine place enriched with artistic mandaps and temples. It is the base camp for Tirumala Hill ascent. In between, the pedestrian route and the ghat road for motor vehicles conjoin.

In Tamil, two words are used for Alipiri — ”Adipuli” and also “Adipadi”. Adipadi means the first step. Alipiri also is interpreted as “Alpasareeri” (small body). People believe that Lord Venkateswara blesses His devotes here in a minuscule form. Devotees perform Pradakshina around the Sanctum Sanctorum, keeping the metal feet of the Lord on their heads.

Padala Mandapam

Earlier there used to be a tamarind tree there. Under this tree Tirumala Nambi, it is said, the maternal uncle of Sri Ramanuja elucidated some nuances in Ramayana to him. One day in the process, they got delayed for archana. According to “Sri Venkatachala Itihasa Mala” the Lord himself left His foot prints there for their archana.

The dilapidated mandap was restored on 9 August 2001 and an idol of Sri Venkateswara Swami was also installed there. In September 2016, it was sanctified as per Vaikhasana Agama rituals. On Fridays, Swami’s Abishek and on Saturdays, special pooja is performed there.

Originally, this mandap, replete with architectural beauty, was built in 1628 by a dedicated devotee of the Lord, Sri Matla Kumara Ananta Raju, a vassal of the Vijayanagara Empire. We can find the inscription on the walls to this effect. A little below, in front of the mandap, lies the statue of a devotee humbly prostrating before the Lord. It is believed that it is of Koval Kondayyan’s son Tammayyan’s. Some say that Tammayya could be one of the sculptors of the mandap.

Matlakumara Ananta - Builder of Padala Mandapam
Sri Matla Kumara Ananta Raju, a vassal of the Vijayanagara Empire

Sri Laxminarayana Temple

To the East of Padala Mandap, is the West-facing Sri Laxminarayana Temple. It was originally of Sri Laxmi Narasimha. The main idols in the temple were stolen. Subsequently, in 2005, TTD authorities installed a Laxminarayana idol there. The earlier temple was built by Saluva Narasimha Rayalu. The roof of the temple had paintings on the ceiling depicting epics, like in Lepakshi temple; but over time all those have disappeared.

Alipiri Gopurams

PERIYA GOPURAM

As we climb up the steps, we see a majestic gopuram (tower) full of sculptures. This tall gopuram is also called ‘PERIYA GOPURAM’. Even this was built by Saluva Narasimha Rayalu. After crossing the Periya Gopuram, to the left lies, Maha Vishnu in Matsya (fish) avatar. En route this way, the idols of Koorma (tortoise), Varaha (wild boar), Nrusimha, Vamana, Parasurama, Rama, Balarama, Sri Krishna, and Kalki are installed.

Talayeru Gundu

Even renowned lyricist Tallapaka Annamacharya touched this rock (Talayeru Gundu) and was ecstatic. This is also known as “TALA TAKIDI GUNDU” [The rock to which heads are touched.] It is staunchly believed that the rock has healing powers. Pilgrims climbing the steps touch this stone, with their respective organs, to ward off different kinds of ailments.

As we climb up the hills, new gopuram and Obeisance Mandap are seen. Even this was built by Matlakumara Ananta, in memory of his parents. Pilgrims worship Anjaneya Swami idols placed on either side. We can also see, on the way, Kings Mandap, Cardamom Mandap, Dabbarekula Mandap, and another Pada Mandap. As we climb up looking at these mandaps, we can see a huge Gopuram. Delighting the onlookers, this illuminated edifice shines like a diamond and can be seen from quite a distance. In the night it will be illuminated and delights the viewers.

We can also see the marble idols of Sita Mata, Rama, and Laxmana along with Anjaneya Swami, in the temple being maintained by the Endowment Department of the State. We will be surprised to know that, before the ghat road was laid, the invalid and incapable pilgrims were carried up in dolis.

In Gali Gopuram, the Bio-Metric Centre which helps the pilgrims with accelerated darshan and the free Prasad Distribution Centre are located. After passing this gopuram, we can see to a side, a pond called “Alli Dona”. Earlier it was a water reservoir.

If we walk across, CHITTEKKUDU (a small steep), and VOORELLA MANDAPAM, mamanduri heights, we can see the deer park. This park is to entertain and educate the pilgrims and holds about 200 deer, moose and mountain sheep.

7th mile

This is where the old Ghat road and pedestrian route converge. Here, a gigantic Prasanna Anjaneya Swami idol blesses the pilgrims. Extensive decoration and special pooja are performed for this on Hanuman Jayanti. Next to it, are the new mandap, old mandap, MUGGU BAVI (rangoli well) and on its edge, the idol of Sri Dasa Anjaneya Swami.

This temple is run under the auspices of Hathi Ramji Mutt. Tired pilgrims can rest there for a while in the garden rest house and continue their trek.

Laxmi Narasimha Temple

Even this was built under the auspices of Saluva Narasimha Rayalu. An idol of Yoga Narasimha Swami, carved in a red sandalwood tree is the speciality here. After we cross this temple and climb down a little, we see the first ghat road, which was built in 1944, with utmost devotion and assiduity. The old step-route running parallel has been restored and is named as “Annamayya Route”.

But the pilgrims do not prefer this route and use the usual ghat road for some distance! As we go along a green valley called AVVACHARI KONA, we see a small temple – “AKKAGARLU”. Here Seven Sisters receive pooja in the form of bricks. Earlier pilgrims had to climb down the valley and climb up. Now that strain is saved.

Mokali Mettu - Alipiri (to Tirumala)

Mokali Mettu

After proceeding from Akkagarla temple, we take a turn and see the beautiful gopuram and beautiful steps –padikatlu leading us to the precincts of “THROVA BHASHYAKAR” [Bhasyakar (Ramanuja Swami) on the way] temple.

From there, Tirumala is not very far. We pass, Mokalla metla old mandap, SAREPETLU DESANTARI MANDAP and reach Tirumala Hill. From Mokalla metlu (steps) to Tirumala hill, we can find on either side the idols of Alwars, staunch devotees of Sri Mahavishnu, invoking pious feelings in the pilgrims.

Anandanilayam of Tirupati Balaji Temple

We have climbed about 3,500 steps from Alipiri and reached the precincts of Ananda Nilayam. Next is another major step – darshan!

 

Krishna Pushkaram – It’s Significance

Krishna Pushkaram & It’s Significance

To all living beings water is the source of life. The perennial rivers that provide water show evidence related to the beginnings of human culture and their development. It has been the tradition in our country to worship rivers, as images of divinity and worship.

Nadi & Pushkaram

From the place of its origin to a stream flowing beyond a distance of Dhanusses (a Dhanus is an arc of a circle), it is called ‘Nadi’ and also because it produces a musical sound it is called ‘Nadi’. The science of Pushkara (a festival held once every 12 years by turns at certain sacred rivers) which nourishes water is called PUSHKARAM (Poshayatitipushkaram).

During this occasion, crores of Gods, Rishis, and Manes come in human form with Brihaspati, the mentor of Gods, when Guru travels in the zodiac signs such as Mesha at one year in each sign, the zodiac sign into which Brihaspati enters the river related to that sign will get the Pushkaram.

Origin and History of Pushkaram

There are many stories in circulation about the origin and history of Pushkaram. According to one story, in the past, when one Thundila did penance on Parameswara for the gift of a permanent abode with Parameswara, He gave a place to him in the form of water and blessed him with the supremacy of an emperor over three and a half crore sacred rivers.

Since water is essential for his creation, Brahma did penance to Parameswara and got a boon from him for the water to remain in his Kamandalam. Thereafter, when Brihaspati did penance to Brahma and requested him to keep Pushkara in his control, Pushkara who disliked leaving Brahma requested Brahma also to go along with him.

Krishna Pushkaram - It's Significance

When Brihaspati, the image of grahas enters Mesha and other grahas and leave, for twelve days Pushkara should stay with Brihaspati, during that period Brahma settles with Brihaspati and he would keep coming and stays in the sacred river which presides over the zodiac sign (raasi) into which Brihaspati enters with all the Gods. Since then pushkaras came into being.

Pushkaras will be performed for various rivers when Brihaspati along with Pushkara enters into different raasis.

Zodiac Signs and Rivers associated

  • In Mesharaasi to Ganga river,
  • in Vrishabaraasi to Narmada,
  • in Midhunaraasi to Saraswati,
  • in Karkatakaraasi to Yamuna,
  • in Simharaasi to Godavari,
  • in Kanyaraasi to Krishna,
  • in Thularaasi to Cauvery,
  • in Vrischikaraasi to Bhimarathi,
  • in dhanusraasi to Pushkaravahini,
  • in Makara raasi to Tungabhadra,
  • in Kumbharaasi to Sindhu,
  • in Meenaraasi to Pranahita river.

Kanyaka Bhagirathi

In the year 2016, Brihaspati in his roving around the raasis, since he entered the Kanyalagna of the sixth raasi, Pushkaras are being held to Krishna river, the sixth one among the rivers. This pushkara is also known as Kanyaka Bhagirathi. The first twelve days of Brihaspati’s stay in Kanyalagna alone are significant days of Krishna Pushkara.

There are many stories in circulation about the Krishna River whose Pushkara festival is being celebrated in 2016. According to one version Brahma was ready with all the requirements to perform the Yaga on Sahyadri. Even as the auspicious time was advancing, Saraswati did not turn up.

As time passed, at the instance of Vishnu and other Gods, Brahma started the yaga with his second wife Gayatri. After a while Saraswati arrived and got angry and cursed the gods rover there to take the birth as rivers because the yaga was started before her arrival. Due to her curse, it is said that Vishnu was born as river Krishna, Siva as Veni, and Brahma as Kakudmathi.

As all three together flowed down from the range of Sahyadri mountains and then took the form of river ‘krishna’.

Krishna – Image of Vishnu

It is believed firmly that lord Krishna took the form of the Aswatha tree on Sahyadri and that river Krishna descended from the roots of that tree. That is why the river Krishna is mentioned as the image of Vishnu. River Veni descended from the gooseberry tree (usirika), merged with river Krishna and came to be known as Krishnaveni.

According to another version, in Dwaparayuga, Radha and Krishna cursed the gopikas with the names of the sacred rivers, Ganga etc to be born on earth; and when the gopikas prayed for their redemption, Radha and Krishna took pity on them and told them to be born in Bharatakhanda, with their respective names, as the great rivers of Pushkara, flow and deliver the souls.

Thereafter, Krishna created Ganga from his foot, Krishna who was in the form of Ashwatha on Sahyadri created river Krishna from the left side of his body (image of Radha), hence the praise “Krushna Krushnanga sambothe Janthunam Papaharini”.

Krishna Pushkaram - It's Significance

According to another version, responding to the prayers of various Maharishis, river Krishna in Varunaloka appeared in various forms and those forms themselves took shape as Agamasastras.

A pot in one hand, and the rope of Varuna (Varunapasa) in the other and mounting the vehicle of Makra (Capricorn, the tenth zodiacal sign) — in this manner as enunciated in Sritatwanidhi, Silpasastra (The science of sculpture), as decided by scholars river Krishna is the integrated form of

  • Ganga,
  • Yamuna,
  • Godavari,
  • Krishna,
  • Rewa,
  • Taapi,
  • Veni, and
  • Saraswati.

The statue of ‘Krishnaveni’ installed in front of the Prakasham barrage in Vijayawada is sculpted according to this philosophy/ principle only.

Still in various other forms mentioned:

  1. Carrying in four hands, in two of them vessels of Amruta, the boon-giving (varda) seal, carrying lotus and seated on the lotus – this is one form.
  2. Carrying kamandalam and japamala (rosary) — which is another form.
  3. Discus (chakra), trident (trishulam), Parasu (axe), and Akshamala, with three eyes on the vehicle of swan, with the king of the holy water, Pushkara – is another form.

These forms are praiseworthy.

River Krishna – 2nd Longest River

River Krishna is the second longest river in Andhra Pradesh. Originating near Mahabaleswaram in Maharashtra, entering Andhra Pradesh near Targidigi (Mahboobnagar district), flowing 720 km in Kurnool, Nalgonda, and Guntur districts. Near Hamsaladeevi in Krishna district, Krishna splits into two parts as it gets merged with the ocean.

It flows 1440 km from Mahabaleswaram up to its confluence in the ocean.

It is stated in Brahmandapurana that during the Pushkara period bathing in river Krishna is equal to bathing in Ganga, Godavari, etc. One is redeemed of the sins of the previous birth. According to one popular story, a woman of loose morals living on the banks of Ganga indulging in unworthy activities used to bathe in Ganga in the mornings for her redemption.

Mired (Pankilam) in sin in this manner, Ganga used to take bath in the form of a crow in river Krishna, get rid of her sins and becoming pure would fly back in the form of a swan. This is a part of the story.

In the year of Pushkara the first twelve days are considered to be important/primary Pushkara, in the middle of the year as middle Pushkara, and the concluding period as the end of Pushkara. It is said that in all these three periods bathing, charitable acts and ceremonies can be performed.

Krishna Pushkara

On the occasion of Krishna Pushkara to take the ceremonious vow (Sankalpam) one must purify oneself, then approach the river Krishna, meditate upon it, sip water thrice, then take the resolve as follows: “for pleasing Parameswara, for the fulfilment of the principle objects of human life and pursuit (the purushardhas : Dharma, Artha, Kama, and Moksha), in Kanyaraasi, in the great event of three crore theertas Mahapushkara, I am bathing in Krishna” after that going opposite to the prahava one must take bath three times, opposite to the Surya three times, offer water to Surya and then take bath once again.

Thereafter, one should turn to the south and again offer water to the manes (departed spirits) and then again take a bath facing the flow (pravaha), propitiate the Krishna waters, take the sacred water, come to the bank and wear new clothes. Thereafter, one should visit the favourite God and perform charitable acts.

During Pushkara times, the waters of the river possess divine brilliance. Therefore, in those times the following acts are prescribed: bathing, charity, praying, dedication, meditation, homam (an oblation to the gods consisting in the casting of clarified butter etc into the fire), offering of water and ceremonies to the manes. In the days of krishnapushkara to counteract untimely death pushkaravrata is indicated.

During Pushkara times, the religious vow performed for twelve days is equal to that of twelve important kalpas (one kalpa is a day of Brahma or one thousand Mahayugas). Chitranadha, a prince, who was left with a life of three months only, taught by the sage Katschana performed Krishna pushkaravrata and achieved a long life.

This is mentioned in Krishna pushkaravrata Mahatmaya.

Maharshi Veda Vyasa – Apaantharatha

Maharshi Veda Vyasa / Apaantharatha / Krishna Dwaipayana

Vyasa is not an individual. He is the conglomeration of knowledge and wisdom of various preceptors. The history of Vyasa is the history of India. Through this mankind can adequately plan for its future. There had been many stalwarts in the prolonged history of India; who interpreted the visionary ideals of man’s life.

There have been numerous significant people who translated man’s entity into understandable terms. Among them, Badarayana Vyasa the son of Parasara; is pivotal. In a way, he is the first too! The cultural, literary and spiritual treasure accumulated by Vyasa for the Indian nation is invaluable, indispensable and remains indestructible for generations.

Veda Vyasa is the cornerstone of Indian national culture and Indian sense of perception. Variously termed cultures like the Aryan, Vedic, Hindu and Indian – those that we talk about and read today have indeed been concretised by Vyasa; who further provided a future and gigantic significance to them. He is the one who is a trendsetter and the primary preceptor; who needs to be remembered early every morning.

He is an immovably well-balanced person; extremely ingenious; relentless learner; with an unblemished history; luminescent scholar; great poet; knower of the past, present and future; philosopher; follower of dharma; well-versed in sastras; adept manager; respected by the entire universe; and exceptional scholar. In the name of dharma he taught the Indian nation the importance of the best social system for humans.

Through his immense literary works Vyasa, an individual of a sacred character, preached to Indians the path of dharma and the regulations involved therein and also the legal details. He made a significant contribution towards improving man’s perception towards rationalised views on dharma, life, God, devotion, world, after world, theism and atheism.

There is no cultural life or literary history without the mention of Vyasa. This is the truth that even foreigners have not failed to acknowledge.

Incarnations

Vyasa was a man of epics; well-balanced and a scientific author. The epics mention that he is the son of Srimannarayana. It only means that individuals who possess superior qualities, beyond the mundane; are attributed divinity and regarded as the incarnation of the Almighty.

In the hierarchy among the incarnations, Parasurama is considered the sixteenth incarnation. Vyasa, seventeenth. Sri Rama and Sri Krishna, eighteenth and nineteenth, respectively.

Original Name – Apaantharatha

The original name of Vyasa was ‘Apaantharatha’. Vyasa was the title given to him by Narayana. Obeying the orders of the Almighty, he takes birth in all aeons; bearing the responsibility of Vedic knowledge and its safety. The present Vyasa is the son of Vasishta’s grandson, Parasara. (Vasishta’s eldest son was Sakthi.

Sakthi’s wife was Adrusyanthi. Parasara was their son. Vyasa was Parasara’s son through Satyavathi.) He built an ashram in the forest of Badarika, on the shores of river Saraswati; and practised meditation extraordinarily. He is popular as Dwaipayana, Krishna Dwaipayana, Badarayana, Paaraasarya, Saatyavateya.

Born on an Island, hence Dwaipayana

The meaning of ‘Apaantharatha’ means ‘one who dispels the darkness of ignorance’. As he was born on an island he is called ‘Dwaipayana’; as he was dark in complexion he is known as Krishnamuni or Krishna Dwaipayana; as he aids in increasing knowledge through his literary pursuits, he is called Vyasa; and as he brought the Vedas into prominence, he is popular as Veda Vyasa.

Maharshi Veda Vyasa or Apaantharatha or Krishna Dwaipayana

Shores of River Kalindi

Vyasa was born as Satyavathi’s son close to the shores of river Kalindi. Right from his youth he served all the rishis who lived on the banks of rivers like Gomathi, Ganga, Yamuna, Sarawati. He performed penance. More importantly, he learnt all the Vedic education from Mayu, who belonged to the ancestry of Brahma; and became an unsurpassable scholar. He visited many sacred places. He earned immense knowledge beyond the ordinary.

Later on, he spent his life in the forest of Naimisa; and led an unwavering life. During this period he authored the Mahabharata, which is a treatise that preaches the standard philosophy of social lifestyle.

Just learning will not transform an individual into a scholar. Continuing to remain a student even after attaining the knowledge; throughout one’s life, will mark him out as a scholar. He has to remain a disciplined student throughout. He has to sharpen his scholarly pursuits by imparting knowledge to students. He should pursue accumulation of knowledge through an insatiable desire to learn.

From a life that comprises titiksha, sacrifice and compassion; and utilising the experience; one has to reform the scientific knowledge that rules the lives of ordinary people with a focus on attaining the eternal anthrosperity (loka kalyanam).

Vyasa and Bhishma

This is the achievement of Vyasa. He possessed the Vedic view of solemnising the unwanted as the one closely related to you. Vyasa was a contemporary of Bhishma.

  • He possessed divine knowledge;
  • was a leader of divine philosophy;
  • an extremely talented author;
  • a person who churned the ocean of Vedic knowledge;
  • a perceiver of Vedic knowledge;
  • an author of the fifth Veda; and
  • great poet.

Having authored Brahma sutras and Bhagavadgeeta, as a disciplined philosopher, he proved the goal of human life. He was the sculptor who laid the foundations of the Indian cultural heritage.

Guru Poornima or Vyasa Purnima

Guru Poornima

Due to the research work done by Vyasa, Vedas had been successfully divided into Rig, Yajur, Sama and Atharva. He made them popular through his disciples. That sacred ritual was also inaugurated on Vyasa’s birthday i.e. on the full moon day in the month of Ashada. Hence we consider that day as Guru Poornima.

The four Vedas were popularised by Paila, Vaisampayana, Jaimini and Sumantha respectively. His, another disciple Soota, is well-known as Soota-Pauranika as he popularised the puranas, itihasas and the samhithas.

Veda Vyasa

Vyasa came to be called Veda Vyasa as he divided the Vedas as mentioned above and popularised them.

  1. Rig Veda: In this there are mantras authored by Aryan maharshis. They are known as ‘riks’. As it is believed that these mantras are messages useful for daily life; they are also called sookthas. This Veda is divided into ten mandalas and each of the mandala has 191 riks.
  2. Yajur Veda:This veda consists of the various procedures adopted in performing yagnas and yagas by the family man. Being written in prose, they reflect the appearance of the dharmic life of the Aryans.
  3. Sama Veda: This veda contains the musical prayer hymns sung in praise of deities by the rishis during the time of yagnas and other auspicious occasions. These also reflect the dharmic life of the Aryans.
  4. Atharva Veda: This veda has been compiled after some time – in the sense that, quite some time after the three vedas – after recognising the significance of the non-Aryan Indians and bringing about a harmony between the Aryan and non- Aryan life styles. Various issues like institutional dharma, Geography, Astronomy, Arms and ammunition, Education, Medicine, Supernatural (Tantra) are all mentioned in this veda.

Vyasa separated Upanishads as belonging to Vedanta; and they are 1280 in number. Out of these 108 preach total knowledge. Upanishads are also known as Vedantas or Essence of Veda. Several knowledgeable issues are discussed herein. Maharshis with a philosophical outlook and perception combined their experience with logic and submitted it to the world. Universe – Being – Brahma / Nature – Purusa / Soul – Almighty / Devotion – Transcendence have all been elucidated in detail in the Upanishads.

In spiritual and materialistic spheres these propose knowledge – work – upasana paths respectively. Further, because of the third division by Vyasa; not only the Upanishads but also Ayurveda, Dhanurveda, Gandharva veda and Ardha veda as sub-vedas, had been brought to light. These later on have been serving humanity.

If it may be said that Vedas are independently self-luminous; institutionalising human life, then the entire credit goes to the hard work of Vyasa! The abstract ‘heart’ is the focus of not only all the comforts but also all the defeats, and conquering this ‘heart’ is the essence of Vedic literature. Ensuring the protection of these invaluable values of Vedic literature is the ultimate goal of Veda Vyasa.

Greatness of Vyasa

Though he had not authored either the Upanishads or Vedas; the amassment, reformation and compilation of the four Vedas is the greatness of Vyasa only!

Besides these, approximately 555 (slokas) sentences of Brahma sutras;

  • 18 puranas containing 4 lakh slokas;
  • 18 sub-puranas containing 1 lakh slokas;
  • Mahabharata containing 18 chapters of one lakh and
  • twenty-five thousand slokas and
  • many such stotras were all written by Vyasa.

Going by the lowest degree there are a minimum of seven and half lakh slokas to the credit of Vyasa as a proof of his immense ingenuousness. As of date, in no aeon has any individual contributed so much to literature – the credit goes only to Vyasa.

Brihatjaya -> Mahabharata

Regarding the explanation given in the last chapter of Mahabharata, Vyasa authored a treatise named ‘Brihatjaya’ having a total of 60 lakh slokas.

This was meant to preach duty and discipline in the world. This treatise became the Mahabharata.

  • About 30 lakh slokas were popularised in the world of the deities;
  • 15 lakh slokas in the world of forefathers; and
  • 14 lakh slokas in the world of yakshas.

The remaining 1 lakh slokas were proffered to the world. In the four worlds mentioned above Narada, Devala, Suka and Vaisampayana acted as the commentators for the Bharata Samhita, respectively. This might be rejected by the ignorant and the loquacious. But if viewed impartially and beyond all emotions and with a pure scientific perception – then they are better understood.

28 Vyasas – Koorma Purana

In Koorma Purana there is a mention of 28 Vyasas. From the time of the first Manu, Swaayambhuvu to that of the seventh Manu, Vaivaswant; a total of 27 yugas were completed and the 28th yuga has started. Out of the 28 Vyasas mentioned, the last one is the latest Vyasa which is called Dwaipayana. All of them were called Vyasas. Hence on Vyasa Poornima day, remembering Vyasa is as good as remembering all the remaining 27 Vyasa too!

The purpose and effort during different periods by different individuals can be reminisced and revered in one person – then, that is the individual who is called Vyasa.

The rishis did not thwart the mundane world. Basing their lives on the mundane world these rishis tried to attain the immortal world. They preached spirituality and philosophy. The entire life of Vyasa was spent in protecting and safeguarding the spiritual Vedic culture; and in defending anti-vedic procedures and campaigns.

First Teacher

Vyasa is the first teacher of the Indians. As he was able to perceive the entire knowledge of the Vedic literature in all its profundity, he confidently decided to spread it in various forms. He chalked out a sacred plan for this. After gathering, reforming and editing some thousands of Vedic riks; this maharshi presented the hidden knowledge of the vedas to the world in the form of Vedanta Darsanam (Upanishads).

Brahmasutras, which contain four chapters and five hundred and fifty five sutras are the essence of Upanishads in the form of great arguments (Brahma vadam); are lucidly explained by Vyasa. This effort was made in the Naimisa forest. To attribute the Brahmavidya discussed in Brahmasutras to the ordinary world; Vyasa authored Adhyathma Ramayanam, Bharatham, and Bhagavatham.

These works have stood firm through the lives of Indians. ‘Brahmagnana’ is the naturally attained knowledge that dispels ordinary misconceptions and helps through the knowledge and message of experience in the perception of the ultimate Truth.

Augmenting luxuries in life; attempting to earn more for that reason; immaterial to the harm meted out to others in the process; procuring money irrespective of needs, leading one’s life without the least botheration of welfare of others; remaining immune to the facts of life and becoming thick-headed in the process – these are the acts of man in the contemporary world. All this happens when the philosophical bent of mind is absent in a person. Whatever may happen, man remains ignorant of the fact that his life is not in his hands. This, according to Vyasa, happens when the person is deficient in knowledge and enveloped in a shroud of imagination.

To speak truthfully, every living being places its last step in the lap of death. Of all living beings, only humans have an idea of this truth. But even this human seems to have forgotten this. He is unable to realise the truth that the money he has earned will not accompany him on his last journey; neither will his wife and children for whom he had striven hard throughout his life; even his friends and relatives would accompany him only up to the graveyard.

Lastly, even his body would be burnt on the pyre … the only things to accompany him are the virtues and vices he had accomplished in his life. But Vyasa laments man’s failure to realise this.

The significance of Vyasa’s Brahma gnana is to dispel blinding ignorance and reach dazzling knowledge. When man realises the truth of his existence and adapts himself to a humble life; then humanity will flourish. Moreover, it also preaches the truth that the most unattainable human life will turn appreciable and momentous.

Vyasa through his compositions defined a worldly life that is bound by Truth and discipline. He laid the foundation for the human institution that is duty-obligatory. Sin and virtue, heaven and hell were all a creation of Vyasa; done to provide stability to the human institution. The ultimate goal for this maharshi’s thoughts and principles was the welfare of human being. The Advaita he liked and advocated secured world fame.

The seeds of Advaita theory, in truth, are to be found in Upanishads itself. These seeds had sprouted and resulted in tiny saplings in the Brahman sutras of Vyasa.

According to the Brahma sutras the world that is reflected in the quiescent and living forms has as its bedrock an excellent, immeasurable, endless, eternal, shapeless, sturdy and substantial power; which is the Truth, eternal, beyond expectation; beyond all other powers; and it is the Brahma – this is the theory. According to the Vedanta of Vyasa, Brahma is Truth; but the world is not a myth. As the world can be measured philosophers called it a myth. But according to Vyasa ‘myth’ means ‘indescribable’.

Role of Krishna in Bharata and Bhagavata

The role of Krishna in Bharata and Bhagavata is an extraordinary creation of Veda Vyasa. It is a personification of the extreme talent of Vyasa. The ultimate! Not only Krishna. Every character and every situation contributes to its remarkable utility and goal. The writings of Vyasa are a representation of the entirety of human life, secrets of life, aims and principles. Various problems faced in human life and their solutions are all mentioned in Vyasa’s compositions with examples.

The character of Krishna has been created by Vyasa to preach nature through solution, knowledge primarily through work, sacrifice through luxury and soul’s refusal to leave the body. “The procedure adopted by Krishna is replete with paths wherein deceit, treachery, jealousy, hatred, cruelty and cunningness are all conquered. Vaasudeva (Krishna) is a personification of Vyasa’s thoughts and principles! Hence it is said “Vyaasaya Vishnu roopaya, vyaasa rupaaya Vishnave”. Both are the same!

Vedas prove the duty of man. Sastras order the duty of man. Upanishads preach duty to man. Puranas weave stories out of this duty. Poetry reminds us of our duty. In Vyasa’s Mahabharata, all these aspects are included. Bharata is the perception of Vyasa. Dharma, Wealth, Desire and moksha are all mixed in proper proportions and life in its entirety is portrayed.

In this appearance, many life principles have been designed and successful. Hence Vyasa has created a great position called teacher, for India among all other races in the world. Even to this day, he is receiving accolades occupying the position of a teacher.

Vyasa’s concern is about how a human being should assess the efficacy of his survival and the values of his life. He tries to educate man on how to attain the necessary sacrament for it? How to achieve integrity for the same? He had written Bharata and Bhagavata for the same reason.

Maharshi Veda Vyasa or Apaantharatha or Krishna Dwaipayana

Battle of Mahabharata

At the time of the battle of Mahabharata, Vyasa’s age was 150 years. There is evidence that he was alive 40 years after the war.

There is no evidence of Vyasa having ever visited the city of Hastinapura after the Pandavas attained Heaven. The serpent yagna performed by Janamejaya is known to be conducted by Vyasa’s disciples and their disciples like Vaisampayana.

Accepting the individual discipline as formulated by Valmiki, Vyasa thought about the protection and progression of society. He further created the role of Krishna not only to practise but also to preach. While Rama moulded by Valmiki is exemplary for hard work, Vyasa’s Krishna preached that creating awareness in others to put in effort gives a better result than personal effort.

According to Vyasa an exemplary person should not only practise but also preach (so that others also work). He should try to balance both of these. This talent would become an ideal for others and change them for the better.

Vyasa’s perception is yogic. The act of creation of voluminous literature by Vyasa has not been performed earlier; nor will it in the future. He is the greatest of rishis who secured actual knowledge on issues beyond the senses. With the help of relations, doubts and promises; he can realise the good and bad. He can also make them known to others. He can be the trendsetter for the nation.

The commodious and comprehensive literature created by Vyasa has inaugurated a fiefdom for the human race, which will turn out to be progressive. That, though times have passed and situations, changed; enthuses the necessary philosophical knowledge both in India and outside; and also in this world and the next.

The compositions like Brahma sutras, Mahabharata or Bhagavadgeeta, written by Vyasa are not religious texts. They are the knowledgeable epics that elucidate humanity; and mirror man’s pious sense. The qualities to be essentially found in a rishi are common sense, clarity about the best, knowledge about poetry, knowledge about work, knowledge about philosophy, knowledge about dharma, and knowledge about sastras.

With these qualities, a rishi can define the worldly dharma. Vyasa is the treasure trove of all such qualities. Possesses Brahma gnana. He possesses the talent and skills that are to be found in a sadhu, a poet, an author, a king, a philosopher, a historian and a scientist. He never condemned the mortal life. Aversion to him is not the dharma of a sadhu. It is partially a dharma of the rishi. He is unique for quoting the worldly dharma with a lot of affection. For him life is practice. It does not run away on viewing problems.

Vyasa perceived the yugadharma from different directions, discussed and made it history. Many issues proposed by Vyasa have been proved right by contemporary scientists. There was no religion during the time of Vyasa. Vyasa will forever remain inside, outside and beside us. With such ideal principles, it is only dharma that could stabilise and make the national human life, wealthy. To this Vyasa could award a total glow. This has been termed ‘Sanatana dharma’ by elders. ‘Sanatana’ means ancient. This surpasses time and countries.

Vyasa could comprehend the principles involved in life experiences of his forefathers; churned it thoroughly, assimilated it and made it known to the world through the pious artistic practice (through his compositions like Mahabharata). He was able to influence the hearts of people.

Matsya Avatar of Maha Vishnu

Vyasa quotes in his Matsya Purana that a character who – is not treacherous or not practising occult; performs penance without being swayed by the temptation of senses, opts for bachelorhood, remains disciplined while reading, is truthful, has patience, is courageous and mild – is a symbol of ancient dharma.

In Vyasa’s Bhagavadgeeta every question in human life has an appropriate answer. Gita is truly a compendium of the essence of all sastras. This message through Gita is the concoction of human life; a boiled and distilled cool drink. It is the electrical glow that dispels the darkness of ignorance in us.

Vyasa wrote Gita keeping in mind no religious text. It is a scientifically perceived harmonious attempt, way beyond the distinctions of nations, time, colour and honour. Gita has no enmity towards any religion. It is a phenomenal message to mankind advocated through Krishna.

Vyasa gave utmost importance and respect to traits of character and culture. Traits are natural. Vyasa was never allured towards wealth and prosperity. His sole aim was anthrosperity i.e happy and peaceful life for everyone. He was willing to lead his life as one among the many. What a colossal mentality! If mankind is to flourish in peace and contentment then such type of mentality is essential. This is the treasure that has been handed down by Vyasa to us.

“What is difficult for you and what causes sorrow to you – don’t do it to others”. This is Vyasa in his entirety!

Mindful Wisdom and discretionary knowledge are the two aspects that govern humans in the wake of Vyasa’s teachings. Human power should work well within the limits of the above-mentioned virtues. With the thought that life is momentary, an individual should never ignore either his life or body. From the momentary, eternal ought to be attained. Elucidating the point – utilising the momentary and temporary body, traits should be set on to the right path to become virtues; and contribute to the ultimate attainment of a stable society. This is Vyasa’s goal.

Vyasa’s theory is firmly grounded in dharma. This is the cornerstone for the remaining three – wealth (ardha), desire (kama) and transcendence/liberation/emancipation (moksha). Before providing or preparing an individual for liberation; Vyasa believed that dharma to a major extent tries to systematise the corporeal life. Practise of dharma is necessary for the manifestation and purification of self. God is not the closest relative to dharma; it is a human who is divine, that is.

The system of dharma attains strength not from the belief or trust man has in the next world; but from remaining wise and discretionary, in this world. Possessing such social consciousness and leading a life disciplined in duty is the greatest decoration that could be accorded to dharma. Sublime human life is dharma. This is the ideal for the society.

Instead of a person appearing as divine among people, he should attain the eligibility to appear as a human among deities. It only means that pertaining himself to an ordinary human life man should acquire tremendous respect and reverence and thereby prove himself exemplary. According to Vyasa, a man shouldn’t try to acquire honour and respect through his wealth and prosperity.

An individual should be wealthy in character; ethics and honesty being his ornaments he should lead a pious life and gain eligibility as a representative. Vyasa strongly believes that man, before uttering a word, or commencing work or initiating a thought; should meticulously assess his eligibility and only then he may be considered cultured. This is called ‘yoga’. Performing tasks with such virtuous thoughts is “Yogaha karmasu kausalam.”

To avoid routine problems and responsibilities is not sanyasa / renunciation. Contending works with responsibility and living among problems is human dharma. In a detached and disengaged manner, responsibilities should be embarked upon. Undeterred in the pursuit of karma, a person who maintains such detachment in the course of responsible life is a real sanyasi. He is a true yogi. Nurturing discretionary knowledge and pruning desires, not succumbing to earthly affections, discarding unnecessary pomposity, and leading a straight life is a yogi. He is the renouncer. That is Vyasa’s life – yogic.

As a part of Vyasa’s profound preaching he pictured another quality of man i.e. accepting the virtues in man and understanding them; encouraging the virtues; respecting them for what they are. Hatred is harmful in multiple ways. Live life truthfully. Not only living an honest life, a person is supposed to prevail upon his neighbour leading the same too! This was the concept of Vyasa!

His theory was that virtue should cease to remain individualistic; it has to be systemised socially.