Goddess Varalakshmi – Benevolent Mother and Bestower of Boons

Goddess Varalakshmi

Every married Hindu woman, mostly in the southern states of our country, propitiates the goddess Lakshmi on this most auspicious day in the month of Shravana. They pray to the goddess Varalakshmi (Lakshmi, the boon-giver)) to provide happiness, wealth, health and longevity to their husbands.

In other words, it is a prayer made by a woman not for herself but for the betterment of her family.

8 Forms of Goddess Lakshmi

Goddess Lakshmi has eight forms:

  1. Adilakshmi,
  2. Dhanya Lakshmi,
  3. Dhairya Lakshmi,
  4. Gaja Lakshmi,
  5. Santhana Lakshmi,
  6. Vijaya Lakshmi,
  7. Vidya Lakshmi and
  8. Dhana Lakshmi.

Ashta lakshmi

The other forms of Lakshmi are

  1. Aishvarya Lakshmi,
  2. Saubhgya Lakshmi,
  3. Rajya Lakshmi and
  4. Vara Lakshmi.

The devotees pray to each form of the goddess to have specific benefits from such prayers.

This year the Varalakshmi Vratam will be observed on 16.8.2024.

There are different forms of performing the Puja in different states. Generally, a Kalasham filled with water is placed on a wooden seat. A coconut duly decorated with turmeric, kumkum, and betel leaves, is placed on the Kalasham. It is further decorated with a cloth, ornaments and in some places, a replica of the face of the goddess is also placed.

After performing the puja with all the rituals, they read the story of the Vratam. They also tie a yellow thread on the right wrist. They read the story and conclude the Vratam.

Story of Varalakshmi Vratam

According to the legend, the story is narrated by Sutha Mahamuni to other rishis as was told by Lord Shiva to Parvati. She wanted the Lord to tell her about a Vratam which bestows the women with manifold boons including the growth of her family. Lord Shiva told her the story.

There was a lady named Charumathi in the kingdom of Magadh. Every day she used to get up in the morning at dawn, serve the elders and complete her household chores. She used to talk politely in a composed manner.

Pleased with her attributes, Maha Lakshmi appeared in her dream and advised her to perform her Puja on the auspicious Friday falling before the full moon in the month of Shravana. She invited her neighbours and performed the puja meticulously. Each one of them was blessed with bounties and they led happy lives thereafter.

Significance of Varalakshmi Vratam

During the months of Sravana and Bhadrapada, heavy rains are expected throughout the country. They generate bacteria and insects loom large. Women will apply turmeric to their body, face and hands before performing the Vratam, which will serve as an antibacterial and anti-fungal cream. They clean the house and decorate it with mango leaves which stop bad fumes from entering the houses.

This Vratam signifies a woman’s desire to have a healthy growth of her family filled with riches and happiness. She involves her children in the house decoration and imparts knowledge about the rituals being performed.

Performing this puja will bring happiness, peace and prosperity in abundance. The benediction of the Goddess provides not only wealth but also wisdom, health, and fearlessness for leading a fruitful life transcending the material world into a spiritual abode.

Namastestu Mahamaye
Shree peete Sura poojithe
Shanka Chakra Gadha Haste
Maha Lakshmi Namostute

Padhmasane padhmakare
sarva lokaika poojithe
Naaraayane priye devee
supreethaa mama sarvadhaa

Sri Varalakshmi Vratam at Tiruchanur

The annual festival Sri Varalakshmi Vratam is performed with religious fervor and gaiety by the TTD every year at Sri Padmavati Ammavari Temple, in Tiruchanur. As part of the festival, Abhishekam for utsava murty will be performed in the morning and later the Utsava idol of Sri Padmavati ammavaru will be brought to the Astana Mandapam for the rituals of Sankalpam, Kalasha sthapana, Kumkumarchana, Vrata Vaishistam and ends with Maha Mangala Harathi.

Sri Varalakshmi Vratam at Tiruchanur

The Asthana mandapam will be decorated colourfully with flowers and illuminated with lights. Later Sri Varamahalakshmi vratam will be performed in traditional style. The temple priest will narrate the legend of Varalakshmi vratam as glorified in the Skanda Puranam.

As part of the festival, the deity will be taken around on golden chariot on the four mada streets in the evening.

Venkateswara’s ‘Saare’ to Sri Padmavathi Ammavaru

Article posted on Saptagiri Magazine by – Dr. Venkata Harshavardhan R.D.

Sri Padmavathi Ammavari Kartika Brahmotsavams is a spectacular festival of Tiruchanur and Tirupati. Just as Tirumala Brahmotsavam ends with CHAKRA SNANAM, even Tiruchanur Kartika Brahmotsavam ends with a Chakrasnanam on the auspicious Panchami Teertha day known as ‘Panchami Theertham’.

Saare – From Tirumala to Tiruchanur

On this special day, “Saare” (an auspicious and devotional offering) comes from Tirumala Venkateswara Swamivaru to the Goddess Padmavathi. The movement of the divine ‘‘Saare’’ starts (Praramba Yaathra) at BRAHMA MUHURTHAM time in Tirumala and travels through ‘Mada Veedhis’.

Later on, this ‘‘Saare’’ travels through the steps and roads of Tirumala to Tirupati and again from Tirupati to Tiruchanur. This Saare’s Mugimpu Yatra (conclusion part) happens with its travel through four Tiruchanur Mada streets before it is offered to Goddess Padmavathi Ammavaru.

SriVari Saare to Ammavaru from Tirumala

Indian Tradition – SAARE

Normally in India, after performing a wedding or marriage, the bride’s family sends a “SAARE’’ to the in-laws along with their daughter who enters her in-law’s place. This ‘Saare’ mainly consists of food items and gifts to family members and relatives of the bridegroom.

This ‘Saare’ has to do with the gifts meant for the son-in-law and the favourite things used by the daughter from her birth till the wedding day.

Ramayana in Thretha yuga also mentions ‘Mandhara’, the servant of Kaikeyi, who accompanies her to her in-law’s palace. This is one of the famous instances of this tradition.

Coming to the age-old ‘Tirumala Swamivari Saare’, many old aged priests and devotees opined that, this Saare consists of not only Jewellery, Silk Sarees, Turmeric, Saffron (Kumkuma), Traditional Chandan (Sandalwood), Flowers, Betelnuts, Betel leaves, Fruits, Sweets, Elaichi, Aroma oils or Scents, Mirror, Vinjamaras, Handheld fans, Koppu and Jada Kuchulu (hangings worn at the end of plaited hair) just to name a few.

Srivari Saare

These items in the ‘Srivari Saare’ represent the traditions to be followed by Indian girls, and women for the welfare of the family, the safety of society, and their personal “devotional and traditional safety” as well.

The following are some of the important Sanathana Dharma procedures to be followed of Hindu girls, women, and married men.

Wearing Turmeric

The application of turmeric to the face and body not only helps to give glory and glow but also protects the skin from bacteria, viruses, and fungal bodies because of its anti-inflammatory, antiseptic nature with its strong antioxidants inside.

Wearing Gold

Even a small amount of gold on the body activates some parts of the nervous system apart from the extension of prosperity which is evident from ancient medical scripts, the Puranas and Sastras.

Padmavathi Ammavaru - Saare from Tirumala

Draping Sarees

The silk sarees with their strong ‘semi-conductor property’ connect the body with the “five elements” (Pancha Bhoothas) of mother nature and activate and energize the body. The current youth especially girls and women wearing ‘Jeans’ are said to face many problems related to health care.

It’s time for all of us to understand the importance of items in Saare and the message from Lord Venkateswara regarding the same.

Wearing Vermilion

The most important aspect to learn from Kumkuma (vermilion) used by Indians to keep it on the top of “Gnana Netra” (the place between two eyes) to protect, radiate, and energize the ‘third eye’ of the human being and attract the Gnana (Knowledge) and positive powers.

The colour red symbolizes the Goddess and Sun which predominantly appears in Kumkuma. The material in Kumkuma invites eight types of wealth, cosmic power and prosperity through the third eye or gnana netra of the person.

Tying the Hair

The Koppu (Hair Holding Flower like structure to keep the tips and ends of the hair or Jada Gantalu) is another important material-based message from the Saare or Lord Venkateswara to the women. All of us are familiar with the current wires or power cables. When you get in touch or contact the ends of the same when they are open, it is quite obvious that you will get an ‘electricity shock’.

Koppu - Padmavathi Ammavaru - Saare

Hope you remember the electrician closes the ends of these copper or metallic wires with plastic tape to stop the flow of electricity through the wires. Similarly, when girls and women with long and movable hair, that too when they are moving in public places, there is a possibility for their hair ends to get in touch with people with negative energy.

This will lead to the transfer of their positive power to others and take their negative energy in that place. Hence, the message from Koppu and Jada Gantalu from the Saare is “How to protect your positive powers and avoid getting negative energy?” by closing the tips or ends of your hair.

Balanced diet:

The importance of elaichi and fruits / dry fruits / prasadams etc. as a diet is well-known even in the modern world. Even in the past two years, every person has badly gone through the COVID pandemic in one way or another. At that time, a balanced diet like dry fruits etc plays a major role in our immune system.

Wearing flowers

Similarly, the role of flowers and aromatic materials in cleaning the airborne negative energies apart from igniting six out of ‘Eight Chakras’ of human bodies is evident from puranas, vedangas and sastras.

Conclusion

Finally, there is a message from Lord Venkateswara to the married man on what to inscribe and prescribe to his wife and daughters for the welfare and prosperity of the society and family. The same will spread the culture and legacy to the sons or boys of the family as “doing is believing”.

The objective of this post is not just to touch upon the material and ingredients of Tirumala Sri Vaari Saare to Sri Padmavathi Ammavaru during the Karthika Tiruchanur Brahmotsavams on Panchami Theertham Day, but also to express the significance of contents of the Saare to spread the prosperity and welfare to the Society, family and individual.

Laksha Kumkumarchana at Padmavathi Temple – Tiruchanur

Sri Padmavathi Devi temple – Tiruchanur

Goddess Padmavathi is the queen of Lord Srinivasa and enjoys a separate identity with equal status. The Goddess is inseparable and enjoys an equal position as she is a Purushakara or instrumental in protecting the devotees from the wrath of the Lord.

As the temple of Sri Padmavathi Ammavaru is as important as the Venkateswara Swami temple, pilgrims throng to this temple throughout the year and offer their prayers.

Laksha Kumkumarchana

According to the Hindu Sanatana Dharma, ‘Kumkum’ or vermilion is considered sacred, especially for married women, as it is applied by them over the forehead seeking the longevity of their husbands. It is also considered as the symbolic representation of Goddess Shakti, who is also revered as Goddess Lakshmi, Goddess Saraswathi, and Goddess Parvathi.

Laksha Kumkumarchana - Tiruchanur

‘Laksha Kumkumarchana’ will be performed on a grand note at Sri Padmavathi Devi temple in Tiruchanur every year. This ritual is performed before the commencement of nine day ‘Karthika Brahmotsavams’.

So, before starting brahmotsavams or any mega religious event in a Hindu Goddess temple, the priests usually perform “Laksha Kumkumarchana” seeking the execution of the religious event smoothly and successfully by appeasing Mother Goddess with this unique ritual.

In the temple of Tiruchanoor, which happens to be the abode of Goddess Padmavathi Devi, the temple priests carried out “Laksha Kumkumarchana” from 7am till 12 noon to the processional deity of Goddess Padmavathi seated on a finely decked Asan in Mukha Mandapam located opposite Sri Krishna Swamy temple located within the main temple premises.

laksha kumkumaarchana - Tiruchanur

On this occasion, the processional deity of goddess Padmavathi will be seated on ‘Asan’ (platform) amidst the renditions of sacred chants and mellifluous hymns. The priests will chant the 1000 divine names of Goddesses during this fete.

The priests recited “Lakshmi Astottaram”, and “Lakshmi Sahasranamam” several hundred times and carried out “Laksha Kumkumarchana” with devotional fervour. Whenever they were reciting the multiple names of the Goddess, archana was done with vermilion to the processional deity. Hundreds of women devotees took part in this special ritual.

This ritual is considered as a prelude to Brahmotsavams appeasing Goddess for the successful conduct of mega Brahmotsavam.

Chatusthanarchana – Tiruchanur

ChatusthanArchana Visesham - Tiruchanur

The puja vidhi during Brahmotsavams are in the form of Chatusthanarchana (ritual).

Every day during the annual fete, the Chatusthanarchana will be performed twice, both in the morning and in the evening at Sri Padmavathi Ammavari Temple.

In the morning this ceremony is observed in Yagashala between 5 am to 6 am and 4:30 pm to 5:30 pm.

The archakas invoke

  • Sri Paravasudeva (Vaikuntavasa) in holy water,
  • Sri Mahalakshmi in Sacred Kumbham (kalasam),
  • Agni in Homam, sacred rice (Akshata) in Chaktrabja Mandalam and
  • Yaga Bera in the form of Bimbam (deity).
chatustharchana Visesham Tiruchanur

Avatarotsavams of Sundara Raja Swamy

Avatarotsavams – Three Days

Sundararaja Swamy is a Self-emerged God in the auspicious star Uttarabhadra in the Jyestha Masa of Lunar Calendar.

The main events of the Avatarotsavams are distributed over the three days beginning on the day with Stabhisha Nakshatra and ending on the day with Uttarabhadra Nakshatra (The Birth Star of Sri Sundararaja Swami) in the following manner

Avatarotsavams – First Day

Sahasranamarchana to Swami after Suprabhata Seva, Kalyanotsavam to the Utsava Murthi of Goddess Padmavati, Abhisheka to Sundararaja Swamy and finally in the evening Unjal Seva – are the events of the first Day.

While these are the events performed in the temple premises there will be a Celestial Ride in the Four Mada Streets by Sri Sundararaja Swami, Sri Devi, and Bhu Devi on the Pedda Sesha Vahana on the first day night.

Significance of Pedda Sesha Vahanam

Among all the Vahana sevas, the first one is the Pedda Sesha Vahana Seva. Pedda Seshavahana is adorned with different kinds of flowery garlands, electric lamp series, and other kinds of decorative items.

Being accompanied by the resonant Vedic recitations the Divine Mother Sri Devi and Bhu Devi and the Prime God of the Festival Sri Sundararaja Swami will bless the devotees in the four Mada streets.

All three idols are adorned with fragrant flowery garlands and different kinds of jewellery. The gracious glances of the three deities are to save the world from all calamities.

The majestic appearance of Pedda Sesha Vahana is highly pleasing with his Seven huge hoods.

The seven hoods of the Pedda Sesha have a philosophical interpretation according to which the seven prime causes of the world :

  • Mahat or the Universal Intelligence,
  • Ahankara (The Universal self) and
  • The five Subtle Elements Sabda – The Sound, Sparsa – The Touch, Rupa – The Color, Rasa – The Taste, and Gandha – The Smell are said to be the seven hoods.

The Pedda Sesha himself is said to have been the very form of Prakrti. The mounting of Sri Sundararaja Swami on Pedda Sesha is explained as the association of the Parama Purusha with Prakriti.

Soon the devotees see the Great God on the Pedda Sesha Vahanam, their minds are filled with great joy, and start reciting different kinds of stotrams.

Avatarotsavams – Second Day

Again on the second day, Sahasranamarchana after Suprabhata Seva to Sri Sundararaja Swami, Kalyanotsavam to Goddess Padmavati Devi, Abhisheka and Unjala Seva to Sri Sundararaja Swami amidst the Vedic chants and auspicious tunes and Nadaswaram and percussion are the events offered in the Mukhamandapa while in the first quarter of the night the celestial ride of Swami alone in the four Mada streets on Hanumad Vahana.

Significance of Hanumad Vahanam

Hanuman was the personification of the bhakti in the form of the most trusted and selfless service to the Lord in his incarnation as Sri Rama in Treta Yuga. No exaggeration is there to say that Lord Hanuman was the greatest devotee of Lord Sri Rama.

Hanuman the vehicle of Sri Rama in the great war between Rama and Ravana, is the heroic one who freed the sorrow of Sita.

  • He is the greatest among the monkeys.
  • He is the slayer of the demon Akshaya, the son of Ravana.
  • He is the one who trembled the entire city of Lanka with his valour.
  • His speed is equal to that of wind.
  • He is the most self-controlled celibate, the best among the wise and always stands in the forefront of Monkey-warrior troops.

On seeing such a great devotee of Sri Ramachandra everybody will surely get all kinds of virtues, will be free from grief, and attain the blessings of Sri Sundararaja Swami.

Avatarotsavams – Third Day

Earlier in the day abhisheskham is performed to the Moolavirat of Sri Sundararajaswami and Sri Padmavati Ammavaru after the Suprabhata and Sahasranamarchana. Special Kalyanotsavam is performed for Sri Padmavati Ammavaru between 10.30 am & noon.

A Thirumanjanam or Abhisheka is performed to utsava idols of Sri Sundara raja swami and his consorts Bhudevi and Sridevi with milk, curd, sandal paste, and a variety of flowers and fruits. Unjal Seva will follow Thirumanjanam later in the evening to the deity.

Sri Sundararajaswami (without Sridevi and Bhudevi) is again taken out in a celestial procession in full decoration of flowery garlands, rich gem-studded ornaments, and other decorations on the Garuda Vahana.

The Lord gives His Glorious darshan to all the devotees on the four Mada streets around the temple in the first quarter of the night.

Significance of Garudavahana

From the philosophic point of view, Garuda is the very form of the Vedas. So Mounting of Sri Sundararaja on Garuda suggests that the Vedas alone are capable of spreading the message of Vishnu tattva to all the ends of directions.

  • Garuda is the chief vehicle of Vishnu.
  • Garuda is the Sandals of Vishnu.
  • One who bears the Vishnu padukas on his head will attain Vaikuntha by the grace of the Great God.

May all the devotees participating in this Divine Festival be blessed with all kinds of gracious favours of Lord Sri Sundararaja Swami and His Consorts Sri Devi and Bhu Devi.

*Data Source: Saptagiri Magazine

Sri Sundara Raja Swamy

One gracious form of Sri Mahavishnu is that of Sri Sundara Raja Swamy.

Location

Sri Sundara Raja Swami’s temple is situated as a sub-shrine in the temple complex of Sri Padmavati Ammavaru, the Consort of Sri Venkateswara of Alamelu Mangapuram, Tiruchanur.

This temple of Sri Sundararaja Swami is also known as the temple of Sri Varadaraja Swamy and the devotees can see Him along with his two Consorts Sri Devi and Bhu Devi.

Beautiful Ruler

As the name of God does suggest He is SUNDARARAJA, the Most Beautiful Ruler of the clusters of innumerable Galaxies.

This temple of Sundararaja Swami was believed to have been built during the 16th Century as the stone inscriptions of 1541 AD and 1547 AD make mention of the Rathotsava (The Car Festival) of Sri Varadaraja Swami and His Brahmotsavams respectively.

In standing posture

In the Sanctum Sanctorum of the temple, the main Deity Sundararaja Swamy or Varadaraja Swamy appears as Sthanaka Murti or as an idol in standing posture with four hands.

In the upper two hands, he holds Sudarsana Chakra and Panchajanya, and the lower right hand is in Varada (bestowing) mudra while the lower left hand is slipped down free with nothing held in it.

On His right side most beautiful Consort of Sri Devi and on His left with the same splendor His other Divine Spouse Bhu Devi grace all the devotees with pleasant looks.

Partitions

The temple of Sundara Raja Swamy has four partitions by names

  • Mahamantapa,
  • Mukhamantapa,
  • Antarala and
  • Garbhalaya (The Sanctum Sanctorum).

On the outer side of Mahamantapa, there is the Hall of Garuda (Garudamanta) where the idol of Garuda with widespread wings is facing the Deity Sundararaja Swami.

Worship of the god

All the procedures of worship in this temple are according to Pancharatra tradition. Thrice a day there is a regular worship (Archana) with Offerings (Naivedyam) to God. All the Anna Prasadams to God are brought from the Pakasala or the Cooking Chamber of Sri Padmavati Ammavaru.

Special Abisheka on Uttarabhadra

Sundararaja Swamy is believed to have Self Emerged in the auspicious star Uttarabhadra.

Hence every month on the day of  Uttarabhadra there is a special Abhisheka, Archana, and Nivedana to the Utsava Murthi-s and at the end of the celebration, there will be Tiruchanur Village Festival (Gramotsava) where all the villagers of the surroundings gather together with great enthusiasm and devotion.

Pushpayagam to Padmavati Devi

Pushpayagam (Yagam with Flowers) in Tiruchanur

Pushpayagam is performed to Sri Padmavati Devi in Tiruchanur. This is an annual festival that is performed the day after the completion of the annual Brahmotsavam on the asterism of Karthika masa, on the day after Panchami Theertham.

After the daily pujas, Goddess Sri Padmavati Devi is seated on a special golden platform and Snapana Tirumanjanam is performed. Later the Utsava Murti (procession statues) are decked up and a unique worship is done to Her with tons of varieties of flowers.

Flowers being used for Yagam

Traditional flowers including Mangolia, Souther wood, Chrysanthemums, Maruvam, Fragrant Herbs, Roses, Water Lilies etc. are blessed to touch the deities angas from top to bottom in this floral shower rendered to Goddess amidst chanting of Vedic hymns.

PushpaYagam - Tiruchanur - Padmavathi Ammavaru
PushpaYagam – Padmavathi Ammavaru – Tiruchanur

Later, a procession will be taken out in the evening. There is an age-old belief that this festival is usually performed to save the earth from natural calamities like quakes, cyclones, and epidemics and to appease the Goddess to save the lives of humanity, flora, and fauna from all the catastrophes.

The Pushpayagam that is performed to Amma is a feast for our eyes. Let’s have Her divine blessings!

Lotus Flower

Padmavathi was born in Lotus

Goddess Padmavati Devi emerged from Padmasarovar in the Lotus. This is why the Pushkarini (temple tank) is known as ‘Padmasarovar’ and the Goddess Sri Padmavati Devi is seated in the Padmasana or Lotus pose named ‘Padmavati‘. In Tiruchanur holding Lotus.

Lotus stands high among flowers

Among the flowers, the Lotus stands high for its growth and immaculate beauty from the mire environment. The Gita exhorts us to be like the Lotus function without attachment and stand above the mud & water of mundane mortifications.

In Hatha Yoga, the Lotus position, Padmasana, is adopted by those who desire to reach the highest level of consciousness, which ipso facto is found in the thousand–plated Lotus Chakra at the top of the head.

Gods & Lotus

  • Brahma attends to his work sitting on a Lotus evolving from the navel of Lord Vishnu,
  • Lakshmi Devi Sits on a Red Lotus,
  • Saraswati holds a White Lotus and
  • Durga was presented with a Lotus by (Aruna) Sun God’s favorite flower.

There are also theories of the life forms evolving from a Golden Lotus.

Lakshmi in Red Lotus
Lakshmi Devi on Red Lotus

In the Gita

The Lotus has been referred to in three places.

  • In 5.10 it is mentioned as a plant that lives & grows in a pond or a lake, which is unwetted or sullied by the surrounding water.
  • In 11.2 it is presented as a plant with graceful leaves which are reminiscent of Lord Krishna’s beautiful eyes.
  • In 11.15 projected as Brahma’s favorite seat. Significantly, the Lotus plant remains unaffected by the surrounding water, in the sense that if the water is sprinkled on its leaf, it immediately rolls down that leaf, leaving it completely dry and unaffected.

Eventually, it is pointed out that, the philosophy of the Gita is about attachment and not detachment. The central message of the Gita in 18.66 is that we must surrender to Lord Krishna and prepare ourselves in that spirit of surrender of the highest order to get His refuge and grace.

The third reference to the Lotus plant is given in Gita 11.15, wherein Arjuna says that with divine eyes he could behold Brahma seated on a Lotus – seat. This Lotus seat is the one that springs from the navel of Lord Vishnu.

It means that Arjuna saw the stalk of the Lotus and also the place, from where the Lotus spring up.

The word Abjabhava also refers to Brahma, as he was born out of a Lotus.

Saraswati on white Lotus
Saraswati Mata on White Lotus

Vision of Lotuses

Salutation to the one who is lotus-eyed and always decorated with garlands of Lotuses, whose feet are marked with the emblem of Lotuses.

Why Padmavathi is not in Tirumala

Why Padmavathi is not in Tirumala

Story Behind

The husband, Srinivasa lives up the Seven Hills in ‘Ananda Nilaya’! His wife Alamelu Manga lives in Tiruchanur, down the hills in ‘Shanti Nilaya’! Doesn’t it look queer? There seems to be a special reason for this.

Long ago, Padmavathi used to live in ‘Shanti Nilaya’, a golden palace, perched on a hill as high as the Seven Hills. But the mata in ‘Shanti Nilaya” used to bestow a little more benevolence than the Swami in ‘Ananda Nilayam’.

Because of the weight of her benevolence, the hill on which her palace was perched, sank into the ground. That was the reason for both being separate – one on the top of Seven Hills and another on the ground level in Tiruchanur. This is the story, some say.

Swami – Standing in Ananda Nilayam

Another point to note: Swami is in the standing posture in the temple on the hill, with all his weaponry as if he is ready to go somewhere. It’s difficult for the devotees to convey to him any of their problems. Due to this diffidence, we forget to seek from him all that we want.

Sri Venkateswara Swamy - 108 Divya Desams

Alamelu – Sitting on Lotus

But downhill! Alamelu Manga mata sits on a lotus very leisurely holding two lotuses in her hands in abhayamudra [assurance], as if saying, “Come on, tell me what you wish!” She listens to our pleadings and passes them on to her husband. She pressurizes Him and ensures that he grants them.

 

In case, Swami pretends not to have listened to her messages, She says, “Swami, it’s only because of keeping me on your chest as ‘Vyuha Laxmi’, you have been in existence as Srinivasa. It’s because of me you left Vaikunta and did penance on the bank of Lotus.

PushpaYagam - Tiruchanur - Padmavathi Ammavaru

Like that, she teases him and tactfully diverts His attention towards the devotees and their pleadings. Thus she is a mother of Mothers – Alamelu Mangamma.

Final result!!! Swami accedes to her pleadings and recommendations and grants them saying, “You have more benevolence on the devotees than I.” Like that Lord, Srinivasa has been granting the wishes of the devotees with a smile for ages. This is what happened because of Alamelu Manga Mata of Tiruchanur.