Tag: tirupati

Tirupati is a city in the Indian state of Andhra Pradesh. It is the administrative headquarters of the Tirupati district

Purisai Garden Ceremony – Tiruvaadippooram Shaattumurai

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Purisai Garden Ceremony

On the day of Tiruvaadipuram Shaattumurai itself, Lord Venkateswara goes to Purisai Garden. On the evening of the day of Poorvaphalguni star in Kataka month, Sri Malayappa Swamy goes to Purisai Garden in a wooden Tiruchi in a wider circumambulation. There, different preparations are distributed to the devotees after offering them to the Lord. Later, the Lord is taken to Pogada tree and is offered camphor light.

The remnants of camphor light, flower garland and sathari are given to the Pogada tree. The priests get the Sathari without keeping it in the tiruchi. As the Lord enters the street crossing the Gajendra Moksha pavilion, He is offered camphor light followed by anointing of Lord’s sathagopa for sanctification. After another offering of camphor light, the sathari is placed in the Tiruchi. Then, the Lord goes back to His original abode. This is the ceremony at Purisai Garden.

The Tiruvadipooram Festival

Background to Tiruvaadippooram

108th chapter of Sri Venkataachala Mahaatmyam episode of Varaha Purana mentions: “Govindaaya Namastubhyam Srinivaasaayate Namaha,” indicating the non-duality of Lord of Venkatachala and Govindaraja. Sri Bhagavad Ramanuja lived during the rule of Kattiyam Yadava kings.

Once, Chidambaram Govindaraja Swamy had to leave the sacred legendary shrine of Chitrakoot on the banks of the Kaveri river and reach Tirupati in the footsteps of Tirumala. He was hailed as another form of Lord Venkateswara and worshipped here. At that time, Sri Ramanuja wanted Govindaraja should enjoy all rituals and riches on par with Lord Venkateswara.

Towards this end, he laid a lotus flower in the hand of Andal and got the sacred throne engraved with the yantra and mantra required for the wealth-yielding Vyooha Lakshmi. He erected Govindaraja Swamy on the left side as per the Vaikhanasa tradition and proposed for the conduct of all ceremonies.

During the month of her birth star Poorvaphalguni, Goda Devi was added to Govindaraja Swamy and erected in the sacred lotus feet of self-manifest Lord of Venkatachala in Adipuli (Alipiri) pavilion on the footsteps of Tirumala.

Purisai Garden Ceremony - Tiruvaadippooram Shaattumurai

Some inscriptions reveal the details of this ceremony. Let us go into the details.

Purisai Garden Ceremony in the Inscriptions

Purisai Garden ceremony was restored in Tirumala on September 23, 1983. Though it was in vogue in the past, it was discontinued in the middle. It was called Tota Tirunal or Topu Tirunal. It figures for the first time in the February 17, 1494 Inscription (113th Inscription, Volume 2) during the regime of Saluva Narasimha. It belongs to Niyogi Timmana Danda Nayaka of Haaritha Gotra and Aswalayana Sutra, a resident of Chandragiri.

It refers to the Purisai Garden ceremony held for twenty days. It also mentions that Timmana Dandanayaka offered services to the Lord on the eleventh day of the ceremony. The September 15, 1542 Inscription (28th Inscription, Vol. 3) during the rule of Srikrishna Devaraya is the second one to mention this ceremony.

Pappushetty Ayyan

Pappushetty Ayyan, son of Pandayar Shennam Shettiyar, resident of Narasingapuram near Tirupati, distinctly described the order of rituals to be offered to Govindaraja Swamy and Lord Venkateswara during their visit to his gardens at Tirumala and Tirupati.

The March 6, 1536 Inscription (73rd Inscription, Vol. 4) during the rule of Achyuta Devaraya proclaims that Raamayyan, son of Mattamallayan and disciple of Parashara Bhattacharya, donated for the conduct of Garden Ceremonies of Ramabhatta, Ramachandra Deekshita and Appa Pillai.

Inscription 18 of Vol. 4 mentions the Garden Ceremony of Jayyapu Nayakar. 19th Inscription mentions the Garden Ceremony of Moorthi Nayakar, son of Katlakonda Nayakar, resident of Kumarapalli. August 7, 1554 Inscription is the only complete inscription that we find in this regard.

It mentions the order of this Garden Ceremony in detail including the services, donations, offerings of food and other items, etc. for Malayappa Swamy, His twin consorts (Sridevi and Bhudevi), Lord Krishna, Vishvaksena and Bhashyakara. To meet this expenditure, Moorthi Nayakar purchased land worth 75 rekhaipans including Rajendrasinga Nalloor land worth 50 rekhaipans and Pudipatla Lake canal land worth 25 rekhaipans, and offered it to the treasury of Tirumala.

It also details the different heads of expenditure. In the auspicious hour of shravana star during ankurarpana of Aani Brahmotsava arranged by Sri Ramanuja and Tallapaka Tirumalayyangar (June- July), Lord Venkateswara with His twin consorts, Srikrishna and His Commander-in-Chief (Vishvaksena) are seated in the pavilion of Murthy Nayakar Garden. These deities are anointed with musk, sandal powder, etc. Decoration, offering of food, camphor light offerings, sathari rituals are continued even now.

Vishvaksena - Supreme commander
Commander-in-Chief (Vishvaksena) / Supreme commander

The last Garden Ceremony conducted like this was mentioned in the 6th Inscription of Volume 13 of March 31, 1606. Vijayanagara treasurer Bokkasam Krishnaiah conducted this in the flower garden named after his father Bokkasam Narasaiah. But, there is no evidence of its continuance later during the rule of Nawabs or Company, or Mahants. It was held in 1983 after about 400 years.

Though the nomenclature of Tototsava was not used, this ceremony could be seen in the Lord’s visit to some important places in Tirumala and Vanabhojana (Dining in the Forest). Purisai Garden Ceremony also comes under this category. It is being conducted in the Tirumala rock garden of 1527. The birthday of Goda Devi happens to be Anantaalvan’s breathing his last. Hence, this festival marks both of these occasions.

Andal’s Tiruvaadippooram festival is also held. In this context, let us try to know about the flower garden of Anantaalvan.

Anantaalvan’s Garden

Anantaalvan and his wife grew flowers of variegated plants in the Ramanuja Pushpa Vaatika erected with great labour. He used to collect those flowers, braid them into garlands and offer them to the Lord of Tirumala every day. Adorned with these garlands from top to bottom, the Lord used to give His darshan to the devotees exceedingly bright.

Fascinated by the beauty of these garlands, the Lord, it appears, was once inquisitive to see Anantaalvan’s garden. He went to the garden along with Alamelmanga at night after the doors of Ananda Nilayam were closed. Overjoyed by the beauty of the garden, they took a walking tour through it plucking the flowers throughout the night and went back to the Ananda Nilayam in the early hours. Anantaalvan was disappointed to see his garden spoiled the next day.

It became a routine every day for the divine pair to visit the garden and spoil it. Anantaalvan prayed to the Lord with great anguish. Feeling sorry, the Lord appeared to Alvan along with His consort at midnight the next day. Anantaalvan wanted to catch hold of them. But, the Lord escaped somehow, while the Lady was caught.

Sri Devi Caught for plucking flowers

The Alvan tied her to the Sampangi tree with creepers. She appealed to him for release in vain. He was on the prowl for her husband. At last, he saw the man running away from the garden and running north to the temple from the south street. He ran after him, but could not catch him. He returned in disappointment.

In the meanwhile, it dawned. The temple priests woke the Lord up and could not find the golden image of Alamelmanga on His chest. The Lord then pacified the anxious priests and directed them to go to Anantaalvan’s garden where she was confined and take her back with all honours. Awe-struck, they all went to Anantaalvan and praised him as the most fortunate devotee for confining no less a lady than the consort of the Lord Himself. Anantaalvan deeply regretted his ignorance.

He prostrated before and seated her in a flower basket and took her to the temple. Lord Srinivasa was quite happy and called him his father-in-law for offering Alamelmanga like a daughter in a basket as in marriage to Him. The Lady flew to the Lord to occupy His chest as usual. The Lord felicitated Alvan with new clothes, sandal powder and betel leaves.

Significance as the birthday of Goda Devi

Thus, in the Kataka month (Aani maasa) on the day of Poorvaphalguni star during the Tiruvayi(di)pooram ceremony, the Lord goes to Anantaalvan’s garden every year in procession in the circumambulatory direction to receive worship and then felicitate the Pogada tree in the Anantaalvan Brindavan with His sathari.

He would go back to the temple in procession later. So, this day is regarded as the day of Anantaalvan’s breathing his last. Anantaalvan, it is believed, was transformed into a Pogada tree in his Brindavan. This day is significant as the birthday of Goda Devi, i.e. Tiruavaadippooram as well.

Significance of Sanctum Sanctorum (Garbhalayam)

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Sanctum Sanctorum (Garbhalayam)

The Sanctum Sanctorum ‘Garbhalayam’ is a place of God’s presence. It is a holy place, sacred, spiritualised with Vedic Mantras Vibration. The Vibration inside the Sanctum Sanctorum is more effective and spreads unseen rays of God’s mercy. The sacramental vibration kindles the inner nerve of the human body to invigorate spiritual communion with the Lord in the Garbhalayam.

Eyes are to be opened to see the beautiful Lord in His merciful form without shouting or speaking to others.

In the temple, devotees should not allowed to boast of themselves or talk. As per Saraswathi Rahasyopanishad, it is a leinous crime. Simplicity is to be followed. A devotee should tie the upper cloth to his waist and behave like a servant of God. Every mantra in the temple uttered has to reach Saraswati Devi.

Any fault or wrongly spelt of the mantra will have dire consequences. Only those Gods inside or in the corridor are to be prayed inside the temple. Namaskaram with folded hands to be done to the Acharyas (preceptors) and other prostrations are not to be done.

The prasadam given in the temple is to be eaten with Devotion and fear. It should not be taken in a lump sum to home and eat as the prasadam effect will be lost.

The parasara samhita says that devotees in the temple must behave with high integrity and honesty lest they will be thrown into Hell along with all their family members.

Significance of Sanctum Sanctorum (Garbhalayam)
View of Sanctum Sanctorum

Powerful Place of God

The Garbhalaya or Sanctum Sanctorum is considered the powerful place of God. The Lord is consecrated with powerful Vedic mantras as per Agama Sastra. Due to the Vedic chants and rituals, the place will be ever vibrating within that area.

The moolavarlu or the main Deity in the form of a statue will be seen predominantly with a good height, Compared to other idols. The purpose was to show the prominence and importance of the Lord. Lord Venkateswara is seen as gigantic and is seen from a distance also by the devotees. Even then His darshan is more attractive.

Pedestal Lamps

The Garbhalaya of Lord Srinivasa is so well constructed that the deity is seen from 100 mts. There are lamps hung on either side and two big Akhanda (Pedestal lamps) located on both sides with thick wicks dipped in ghee. The light from the lamps focuses on the Lord and the effulgent Lord with His original light gives darshan to the devotees.

The right hand palm shows down the lotus feet in a way to salvation and the left hand at the waist assures the devotees that they will be protected by Him and will lead them to Sri Vaikuntam. The right hand palm is called as Vaikunta Hastam and the left hand as Kati Hastam.

Moreover, the Divine mother Sri Lakshmi who is inseparably present with the Divinity in the Garbhalaya occupying the chest of Lord Srinivasa could mediate or bring about the Samyoga Sambandhe with the Divine. So the Lord in the bewitching position in the Garbhalaya along with Goddess could provide all that is asked by the Devotee.

Sri Srinivasa is supposed to be the Kaliyuga pratyaksha Daivam. His abode Tirumala is worshipped by many sages, saints and Acharyas.

Kulasekhara padi

Kulasekhara Alwar a great king cum Bhakta of Lord Srinivasa eulogizes the Lord in his Perumal Tirumozhi that he (Alwar) may be born as a Fish or a stone or anything in Tirumala and finally prays that he may be allowed to see the “coral lips” of the Lord in the Sanctum Sanctorum lying at a step to His Garbhalaya. Even today the step at Garbhalaya is called as Kulasekhara padi.

The Archakas, Jeers, Acharya Purushas and other Paricharakas fold their hands and enter the Garbhalaya by crossing it and not putting their feet as the belief that Kulasekhara Alwar is lying there at the doorstep of Garbhalaya and enjoying the smiling face of Lord Srinivasa who has coral lips.

A look at the Lord is considered as most happy event for the devotee. A glimpse is enough for him to come again and again to the abode of the Lord. Crossing all barriers and reaching the Lord’s Garbhalaya to have His darshan is the most important to a devotee.

When he looks at the Lord, the devotee chants govinda govinda and forgets his tale of vows immediately. The ecstasy experienced by him is inexplicable.

– Sri T.K. Krishnaswami Thathacharya

Sri Maremma Thalli, Chenga Reddy Palli

Sri Maremma Thalli, Chenga Reddy Palli

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Sri Maremma Thalli – Chenga Reddy Palli

Chenga Reddy Palli is a very ancient village in Renigunta Mandalam of Chittoor District in Rayalaseema. One kilometre from Renigunta on the road to Kadapa, to the east of the road is the village. Sri Maremma in this village is a goddess of infinite powers, fulfilling the prayers of the devotees, and accepting their worship and offerings.

Since the temple was constructed, it has been making progress every day. Sri Kamatham Srinivasulu is the temple trustee. By the grace of Goddess Maremma, he is looking after the pujas, the festivities on special days and other pujas with the help of the villagers who have deep faith in the goddess.

Before 1973, a Nagadevata in the form of a snake used to live on an ant hill beneath a Neem Tree. Every year in April-May, the villagers used to raise an image of the goddess with neem berries and set up a temporary shelter with neem branches and bamboo sticks.

Villagers would cook pongal as the offering. They would also prepare special offerings and celebrate the festival.

SRI SRI SRI MAREMMA DEVASTHANAM

Sri Maremma Thalli Building Background

The trustee of the temple, Mr. Kamatham Srinivasulu was working as Shroff in the Tirumala Tirupati Devasthanams (Tirumala). One day in 1973, the Goddess appeared in his dream and commanded him to build a temple for her.

When he described his experience to his close friend Sri Arisetti Srinivasulu Naidu working in the Tirumala Tirupati Devasthanams and his wife Smt. Venkatasubbamma, the couple immediately gave Rs.116.00 as the first donation for building the temple.

Then, gradually with the help of the residents of the village, Srinivasulu got the foundations dug for building the temple. It is said that laying Kurmayantra on the foundation is very auspicious. However, it was wonderful to know that there were a couple of living kurmas there. Worship was offered to them and they were released into water.

In mantra sastra, the method of worshipping kurmayantras has been described. In consecrating deities, the Dhwajasthambha, when building huge mansions, or industrial workshops, in the eastern direction of the foundation, it has become a tradition to consecrate kurmayantras along with matsyayantra.

Since Maha Vishnu has taken Kurma avatara, by placing the kurmayantra, Maha Vishnu becomes the guardian of the temple and the mansion. He sees to it that there is never any lack of water and makes the place very holy, chases away all evil so that the area gains in prosperity and prominence. The twin tortoises which are so famous appeared alive when laying the foundation of the Maremma temple.

Kurma Avatar of Maha Vishnu

This was due to the power of Grace from Goddess Maremma who happens to be the sister of Vishnu.

Cement, sand, steel, and bricks that were procured were difficult to get, but by the grace of the goddess, the trustee Kamatham Srinivasulu was able to get everything. The temple was completed successfully. On the 14th of February, 1977, the small temple rose by the will of God.

Sri Chandrasekhara Gurukkal who was the Principal of the Vedapatasala of Tirumala- Tirupati Devasthanams presided over the consecration and the Kumbhabhishekam of the temple took place for three days with great eclat.

During these auspicious days, Abhisheka Utsavam, Nitya Homa Mahotsavam and special AlankaraSeva were offered. During this Kumbhabhishekam, not only the villagers but devotees from other villages and nearby places came in great numbers and took part in the service of the Goddess.

Anna dana also took place in a very holy manner. Over time, when this original building fell into disrepair, one-night goddess Maremma appeared in the dream of the trustee’s wife, Smt. Lakshmi. The Goddess commanded that a new temple be consecrated. She told her husband Kamatham Srinivasulu of the vision. That is why the trustee Kamatham Srinivasulu decided to rebuild the temple.

Accepting the words of the gracious lady, Sri Kamatam Srinivasulu wore the garment of Deeksha (promise of doing the job) and laid the foundation stone for renovating the temple on 31stJuly, 2009. The villagers and others, and devotees from the surrounding villages took part in the function in large numbers. Though the work was begun with not even a pie in hand, the work proceeded with good speed and there were no hurdles.

Sri Maremma Thalli, Chenga Reddy Palli

With the overflowing compassion of the Goddess Maremma, there were no problems and the work was finished by January 2011. For this newly reconstructed temple, the Hindu Dharma Prachara Parishad of the Tirumala Tirupati Devasthanams gave financial help. The chief priest of Tiruchanur Ayyappaswamy temple, Sri U. Tyagaraja Gurukkul and his son Sri U. Ranjit Swami along with their group of priests grandly performed the Kumbhabhisheka Mahotsavam for three days, i.e., from 18.3. 2011 to 20.3.2011.

Installation of 3 Shaktis

There were also homas. Apart from the images of Pothuraju and Goddess Maremma during the renovation, on the advice of Sri U. Tyagaraja Gurukkul, the figures of dwarapalikas for the Goddess, Sri Klashini Sakthi and Sri Harshini Sakthi were installed.

So also, in the pradakshina circle around the sanctum, images of the three Shaktis, Sri Saraswati Devi, Sri Vaishnavi Devi and Sri Durga Devi, were installed. The cost of renovation came to more than 25 lakhs. Sri Kamatham Srinivasulu said that this large amount came from the villagers, devotees of Goddess Maremma and his friends.

Consecrating the Image of the Goddess

In 1973, the temple trustee Sri Kamatham Srinivasulu and his friend M. Bhaskar went to the devasthanam of Goddess Maremma temple in Samayapuram near Tiruchirapalli, Tamil Nadu. There they had good darshan of the presiding deity, Goddess Mariamma.

Samayapuram near Tiruchirapalli

They decided to make in the same shape and with a height of two feet an image of Goddess Maremma and an image of Pothuraju with a height of one and a half feet.

So they approached the sculptor Sri Kannan of Narasingarayanipeta near Chittoor. With great devotion, sincerity and ritual purity, Sri Kannan made the sculptures of Goddess Maremma and Pothuraju. They were brought to the village with great care and were kept for forty-one days one mandalam in water and paddy. After all the preliminaries, they were consecrated after the newly constructed temple was completed. The images were reconsecrated in it in 2011.

Along with them, at the entrance to the sanctum of the Goddess, on the left and right side, Sri Klashini Sakthi and Sri Harshini Sakthi were placed as dwarapalikas, and at the centre of the Mukhamandapa facing the Goddess, the image of her mount, the Lion, and the Balipeetham were set up.

Outside the Mukhamandapa, in the front portion, the vigraha of Pothuraju and a Trident were installed. Thus, as soon as one enters the temple, devotees get the darshan of Trisool which is the divine weapon of the Goddess. Immediately after, they get to see Pothuraju, the brother of the Goddess. Later, in the pradakshina circle outside the sanctum, on the wall, we see Sri Saraswati Devi in the south, Sri Vaishnavi Devi in the west (the rear side of the sanctum) and Sri Durga Devi in the north.

Devotees who circumambulate in the temple get to see the Shaktis of the Trimurtis before seeing the Mahashakti, Goddess Maremma. They can pray to her also in the same way. That is, whoever does pradakshina in the temple stands to gain — those who want knowledge have Sri Saraswati; riches, health and gold who worship Sri Vaishnavi Devi, physical and mental health can be gained from Sri Durga Devi. And by worshipping Goddess Maremma in this temple, one gains everything and can feel fulfilled.

Sri Maremma Thalli, Chenga Reddy Palli

Amenities for devotees in the temple

Amenities have been made for devotees who come to worship daily, those who come to give offerings, and those from surrounding villages who come with their families. To prepare prasada (kitchen), a storeroom for groceries like rice and cereals for preparing prasada and dwelling places for archakas have also been provided.

There is also a wide cement platform around the temple for devotees to perform anga-pradakshhina. A variety of flowering plants are also being grown in the empty spaces of the temple. They are using these flowers for the daily worship of the Goddess.

Special Functions that take place in the Sannidhi of the Goddess

Every year one month after the Tirupati Tatayyagunta Gangamma jatra, villagers join to celebrate jatara for Goddess Maremma with great enthusiasm. They celebrate grandly the Navaratri festival for nine days.

  • The Goddess is decorated as Kamakshi on the first day,
  • as Balatripurasundari on the second day,
  • on the third as Annapoorneswari Devi,
  • on the fourth as Bhuvaneswari Devi,
  • on the fifth, it is Mamiti Seva (Siva Parvati),
  • on sixth as Lakshmi Devi,
  • on seventh as Ashtabhuja Durga Devi,
  • on eighth as Saraswati Devi.
  • On the ninth and last day, she is decorated as Goddess Maremma

and taken in procession through the streets of the village. The celebrations go on splendidly. With this the Navaratri festival comes to an end.

Apart from these, every Friday, on pournami and during other festival days, they do special decoration and pujas for the goddess.

Click here for the official website 

The Greatness of the Goddess

The Goddess fulfils the prayers of Her devotees. Many people desiring children come to the temple of the goddess and perform pujas. Unmarried people pray to the Goddess for getting married and when their desire is fulfilled they come with their family and fulfil their prayers to the Goddess. For this, the family of the Dharmakarta itself is an example! Earlier Kamatham Ankaiah Naidu of this family and his wife Kamatham Subbamma had no children and went to many temples to offer prayers. But they remained childless.

Once when a swamiji came to the village, they arranged for his food. He was happy with their hospitality and gave them some advice before leaving: “Both of you go to the temple of Sri Maremma in the village, bathe in the pure water in the temple well, go with wet clothes (at that time there was no temple; people used to worship the goddess beneath the neem tree) and pray to her sincerely. You will get children.” He then left the place.

Sri Maremma Thalli, Chenga Reddy Palli

Following the command of the holy man, the couple worshipped Sri Maremma. After that, they were blessed with a male child. He was named Maraiah by the family. After that, sons born in that family were given names to synchronize with the name of the Goddess. From then to this day they worship Goddess Maremma as their Kuladaivam. They fulfil the aspirations of the temple trustee without fail by helping with the daily pujas and serving the temple’s growth.

The villagers have realised the greatness of Goddess Maremma, convey to her their problems and get them solved. Some devotees who have fallen prey to the drinking habit wear a band and have given up the bad habit. Also, many devotees come and describe the marvels of the Goddess, her Shakti’s immensity and their visions.

Thus for the villagers in nearby places and devotees, the Goddess is verily a wish-yielding tree, a Mother who saves people in distress. The compassionate Goddess Maremma’s temple has several pujas daily and with offerings brought by devotees whose wishes have been fulfilled, is flourishing grandly.

Sri Venkateswara Gosamrakshana Trust

Sri Venkateswara Gosamrakshana Trust

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Sri Venkateswara Gosamrakshana Trust

Sri Venkateswara Gosamrakshana Trust is yet another forum that plays a very important role in the protection of cows, which is of paramount importance in Hindu Dharma. The TTD has established a dairy farm called ‘Sri Venkateswara Gosamrakshanasala’ in Tirupati in the year 1956 and formed the trust in 2002 to meet its needs.

Sri Venkateswara Gosamrakshana Trust is established to protect the cow and emphasise the spiritual importance of the cow apart from its economic aspect.

Helping needy

The S.V.Dairy Farm, TTD., Tirupati supplies milk and curd to all the TTD Temples for Rituals, prasadams, Abhishekams etc., and also to the service institutions like

  • S.V.Balamandir (Orphanage),
  • S.V.Deaf and Dumb School,
  • S.V.Training Centre for the Physically handicapped,
  • S.V.Poor Home (Leprosy Hospital),
  • S.V.Vedapatasala,
  • S.V.Oriental College Hostel,
  • TTD Hospitals,
  • “Annadanam” scheme of T.T.D. etc.,

Sri Venkatachala Mahathyam

In ‘Sri Venkatachala Mahathyam’ Lord Brahma became a cow, Lord Siva became a calf and Sri Lakshmi become a Yadava maid and both the cow and calf were sold to Chola king by Sri Lakshmi in a bid to provide milk to meditating Srinivasa in Venkatachalam. There also he protected the cow from the curse of its herdsman.

Cow is the greatest blessing of human race, lands grow rich, homes flourish and civilization advances where the Cow is kept and cared for. The Trust also aims at improving the living conditions of cows outside Goshala by providing technical inputs to the general public.

Sri Venkateswara Gosamrakshana Trust

Donations

Devotees can also help in the protection and propagation of endangered varieties of native cows such as Gir, Sahiwal, Kankrej, Ongole and Punganur, as TTD management has taken up the massive responsibility with the contribution received by this trust.

Privileges to Donors

  1. Donors donating to this trust between Rs.1 lakh and Rs.5 lakh will be allowed for Darshan through ‘Supatham’ for one day in a year (subject to availability) for their family of five persons. They will also get free accommodation for five persons or VIP accommodation on a payment basis once in a year. These privileges will be extended during the lifetime of the donor in the case of individuals or for 20 years, in the case of firms, companies and joint donors.
  2. Those donating an amount between Rs.5 lakh and Rs.10 lakh will get Darshan through ‘Supatham’ for three days in a year (subject to availability) for five members of their family. Free accommodation will be provided for three days or VIP accommodation on a payment basis.
  3. Donors donating an amount between Rs.10 lakh and Rs.1 crore will be provided break darshan for three days in a year (subject to availability) for their family of five persons. They will be provided accommodation for three times in a year at any room with a tariff value of Rs.500.
  4. Those donating Rs.1 crore and above will get VIP break Darshan for three days a year free of cost for their family of five persons. This apart, the donor’s family will also be provided Suprabhatha Seva for any three days other than the VIP break day.

Donations can be made by way of a cheque/demand draft on any Scheduled Bank drawn in favour of the Executive Officer,
Sri Venkateswara Gosamrakshana Trust, TTD, Tirupati and can be sent to
the Director,
S.V.Dairy Farm (S.V.Gosamrakshana Shala)
Chandragiri Road, TTD, Tirupati -517501.
Ph.0877-226 4570
Individuals, firms, companies etc. can make donations, and they are eligible for uniform privileges besides Income Tax Benefit under Section 80 (G) of the Indian Income Tax Act.
Click Here to Donate

Sri Govindaraja Swamy Brahmotsavams 2024

Sri Govindaraja Swamy Brahmotsavams 2024

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Sri Govindaraja Swamy Brahmotsavams

Sri Govindarajaswamy vari temple is the biggest temple in Tirupati, with three majestic towers [gopuras]. This temple is situated at the foot of the Tirumala Hills. The Vaishnava preceptor, Sri Ramanuja founded Govindaraja Swamy temple and started a small settlement around it and named it Tirupati.

TIRUPATI
SRI GOVINDARAJASWAMIVARI BRAHMOTSAVAMS
MAY 16th to 24th, 2024

Sri Govindarajaswamy Temple is very near to Tirupati Railway Station. The Deity Sri Govindaraja Swamy here is in a reclining pose. The Temple has shrines of Sri Andal, Sri Parthasarathi and Sri Venkateswara.

  • Ankurarpan,
  • dhwajarohan,
  • peddasesha vahan,
  • chinna seshavahan,
  • hamsa vahan,
  • simha vahan,
  • pearl mandap,
  • kalpavrikshavahan,
  • sarvabhoopala vahan.

Also, Mohini avatar vahan in a palanquin, garuda vahan, hanumad vahan, gaja vahan, Suryaprabha vahan, Chandraprabha vahan, rathotsav, ashva vahan, palanquin vahan, chakra [disc] snan [bath] are performed.

Sri Govindaraja Swamy is taken out in a procession in the town streets and He blesses all his devotees. Let’s participate in all these vahana sevas and receive His blessings.

It’s only God’s name that purges our sins, purifies the sinners and gives us relief from mundane attachments and opens our internal [jnana] eyes.

Therefore, let’s worship the Lord who is omnipresent, who blesses us with peace and comfort.

Sri Govindaraja Swamy Brahmotsavams 2024 – Schedule

Sri Govindaraja Swamy - Brahmotsavams 2024

Glory of Tirupati Gangamma Jatara

Glory of Tirupati Gangamma Jatara

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Tirupati Gangamma Jatara

The “Tathaiyagunta Gangamma Jatara” is one of the festivals celebrated in the mythologically significant, historically popular city of Tirupati, A.P. The main reason for the popularity of this jatara is that Gangamma is believed to be the younger sister of Tirumala Venkateswara Swamy.

During the days of jatara organized by the authorities of the Tirumala Tirupati Devasthanams at the Tirumalesha Temple, various offerings are made to Gangamma on Saturdays as gifts from her parental house. These offerings typically include silk clothes, turmeric and kumkum, bamboo baskets, and symbolizing auspiciousness are brought and presented to Gangamma.

In Sanskrit, “jata” signifies ‘birth’.

From a historical perspective, there is no exact evidence of the beginnings of the Tathaiyagunta Gangamma fair. This ambiguity arises from the fact that for the first time, such a jatara is organised to commemorate the offerings from parents’ house to Gangamma.

Esteemed historical researchers and cultural authorities have authenticated this fact.

Tirupati Gangamma Jatara

Gangamma Jatara – Origin

Every idol worship tradition typically involves a narrative. Similarly, the origin of Tathaiyagunta Gangamma is accompanied by a legendary tale. Once upon a time, Tirupati was a humble village under the governance of a farmer who firmly believed in his sense of justice and righteousness. He held a position of power and with that power, he hurt women in many ways.

In those days, when the village chief’s word was law and few dared to oppose him openly, those suffering silently turned to prayers to Mother Goddess for intervention. Responding to these pleas, the divine power known as ‘Adiparashakti,’ incarnated in the village of Avila near Tirupati, resolved to end the tyranny of the village chief and deliver justice to the oppressed women.

In the guise of a woman, She entered the village chief’s household and confronted him with her formidable presence, instilling fear in his heart. Fearing for his life, the village chief fled his home, evading the pursuit of the divine entity. Unyielding in her pursuit of justice, Adiparashakti continued her search, assuming different disguises each day.

Seven days passed in this relentless pursuit until finally, near Tathaiyagunta, she apprehended the village chief and killed him, a fitting punishment bringing an end to his reign of oppression. This decisive act of justice occurred during the Tamil month of Chittirai.

As the unbearable hardships caused by the cruel landlord came to an end, the villagers fervently implored, “Mother, stay here and protect us always!” Their prayers were answered as the divine Parashakti manifested there thus transforming it into the revered site known as ‘Tathaiyagunta Gangamma’.

In commemoration of this heroic event, Tirupati hosts fairs for seven days, showcasing rural culture through various guises.

The Gangamma fair held in Tirupati stands out as a unique tradition not found elsewhere in the country. The bustling streets, filled with the daily hustle and bustle, wandering along the streets uttering scolds may appear strange to outsiders, yet within this rhythm, there are distinct moments of pause and reflection.

On the first day, individuals don the costume of a “Bairagi.” Humans, consider virtue, riches, and desires, as the ultimate goals in life. Salvation is the ultimate goal. To attain salvation, one must relinquish worldly desires, hence the choice of the “Bairagi” costume. He is likened to a drop of water on a lotus in the cycle of life and death (Samsara), symbolizing detachment.

On the second day, participants dress in the “Banda” (rock, boulder) costume. This attire embodies the idea of enduring hardships without affecting one’s inner peace like a rock that remains motionless. The purpose of this disguise is to promote tolerance.

The third day sees individuals dressing as a “fellow” (Thoti). Members of the Kaikala caste demonstrate their devotion by portraying women through this costume, while washermen adopt a masculine appearance. Even when engaged in professional duties, the essence of human service is emphasized, encouraging people to embrace a sense of service.

On the fourth day, participants wear ‘dora’ attire. Traditionally the Kaikala and Chakali clans wear this guise. It is customary for a Dora to dress as a minister if the Kaikalas opt for this attire.

The fifth day involves dressing up as “carrying lime pots.” Kaikalas place lime pots on their heads at the fair. The pot symbolises the body. Jasmine flowers adorning the pots represent goodwill, while instrumental chants signify blessings for the welfare of the community.

The sixth day features the “Matangi” costume, honouring the goddess of the thousand eyes. Similar to Vishnu with a thousand eyes, Gangamma also embodies the concept of Vishvarupini.

On the seventh day, participants dress up as “sapparala,” carrying spires resembling gopurams. This symbolizes dualism and serves to protect against negative influences.

Additionally, on Tuesdays, participants don the “Perantala” costume, worn specifically by the Kaikalas. The conclusion of the Jathara involves the ritual of cutting the cheeks of Chinagangamma, followed by Pedagangamma.

sri-tataiahgunta-gangamma - Tirupati
Chinagangamma – Tirupati

Among the devotees involved in crafting Gangamma dolls Dalits, potters, Kamsari, Mangali, and Golla communities play a significant role. Following the division of the universal form of the goddess by the Kaikala clans, devotees eagerly receive soil from that sacred source with deep reverence.

Subsequently, they take this soil to their homes, where it is kept for purposes such as warding off illness, fostering development, and resolving various pressing issues. Throughout the Ganga fair, the general public offers various customary offerings.

According to the religious beliefs of Adi Shankara, all village deities are considered forms of Kali.

Gangamma Jatara - Chempa Narakuta
The conclusion of the Jathara involves the ritual of cutting the cheeks of Gangamma called in Telugu Champa narukuta A view

Those on a pilgrimage to Tirumala to have a darshan of the Lord Srinivasa during the Gangamma Jatara, make it a point to visit Tathaiyagunta of Tirupati. They find it bewildering to hear the abusive words hurled by the participants in the jatara. There are reasons for this tradition.

This perplexity can be attributed to a cultural phenomenon observed in India, illustrated by the story of Duryodhana, who, fearing for his life after the demise of his family, concealed himself in a pond. When his adversaries hurt his pride by hurling abuses at him, he eventually emerged. Eventually, he gets killed at the hands of Bhima. This narrative serves as a metaphorical rebuke-strategy aimed at the dora, who must have hidden somewhere, to come out with his pride wounded.

Certainly, Gangamma holds a significant place as the village head deity. It’s wonderful to hear that the temple dedicated to her is experiencing gradual development. Such progress signifies the enduring devotion and reverence of the community towards Gangamma Tirupati.

As a testament to the devotion of the devotees, the Tathaiyagunta Gangamma Devasthanam was constructed. This sacred site saw the installation of Yantra, Vigraha, Shikhara Kalash, and the consecration ceremony, known as Maha Kumbhabhisheka Mahotsavam, took place from May 1st to May 5th, 2023. Tirumalesha made a significant contribution towards this endeavour.

To safeguard the village and ward off diseases such as smallpox, repel malevolent spirits, and shield against unfamiliar illnesses caused by insects, as well as invoke rainfall for lush and fruitful fields, the tradition of seeking the blessings of Gangamma is established.

Additionally, to protect crops from pest infestations and ensure auspicious outcomes, it is customary to visit Gangamma for divine intervention and favourable results.

Plentiful riches for those who worship,
bestowed as the Kalpavalli of divine blessings,
Amritavalli brings joy to devotees
dressed in jatara attires,
Asrayavalli, the refuge of Anantalwar,
revered as “grandfather”
by Lord Srinivasa

Nityannadanam by TTD

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Nityannadanam by TTD

In 2006, the then Chairman of the T.T.D. Trust Board provided the facility of offering Srivari ‘annaprasadam’ to all the devotees who came to Tirumala irrespective of the ‘Darshan’ of Srivaru. Later, the TTD started a new building complex for ‘Nityannadanam’. At that time, Matrusri Tharigonda Vengamamba, a devout devotee generously used to offer food to the devotees.

Later, the T.T.D continued the traditional culture of charity by offering food in Tirumala putting the name of Matrusri Tharigonda Vengamamba to the building complex. The scheme of Nityannadanam was also started in Sri Padmavathi Ammavaru at Tiruchanur in the past.

Recently on 29-02-2024 in Sri Govindarajaswamy temple in Tirupati the programme ‘Nityannadanam’ was started and going on well every day from 11 a.m. to 4 p.m. It is the staunch wish of the TTD that all the devotees in Tirumala, Tirupati and other places should make use of the facility of ‘annadanam’ and get the graceful blessings of Lord Venkateswara.

Tarigonda Vengamamba Annadhanam Annaprasada Building - Tirumala Tirupati Yatra

Food is Divine

‘Annam Parabrahmaswarupam’ is a spiritual saying of our elders. Of all gifts, charity is the greatest. Those who give charity will receive ‘Devalokapuja’. Food is the essential thing that sustains the human body for achieving ‘Purusharthas.’ Without food, animals will also die. Therefore, offering food means offering life. Food sustains life.

Giving life is giving all things to human beings. So they receive the fruits by the charity. It is said that whoever eats rice can perform any pious work with energy. Half of the virtue i.e., ‘punyam’ will go to the giver of the food and the other half of it will go to the person who has done the work.

Annaprasadam - Food is Divine - Nityannadanam by TTD

Service to man is service to God.

Offering of food to the hungry is equal to performing a ‘yajna.’ One can satisfy others with food only. But one cannot satisfy others by offering gold, clothes, or anything else. People still want more and more. But one can hear the word ‘Enough’ from them by just offering a meal.

It is said that by doing ‘annadanam’, fame, radiance and strength will be attained in all three worlds. ‘Vedokti’ emphasizes that the first entry into heaven is for those who conduct ‘annadanam.’ The Tirumala Tirupati Devasthanams put this maxim into practice.

Eham and Param

There is a concept of ‘Eham’ and ‘Param’ regarding the consumption of ‘prasadam’ in temples. Offering ‘prasadam’ is an orthodox tradition for those who perform puja and other rituals and to the devotees visiting the temple. Some of the festivals are entirely related to ‘annadanam.’ ‘Thiruppavada’ in Tirumala is similar to this practice.

Sri Saluva Narasimharaya built choultries for doing ‘annadanam’ to satisfy the hunger of the devotees in Tirumala. Under the supervision of Srimad Kandadai Ramanuja Iyengar, ‘Ramanujakutamulu’ were formed. The Tirumala Tirupati Devasthanams, the world’s largest spiritual organization, has been serving the devotees by offering food freely to them for a long time.

Resuming the tradition of our ‘sanatana dharma,’ the Tirumala Tirupati Devasthanams initiated this auspicious deed on 06-04-1985. Initially started with a mere two thousand devotees, the scheme gradually became a major programme. Earlier, this ‘annaprasadam’ scheme was applicable only to the devotees who visited the Lord in the temple.

Sri Venkateswara Museum (TTD Museum), Tirumala

Sri Venkateswara Museum (TTD Museum), Tirumala

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Sri Venkateswara Museum – Tirumala

TTD Museum / Sri Venkateswara Museum was inaugurated on December 26th, 1980 in Thousand Pillars Mandapam by Dr Neelam Sanjeev Reddy, the president of India. Later it was shifted to a newly constructed building with architectural elements beside Narayanagiri Gardens on 27th September 1999 and was opened by Chief Minister of A.P Sri Nara Chandra Babu Naidu Garu.

The museum contains approximately a thousand objects of Indian culture and heritage.

With elegant features, the sculpture of Vishnu in the form of sudarsana moorthy is on display at the museum entrance. He represented all the weapons in his right and left arms used for the destruction of an enemy. There is a reference to sudarsana moorthy in Mahabharata, Bhagavatha, Ramayana and in Itihasas. It belongs to the 16th-century architectural features.

The museum widely has three floors. The ground floor is totally on display of the objects Photographs, Sculptures, Bronze idols, Wood Cravings and Musical Instruments in chronological order.

The first floor has collections of Paintings, Vahanams, Coins, and other miscellaneous items of Annamayya Bhandagaram, Prasadam carrying vessels, Pooja Samagri, Asanams etc. relating to the temple culture and tradition.

TTD Museum – Photographic Section

The photos of all the sevas performed to Lord Venkateswara are classified into daily, weekly, fortnightly, monthly, and yearly and some of the sevas are performed following the god’s thidhi and nakshatra.

The major festivals Brahmotsavam, Vaikunta Ekadasi and Rathasapthami would be celebrated yearly and also the photographs of Vaggeyakara’s who extolled Lord Venkateswara in their sankeerthanas have been on display.

The photos of Silathoranam, Narayanapadam, and Sacred Thirthas are exhibited.

Silathoranam, Tirumala

TTD Museum – Sculptures Gallery

In this category, a collection of stone sculptures of historical personalities relating to the stories of Ramayanam, Bhagavatham and mythology. The gallery has some of the rarest and most admirable sculptures in the Pallava, Chola, and Vijayanagara periods.

Sri Venkateswara Museum - Tirumala

The highly decorative 16th-century Vijayanagara. sculptures of Bhuvaraha, Trivikrama are of superb sculptural quality in the gallery and the other images of Valmiki Ramayana-Rama abducting Seetha, Trimurthy are particularly noteworthy in their craftsmanship and expression.

TTD Museum – Bronze Section

The art of Bronze casting objects reveals the high standard of technical skill of artisans in the field of metallurgy in ancient India. This section contains bronze objects of Alwars, Bhuvaraha, Nataraja belonged to the 16th century standards for their remarkable quality of the art form.

The images of Hindu Gods, Goddess es – Umamaheswara, Alinganamoorthy, Chandra Sekhara, Kaliyakrishna, Bala Krishna and Nritya gopala are unique creations having artistic vision and technical knowledge.

TTD Museum – Wood Carvings

These are some of the oldest crafts in the world. Prehistoric people used to make decorative handles for their tools and weapons. The Hindu temples were decorated with doors, ceilings and various fittings carved in teak and other woods with patterns of extreme richness and minute elaboration.

This section contains the exquisite beauty of carving figures belonging to mythological stories i.e. Gajendra Moksham, Hiranyakasyapa Vadha, Lakshmi Narasimha, Govardhanagiridhari etc. are the masterpieces on display.

Originally all these wood carvings were collected from the old chariot of Govindaraja Swami temple belonged to the 17th century which was built during the period of Matla Kumara Anantha Raya.

Sri Venkateswara Museum - Tirumala

Ivory pallaki which the Mysore king donated to the Srivari temple stands for its highest quality of artistic vision. The four sides of the pallaki are decorated with narrative figures of Ramayana, Sri Krishna Leelas and Dasavatharas in Ivory are could be astonished with the beautification of the carving.

Musical Instruments

Music is a form of art that comes from the Greek words meaning “art of the muses” who were the goddesses who inspired the arts such as literature, music and poetry. T.T.D., Tirumala Museum contains 64 types of musical instruments and they are classified into four categories i.e. Tata Vadya, Sushira Vadya, Avanaddha Vadya, and Ghana Vadya.

Musical Instruments - Sri Venkateswara Museum - Tirumala

  • TataVadya – String Instruments eg: veena, sitar, tumbura etc.
  • Sushira Vadya – weird instruments eg; organ, harmonium, nadaswaram, flute etc.
  • Avanaddha Vadya – Membrane covered eg: mridangam, damaru.
  • Ghana Vadya – Solid percussion instruments eg: Ghatam, gangs, Kartal.

Annamayya Sankeerthana Copper plates

Sri Tallapaka Annamayya wrote 32 thousand sankeerthanas on Lord Venkateswara praising His glory. These sankeerthanas copied from palm leaves and inscribed on copper plates during the period of Achyutha Raya in the 16th century by Tallapaka Pedda Tirumalacharya and Chinna Tirumalacharya. These were stored in stone chamber besides north side of Srivari Hundi and named Annamayya Bhandagaram.

Sankeerthana Bhandagaram or Annamacharya Bhandagaram

Later these were shifted to the S.V. Museum, Tirumala. These copper plates are classified into three categories. They are Bhandarekulu, Sadaranarekulu and Talapatra kruti rekulu (Copper plates).

Interested Devotees can witness the script of the copper plates during the museum’s working hours i.e. from 8:00 AM to 8:00 PM

Vahanams

The processional deity of Sri Venkateswara is taken out in processions through four Mada streets of Tirumala in view of welfare of the devotees. Each Vahanam describes the spiritual proximally with the god and remind us the inseparable relation between atma and paramatma.

Tirupati Balaji Temple

Coins

The museum has the collection antique gold, silver and copper coins available from Srivari Hundi belonged to 15th century A.D. down to 18th century of different dynasties who were on rule in India.

TTD - Sri Venkateswara Ayurvedic Hospital, Tirupati

TTD – Sri Venkateswara Ayurvedic Hospital, Tirupati

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Sri Venkateswara Ayurvedic Hospital / SV Ayurveda Hospital

Dhanvantari

Dhanvantari, an incarnation of Lord Vishnu, the immanent divine consciousness, represents the divine healer in the tradition of Ayurveda. Lord Dhanvantari considered the God of Ayurvedic medicine is believed to have emerged from the sea during Samudra mathan, holding a pot of Amrit in one hand and the sacred Ayurveda text in the other.

Dhanvantari

Ayurveda

Ayurveda is an elegant healing system, described approximately 5,000 years ago in ancient Vedic texts as comprehensive teachings on preserving and maintaining health. The fact that this ancient medicine is still in use today is a testament to the wisdom it holds when it comes to understanding the human potential to achieve a happy and wholesome life.

Sri Venkateswara Ayurvedic College

Tirumala Tirupati Devasthanams (TTD) to promote the Vedas and allied sciences, established Sri Venkateswara Ayurvedic College, Tirupati in 1983. It is affiliated with Dr NTR University of Health Sciences, Vijayawada, Andhra Pradesh. The college has become one of the best institutes in India and has produced several graduates and post graduate students from time to time.

Sri Venkateswara Ayurvedic College

The Sri Venkateswara Ayurvedic Hospital / College has an attached teaching hospital with 210 beds with all Investigations and therapies and also renders Ayurvedic medical services to the people free of cost. People from Andhra Pradesh, Telangana, Karnataka, Tamilnadu and even from other states utilise the services of this Hospital.

The teaching hospital is a part of the College administration for imparting better education and training to the PG& UG students being admitted into the College. Teaching faculty (Professor, Reader, Assistant Professor and Lecturer) are the consultants of the Hospital.

Sri Venkateswara Ayurvedic Hospital / SV Ayurveda Hospital

OPD Services at SV Ayurveda Hospital

  • OPD functions from 7.30 AM to 12.00 PM and 3.00 PM to 5.00 PM.
  • Consultants are available from 9.00 AM to 11.30 AM & 3.30 PM to 4.30 PM on all working days.

Duty Medical Officers and doctors are available for consultation around the clock. The hospital has well-experienced, well-qualified and dedicated Ayurvedacharya / B.A.M.S. / M.D. doctors who attend to the patients.

Click here for Google Maps Location

OP (outpatient) Services are available in all specialities. S.V. Ayurvedic Hospital has approximately 210 beds with a bed occupancy rate and runs 10 OPDs daily with at least 350-500 patients attending exclusively to OPDs.

Sri Venkateswara Ayurvedic Hospital

Procedure for Consultation

For outpatient consultation services, the patient has to register his/ her name at the registration counter. Doctors will do initial screening at the counter. Depending upon the requirements and the medical issue the staff will guide the patient to the concerned consultant.

Patients are advised to bring a copy of all previous evaluations and investigations.

Old (Follow-up/Review) Patients

The patient has to plan his/her follow-up visits according to the availability of the concerned consultant. They should visit the OPD on the duty day of the concerned consultant. They must also bring the Registration OPD Card or Discharge Summary Card during follow-up visits.

The Outpatient Department is generally crowded and free-of-cost medicines are distributed to each patient. SV Ayurveda Hospital caters to the medical requirements of all sections of society. The TTD management seeks and appreciates the patience and cooperation of the visitors.

S.V. Ayurveda Hospital OPD & Department-wise details in a glance

Kayachikitsa OPD (internal medicine)

Kayachikitsa is one of the eight branches of Ayurveda(Ashtanga Ayurveda) that deals with general medicine. It is the first branch of Ashtanga Ayurveda which mainly deals with diagnosis and treatment of various general health problems.

Kayachikitsa, representing the school of medicine forms the basis for all other branches of Ayurvedic treatment and hence this lays the foundation for shaping a skilled Ayurvedic physician. Kaya also refers to digestive fire or Agni.

Ayurveda believes that the imbalance in our digestive system is the root cause of multiple diseases. Hence, the chikitsa (treatment) also involves correcting the digestive fire or Agni to restore good health.

Kayachikitsa (or internal medicine), wherein Kaya means ‘body’ and chikitsa means ‘treatment’. The treatment also involves correcting the imbalance caused due to tridosas (Vata, Pitta and Kapha). The remedy encompasses a range of internal and external medications, detoxifications etc., along with specialized therapy to treat the disorder. The approach of Kayachikitsa involves the complete management of body and mind.

Kayachikitsa is used to tackle issues related to chronic illnesses and common illnesses.

Some of the diseases which are dealing Kayachikitsa OPD are:

  • Skin diseases (Psoriasis, Atopic dermatitis, Eczema, Urticaria etc.)
  • Gastritis, Neurovascular disorders
  • Arthritis (Osteoarthritis, Rheumatoid Arthritis, Gastro-Intestinal Disorders)
  • Respiratory diseases (Kasa, Swasa)
  • Kaamale (jaundice) – Irritable Bowel syndrome

Panchakarma OPD & Theatre services

SV Ayurveda Hospital has well-equipped male and female Panchakarma theatres separately. Panchakarma is performed by highly trained and skilled panchakarma therapists under the supervision of Panchakarma specialist doctors. This purification process helps to maintain good hygiene both at the mental and physical levels.

The treatment is customized according to the requirement of the patient depending upon their body constitution and health disorder.

Panchakarma OPD

Shalyatantra (Surgery) OPD & Theatre services

Shalyatantra is one of distinct branch of Ayurveda which explains and demonstrates surgical knowledge and procedures that were performed and used since thousands of years ago and are useful even today. The name of the sage-physician, Susruta, is synonymous with surgery. From his treatise Susruta Samhita, we have become aware of the sophisticated methods of surgery that were practised in India thousands of years ago

Diseases treated

  • Piles, Fissure in Ano, Fistula, & recurrent Abscess.
  • Inflammatory conditions-boils
  • Gallstones, Injury to marma
  • Deformities, Traumatic conditions
  • Cysts, Corns, warts
  • Varicose veins, Osteo Myelitis
  • Urinary track infections and hernia
  • Traditional Para surgical procedures like Agnikarma, Ksharakarma, Kshara Sutra and Jalukavacharana.

PG – A&B OPD (Dravyaguna Vigyana, Rasashastra & Bhaishajya Kalpana & Ayurveda Samhita)

Dravyaguna Vigyana

Doctor of Medicine in Dravyaguna Vigyan (Ayurvedic Pharmacology) is a non-clinical course. It provides the principles of Ayurvedic pharmacognosy and pharmacology with a special focus on the identification of controversial drugs, adulterants and substitutes used in Ayurvedic practice.

Rasashastra & Bhaishajya Kalpana

Doctor of Medicine in Rasashastra & Bhaishajya Kalpana (Medicinal Chemistry and Pharmacy) is a Non-Clinical course. Keeping with tradition, the course prepares students for an Ayurvedic physician who is capable of formulating and preparing medicines according to the specific needs of a patient.

The program provides training in medicinal chemistry and the preparation of highly potent medicines from minerals and metals. The course also deals with the principles and practice of Ayurvedic Pharmacy with its varied pharmaceutical methods and dosage forms.

Ayurveda Samhita

This is a Non – Clinical course provides research training in the study of classical texts of Ayurveda, their scientific exploration and validation.

Balaroga OPD (Paediatrics)

Balyavastha or childhood is a crucial phase in human life. This phase is different from other stages because of the Ahara (diet), Vihara (lifestyle) and Aushadhi (medicines) administered during that period. As these factors play an important role during childhood, the methods adopted in the treatment of children are also different.

Balaroga is a branch of Ayurveda that deals with neonatal care, infant feeding, diet for the newborn, daily and seasonal regime and also deals with diseases and disorders relating to children including nutrition of children, immunization etc. Usually, childhood is prone to common ailments like Digestive disorders, Respiratory infections, Skin problems, Worm infestation, etc.

Diseases treated:

  • Treatment for cerebral palsy, autism, muscular dystrophy, etc.
  • Delayed milestones
  • Attention-deficit/hyperactivity disorder (ADHD)
  • Gastrointestinal diseases.
  • Kasa and general health.

Balaroga

The M. D. in Balaroga provides research training in the study of classical texts of Ayurveda, their scientific exploration and validation. This branch of Ayurveda, also known as ‘Kaumarayabhritya’ is one of the significant branches that focus on nursing and nurturing infants, newborns and children.

Balaroga not only involves prenatal, and postnatal baby care but also some ailments under the branch of Gynaecology. The specialist doctors in Ayurveda Paediatrics create awareness among the parents about child care, food habits, physical growth, and physiological and psychological issues related to child growth. This helps in bringing up a healthy child.

Shalakyatantra (ENT & Opthomology)

Shalakyatantra is Ayurveda branch for ENT & Ophthamology. It is a branch of Ayurveda that deals with diseases affecting the body parts located above the neck. It encompasses the treatment for the medical conditions related to organs of the head and above the shoulder like Eyes, Ears, Lips, Nose, Throat, Teeth, Skull, Central Nervous System and Brain.

These body parts are vulnerable to diseases which can get complicated as they progress.

The name ‘Shalakyatantra’ came into existence as the therapy involves excessive usage of Shalaka’ which means ‘probe’. This is a branch of Ayurveda where the treatment is done using appropriate tools for ingesting medication to the affected body parts. Various specialized instruments are used for diagnosis and therapeutic purposes as this speciality deals with delicate and narrow sections of the head.

In some places, this treatment is also called as ‘Urdhwangachikitsa’ where ‘Urdhwanga’ refers to body parts above the head, and ‘chikitsa’ relates to treatment. This system of medicine is also concerned with preventing contagious diseases.

By adopting a daily or seasonal routine with the appropriate cleansing procedure, the functional integrity and structure of body parts situated above the head are taken care of.

The disorders treated in the Shalakyatantra Department are

  • Treatment for Netra rogas (Eyes)
  • Nasa rogas (Nose)
  • Karna rogas (Ear)
  • Mukharogas (Oral Cavity Disorders)
  • Shirorogas (Head)

Prasoothi & Streeroga (Obstetrics/Gynaecology)

Prasoothi & Streeroga is a significant branch of Ayurveda, mainly dealing with childbirth /Parturition (Prasuti Tantra / Obstetrics) and Gynaecological (Streeroga) disorders. Prasuti tantra deals with pregnancy, labour and puerperium, whereas Streeroga deals with the management of diseases manifesting mainly in women.

The OPD services of Prasoothi and Streeroga at SV Ayurveda Hospital offer exceptional ayurvedic care in addressing pre-natal, post-natal and anti-natal care.

Diseases treated

The Specialist doctors cater to the following problems related to women’s health:

  • Pre conceptional care
  • Month-wise regimen for pregnancy, Yoga pregnancy
  • Menstrual issues due to thyroid dysfunction and obesity
  • Post-natal care
  • A promising approach for Infertility (male and female)
  • Non-surgical management of pregnancy-related complaint
  • Nausea, vomiting, headache.

Swasthavritta

Swasthavritta (Social and Preventative Medicine)

Swasthavritta (Social and Preventative Medicine) is a non–clinical course. The program provides training on the principles and practice of Social and Preventive Medicine at both the personal and communal levels. Social and Preventative Medicine in the School of Ayurveda gives elaborate guidelines and regimens for maintaining and promoting the health of the individual and the community integrating modern concepts with principles of Ayurveda.

Swashavritta means “regime of abiding by one’s nature”. It highlights the importance of maintaining a healthy life by adopting principles of a daily regimen, seasonal regimen, and ethical regimen to combat the diseases associated with lifestyle changes. It incorporates principles and practice of treatment both at personal and communal levels. The OPD at SV Ayurveda Hospital mainly deals with counselling.

The patients are advised to maintain good health and prevent diseases by adopting a holistic approach to life. They are guided to consume healthy food, bring positive changes in lifestyle, practice yoga and also follow ethical behaviour.

The counselling on lifestyle modification and preventive aspects are done based on the prakruthi analysis, which is the body constitution of any individual. These practices not only build immunity but also helps to restore balance in the tridoshas, i.e., Vata, Pitta, and Kapha and thus helps one attain stability in life.

Purpose

As the detailed information given above would have made it clear, the purpose of the T.T.D. SV Ayurveda College promotes Ayurveda and imparts quality education to the students and makes them good teachers and efficient Ayurvedic Physicians the Hospital provides free Medical Services for more than one and a half lakh patients per year.

TTD – In the service of Mankind

5 Idols of Tirupati Balaji - Pancha Berams

5 Idols of Tirupati Balaji – Pancha Berams

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Pancha Berams of Tirupati Balaji

Lord SRINIVASA is

  • the heavenly Wishing Tree (kalpa taruvu) to those who yearn for Him,
  • gold to those who hold his hand,
  • advance honorarium to those who worship Him,
  • a diamond on hand to those who serve Him,
  • the Ultimate God to those who conceive of Him,
  • fulfiller of desires and an unforgettable God,
  • a form of ananda to those who are lost in his praise,
  • a miraculous doctor who gives issues even to the barren,
  • a resident of Ananda Nilaya and
  • a saviour to the grief-stricken.

Tirumala Temple

Utsavams / Sevas

That is why, the devotees continuously stream to Tirumala hills for a glimpse of the Lord who is like gold in the fist. Some choose to participate in the early morning ‘Waking up Service’ (Suprabhata Seva) of the Lord, and offer worship (Archana) and naivedyam (food).

Some participate in the daily ritual of the Lord’s marriage to witness the glory. (Kalyanotsavam)

Some participate in Poolangi Seva (Garlanding Service) and Tiruppavada Seva (offering of huge heaps of tamarind rice and other prasadas to the main deity as a veil between the deity and the devotees on Thursday), while some others participate in Abhisheka Darshan (ablutions) of the Lord on Friday and go into raptures.

Tiruppavada Seva - Tirupati Balaji Temple

Thus devotees participate in kalyanotsavas, Brahmotsavas, Vasanthotsavas and other ceremonies to receive the grace of the Lord.

In this context, the devotees, however, get a genuine doubt. Is the deity of Lord Srinivasa the same in all these utsavas or different? If different, how many deities are there? How distinctly are the services offered to each of them? Let us look into the details to dispel these doubts, to some extent.

The self-manifested deity of Lord Sri Venkateshwara in Tirumala shrine receives rituals of worship and offerings as per the most ancient Vaikhanasa Agama. Devotees attribute to God whatever is relevant to them and follow a prescribed method of worship (Upasana). That is why, we conduct services of bathing (abhishekam), worship (archana), feeding (naivedyam), the procession (ooregimpu), going to bed (Panpu seva), etc. to God.

Pancha Berams (Beram means an idol or deity)

Since the presiding deity is stationary, we can’t offer all the services, especially taking it in a procession or laying it in bed. Hence, the Agama science has allowed five kinds deities (Pancha Beras) for this purpose.

They are

  1. Dhruva Beram (Presiding Deity),
  2. Kautuka Beram (Sri Bhoga Srinivasa Murthy used for daily worship),
  3. Snapana Beram (Sri Ugra Srinivasa Murthy used for ablutions),
  4. Bali Beram (Sri Koluvu Srinivasa Murthy, the supervising deity for offering oblation to the secondary gods and goddesses of the temple, and
  5. Utsava Beram (Sri Malayappa Swamy, the Processional Deity).

The five-idol system of the Vaikhanasa Agama is followed in the Tirumala shrine. Utsavas are performed for different idols here.

DHRUVA BERAM

The presiding deity or main deity is also termed mula virat, dhruva murthy, or mula beram. This idol of Salagrama stone is a self-manifestation of the Lord wearing a disc and conch in the sanctum sanctorum of Ananda Nilayam. It is about 8 feet high. There will be mainly tomala seva (garlanding service) twice and archana (brief worship) and naivedyam (food) thrice for this deity.

Pancha Beram - Dhruva Beram

Devotees queue up to see this deity every day.

Every Tuesday as part of the second archana, this main deity with Sri Maha Lakshmi on his chest is offered Ashtadala Pada Padmaaraadhana with 108 gold lotuses. Every Thursday there will be Tiruppavada seva and Netra darshana (glimpse of Lord’s eyes) in the morning, and Poolangi seva (garlanding service) in the evening. In the early hours of every Friday, there will be Abhishekam (bathing with holy waters) to this deity with spices.

Click here to learn more about DHRUVA Beram.

KAUTUKA BERAM

This deity is called Bhoga Srinivasa Murthy or Manavalapperumal. The deity with four hands and disc and conch is a small replica of the main deity by all means. It appears this silver idol of 1.5 feet high was presented by Pallava Queen Samavai in 614 AD. It is always kept at the feet of the main deity of Lord Venkateshwara.

Bhoga Srinivasa murthy or Kautuka Beram

It is bathed with the holy waters of Akasha Ganga every day and with one thousand and eight silver vessels (Sahsra Kalashabhishekam) before the golden entrance every Wednesday morning. There will be Ekantha Seva or Pavalimpu Seva (Going to bed in privacy) every night for the deity. During Dhanurmasa (period of Tiruppavai vratham of Andaal), however, the deity is replaced with that of Lord Krishna with butter in his hand for this seva.

BALI BERAM

This idol is known as Koluvu Srinivasa Murthy or Lekhana Srinivasa Murthy. It is made of five precious metals and resembles the silver idol of Bhoga Srinivasa Murthy. A court (Koluvu) is held in the Snapana Mandapam on the golden throne supported by sculptured lions every day after Tomala Seva before the Archana.

Srinivasa Koluvu Seva

In this court, Koluvu Srinivasa Murthy is offered royal felicitations with chatra (the royal umbrella) and chamara (a fly-flap) befitting an emperor. The particulars of tithi (the number of the day in a month), vaara (weekday) and nakshatra (the presiding star) of the day are read from the Hindu Calendar (Panchanga Shravanam) along with the income and expenditure statement of the earlier day to this deity.

Koluvu Srinivasa Murthy is the supervising authority of the temple’s income and expenditure.

SNAPANA BERAM / Ugra Srinivasa Murthy

The Snapana Beram is also known as Ugra Srinivasa Murthy, Venkatatturaivar or Snapana Murthy. It is 25 inches high. The idols of Ugra Srinivasa Murthy along with Sri Devi and Bhu Devi are made of five precious metals.

Ugra Srinivasa Murthy

They were used for the utsavas in the past. This practice was dispensed with in the 14th century as some untoward incidents occurred in one of the Brahmotsavas. On Kaisika Dwadasi however, the procession of this deity is taken out from the temple early in the morning which ends much before sunrise.

UTSAVA BERAM

It is known as Malayappa Swamy or Utsava Srinivasa Murthy. There is a reference to it in 1339 AD.

This deity appears to the devotees in all the utsavas held outside the temple such as

  • Nityotsavas (daily ceremonies),
  • Varotsavas (weekly ceremonies),
  • Masotsavas (monthly ceremonies) and
  • Varshikotsavas (annual ceremonies).

It is also made of five precious metals and its height is about 30 inches. Since the idol was found in the Malayappa kona (a recess of Malayappa hill), it is called Malayappa Swami.

Utsava Murthy - Suprabhatam - Sri Malayappa Swamy

Besides the above idols, there are many other idols in the Ananda Nilayam such as –

  • Sri Sudarshana Chakrattalwar,
  • Sri Sita, Rama and Laxmana,
  • Sri Rukmini and Sri Krishna,
  • the retinue of Sri Venkateshwara Swamy such as
    • (a) Anantha,
    • (b) Vishwaksena
    • (c) Garuthmantha, and
  • the retinue of Sri Rama, viz –
    • (a) Sugreeva,
    • (b) Angada,
    • (c) Ajnapalaka Anjaneya Swami, etc.

A few utsavas are conducted for these idols also.