Tirumala Raya Mandapam or Anna Unjal mandapam

Mandapams of Tirumala

The lush green forests of Seshachala house, Sri Venkateswara Swamy, who is also revered as Perumal, Venkatachalapati, Tirumalesa, Govinda, Balaji, Srinivasa and many more names.

The ancient temple of Lord Venkateswara in the hill shrine of Tirumala is an amazing complex of history, culture, and traditions. Almost every brick speaks volumes about the cultural journey of the temple over the past several centuries.

Let us explore Tirumala Raya mandapam or Anna Unjal mandapam.

Tirumala Raya Mandapam or Anna Unjal mandapam

Next to the Rangamantapam and at a distance of 12 feet from the east prakaram wall of the inner gopuram, is another mantapa measuring 40 feet east to west and about 80 feet north to south. This is known as Tirumala Raya mandapam or Anna Unjal mandapam. This consists of two parts constructed at different periods, the front part being at the lower level and the back at a higher.

The southern or inner portion measuring 10 ft. – 45ft, has a more elevated basement than the front one and is traditionally attributed to Saluva Narasimha of 1473 A.D. for celebrating the Anna Unjal Tirunal instituted by him in that year.

This structure was renovated and extended to its present size and shape by Araviti Bukkaraya Ramaraja, Sriranga. Raja, Tirumala Raja in the last quarter of the 16th century. In this mandapa other festivals like the vasanta utsava were celebrated during the time of Tirumala raja.

It is in this mandapa that the processional deity malayappan, holds his annual darbar of asthana on the hoisting of the garuda dhvaja on the top of the dhvajastambam to mark the commencement of the Brahmotsavam.

ANNA UNJAL MANDAPAM
Hoisting of the Garudadhwaja on Dhwajastambham

 

The prasadam distribution on this occasion is still called Tirumalarayan pongal, although the endowment made by that emperor has long ago disappeared. This mandapam practically touches the dhwajastamba mantapam

Saluva Narasimha who constructed the southern portion of this mandapam saved the kingdom from anarchy soon after the assassination of Virupaksha-II and who gave stability to the kingdom for nearly 40 years, was a great warrior. As a devout Vaishnava, he has given many important benefactions to the temple.

He had the full assistance and support of Kandadi Ramanuja Ayyangar who figures frequently in the inscriptions of Saluva Narasimha, and who in addition to being a patron of poets like Ranganatha Dindima, was himself a well-known author and has a book Ramabhyudaya to his credit.

His queen Sriranga Devi and other members of the royal family also gave several endowments to the temple. In 1485 A.D. he built a shrine for Laxmi Narasimha on the pathway to the Seshadri hills (GT-273).

This mandapam has a typical Vijayanagara complex of pillars, with a central pillar surrounded by smaller pillarets, some of which emit musical sounds when struck with a stone. The main pillars have rearing horses with mounted warriors. Some of the best sculptures of the temple are found in bold relief in this mandapa.

The pillars in the two outer rows are plain while those in the interior have animal brackets. In the back part of the mandapa also there are two rows of four pillars each on each side. The pavilion in black granite in the middle of the mandapa has in the corners four pillars each with three pillarets projecting.

In one corner of the Tirumala Raya Mandapam are kept the bronze statues of Todaramalla, his mother Matha Mohana De, and his wife Pitha Bibi. As in the case of Krishnadevaraya bronzes, the names are inscribed on their shoulders.

Todarmalla was in charge of the Karnatak area on behalf of the Nawabs of Golconda in the beginning years of the 18th century. He was a general under the Nawabs of Karnatak.

Srivari temple – Mandapams

According to saint poet Sri Tallapaka Annamayya, the various Mandapams and constructions inside the Srivari temple served as shelters to the devotees at times of heavy rains and scorching summer besides being served as platforms for temple rituals and stand here to tell the volumes of history.

These temples not only have historical and mythological significance but also stand as architectural marvels. A peep into these mandapams:

Kalyana Mandapam

Kalyana Mandapam or Kalyanotsava Mandapam

The lush green forests of Seshachala house, Sri Venkateswara Swamy, who is also revered as Perumal, Venkatachalapati, Tirumalesa, Govinda, Balaji, Srinivasa and many more names.

Mandapams – Tirumala Temple

The ancient temple of Lord Venkateswara in the hill shrine of Tirumala is an amazing complex of history, culture, and traditions. Almost every brick speaks volumes about the cultural journey of the temple over the past several centuries.

According to saint poet Sri Tallapaka Annamayya, the various Mandapams and constructions inside the Srivari temple served as shelters to the devotees at times of heavy rains and scorching summer besides being served as platforms for temple rituals and stand here to tell the volumes of history.

These temples not only have historical and mythological significance but also stand as architectural marvels. A peep into these mandapams:

  • Dwajasthambha mandapam,
  • Krishnadevaraya Mandapam,
  • Four Pillar Mandapam,
  • Ranganayakula Mandapam or Ranga Mandapam,
  • Kalyanotsava Mandapam,
  • Tirumalaraya Mandapam,
  • Anna Unjal Mandapam,
  • Addala Mandapam or Aina Mahal,
  • Garuda Mandapam,
  • Golla Mandapam,
  • Sahasra Deepalankara Seva Mandapam etc.

Let us have a short glimpse related to these mandapams in this issue (this page is dedicated to Kalyana Mandapam). Click here for all mandapams.

Kalyana mandapam

On the south-western comer of the Vimana pradakshina is a spacious Kalyana Mandapam noted for its exquisite sculptures. It is 80 feet x 36 feet Architecturally it is similar to the Tirumalaraya mandapam. At its western end is situated a small shrine of black granite containing four pillars each with three pillars projecting.

Behind this shrine is a raised portion called the Yagasala. The pillars show a variety of patterns some with alternate square and octagonal sections and some with very intricately chiseled tops having heavy capitals. The four-pillared central sub mandapa built of polished black granite has extremely beautiful florid workmanship.

Its side walls are decorated with the series, pilaster, pilaster kumbha panjara, salakoshta.

The array of female dancers that crowd the inner fringes of the roof and the exquisite miniature sculptures that adorn all faces of the pillars lend a touch of delicacy and charm to the structure. Perhaps this intricate workmanship is taken over from the art of ivory carving for which the Hoyasala art is so famous.

The Kalyana mandapa and its sub-mandapa contain numerous relief sculptures on their pillars like Trivikrama sudarshana, sixteenarmed Narasimha, Laxmi Narasimha, Hayagriva etc. From the day of the Dhwajarohanam of the Brahmotsavam to the Dipavali day, Lord Malayappan resides here and not in the sanctum sanctorum.

Similarly for twenty-three days, in December in connection with the adhyayanotsavam the asthanams take place in this mandapa only.

Vimana pradakshina

This is a quadrangular space enclosed between the walls of the second prakara, the inner gopuram, and the walls of the first prakaram which surround the sanctum.

The open space of this pradakshina between the gateway of the inner gopuram and the Tirumamani mandapam to its west or Mukhamandapam, is hardly 18 feet. In addition to the structures composing the main Vimana, there are many large cut-stone structures, shrines, and mantapams within the Vimana pradakshina.

These leave a comparatively narrow width of open space surrounding the main temple. It is this open space that is now known as Vimana pradakshina. Pilgrims who have taken a vow of anga pradakshina perform it only in this courtyard.