Manifestations of Goddess Lakshmi
One should be aware of Ashtalakshmis or the manifestations of Goddess Sri Lakshmi.
Veda Lakshmi in TretaYuga
A sage named Brahmarishi Kushadhvaja was fixated on the Vedas. He was apathetic towards the institution of marriage but enthusiastic about begetting Goddess Lakshmi. One day while pursuing the Vedas, the celestial Narthaki (dancer) Urvashi ambled past Brahmarishi Kushadhvaja.
Bewitched by her beauty, he gets distracted for a second. As a consequence, Lakshmi descends to the Earth. She was born whilst pursuing the Vedas, hence the epithet Vedavathi.
During Her formative years, being Lakshmi’s apparent incarnation, She was engrossed in Lord Vishnu’s thoughts. She performs austere penance in the Himalayas. Whilst exploring the Himalayas on Pushpaka Vimana, Ravana saw Vedavathi. She self-immolates in indignation and reaches ‘Agni Loka.’
At the time of the capture of Sita, Agni substitutes Sita with Vedavathi considering the intolerable imminent adversities. At the event of ‘agni pravesha’, Lord Agni replaces the true Sita who acknowledges and appreciates Vedavathi’s selflessness granting Her a wish as a token of gratitude.
Perpetually ambitious about Lord Narayana, Vedavathi gladly expresses Her desire to be His eternal divine consort.
Being monogamous in Treta Yuga, Lord Narayana comforts Vedavathi permitting Her desire to come to fruition in Kaliyuga instead. This narrative is documented in Kurma Purana, one of the indisputable compilations of Sri Veda Vyasa.
The Valmiki Ramayana is not exhaustive, but a comprehensive account of Lord Rama and Goddess Sita. However, the remainder of the Puranas encompasses intricate details. In comforting Vedavathi, Lord Vishnu conceives an opportunity to descend to the earth in Kaliyuga.
Ever since the spirit of Vedavathi endured as Veda Lakshmi anxiously awaited the Lord’s descent. The Lord manifests as Matsya Narayana or Veda Narayana at Vedanarayana Swamy temple of Nagalapuram near Tirupati.
Srivatsa Lakshmi (Vaikunta)
Srivatsa Lakshmi resides as a mole on the chest of Lord Vishnu. Everyone is well-acquainted with the episode of Bhrigu Maharshi paying a visit to Vaikunta to see Lord Vishnu and Sri Lakshmi who were absorbed in a sobering conversation at the time of his arrival.
Since it is the onset of Kaliyuga, Lord Vishnu advises Sri Lakshmi that it is high time to manifest on the earth. Anomalously, He suggests Lakshmi descend ahead for Him to follow His lead. Lakshmi apprehensively reminds the Lord that she customarily follows His lead in every avatar instead; subsequently, gets married and partakes in annihilating the evil.
Lord Vishnu remarks the upcoming ‘avatar’ is distinctive and does not ensure a return to Vaikunta upon conclusion, unlike the earlier ones. With negative personality traits being an inherent attribute in everyone, it is futile to seek change. It would be pragmatic to change their thought patterns and safeguard the staunch devotees from evil instead.
Persistent about goddess Lakshmi’s descent, the Lord takes the honorific ‘Srinivasa’ as an explicit homage to Sri Lakshmi. With Lakshmi being perturbed over the forthcoming separation, the Lord suggests Her to take solace from the fact that He shall descend as a mere mortal and invigorate His supremacy once they reunite.
Bhrigu Maharshi arrives at that instant and eventually hurts Lord Vishnu. Bhrigu was comforted by the Lord, which enrages Sri Lakshmi. She determines to leave Vaikunta and descends to the earth in resentment. Bhrigu Maharshi’s episode is merely a divine interlude.
As Bhrigu was impertinent towards Lord Vishnu out of ‘tamo guna,’ Sri Lakshmi vows She shall return to Vaikunta in Her ‘shuddha sattva’ form alone.
Mahalakshmi (Kolhapur)
Goddess Sri Lakshmi went to Kapilaranya i.e. Kapila Maharshi’s hermitage. One can perceive Her presence in Kolhapur with the spiritual powers of the ancient sages. As Sri Lakshmi performed acute penance, Agastya and the other sages sought her refuge.
Sati Devi’s eyes fell on Padmavatipuram as she self-immolated during Daksha Yagna. Once, Lord Brahma created three ‘manasaputras.’ They were Gaya, Lavana, and Kolha who regrettably turned unrighteous. Gayasura and Lavanasura were eliminated by Lord Vishnu, but Kolhasura wreaked havoc in Padmavatipuram under his reign.
Kolhasura, along with his son Karavira, dissuaded Agastya and the other sages from their divine austerities. As Agastya and the sages sought Sri Lakshmi to extinguish them. Since her imminent return, Sri Lakshmi slaughtered them. As a dying wish, Kolhasura and Karavira entreat Sri Lakshmi to name their province after them.
Hence the eponymous Kolhapur! Sri Lakshmi obliges and manifests as Maha Lakshmi to safeguard Her devotees.
The third manifestation since Veda Lakshmi and Srivatsa Lakshmi. The divine architect Vishwakarma replicated Manidweepa (the abode of Shakthi) for Kolhapur Maha Lakshmi. Vaikunta being desolate since Lakshmi’s departure, the Lord expeditiously descended to the Earth.
Swatantra Veera Lakshmi in Tiruchanur
Meanwhile, in Treta Yuga Veda Lakshmi’s spirit prevailing on the earth was discovered as Padmavathi Devi by Akasha Raja. She was discovered in a lotus while ploughing the earth. Hence the epithet Padmavathi. The union of Lord Venkateswara with Goddess Padmavathi is a widely-known narrative.
Since Maha Lakshmi manifested in Kolhapur, Lord Venkateswara had to borrow money from Lord Kubera as goddess Padmavathi is goddess Lakshmi’s partial incarnation. Her absolute incarnation manifested in Kolhapur, The Lord felt inadequate without His eternal divine companion.
Honouring Padmavathi, the Lord suggests Her remain at Vakula Mata’s hermitage while He goes in quest of Sri Lakshmi. As the Lord reached Kolhapur, all deities were discernable except Sri Lakshmi despite Her manifestation.
The distraught Lord bathes in Padma Kund, Panchaganga and Rudraprayaga which is an undiscovered sanctified confluence, to pacify His eternal consort. Ensuing ten years of vain penance, ‘akashvani’ apprises the Lord that goddess Lakshmi manifested in Her unsympathetic (rajo guna) form to eradicate the nefarious.
Hence, the mace, ‘paana paatra’ and lion. Goddess Lakshmi shall be apparent merely in Her purest form. ‘You visit Shuka Maharshi’s hermitage, excavate a pond, and plant lotuses from Deva Loka and ensure those lotuses do not wilt for about twelve years whilst meditating on Sri Lakshmi.
Subsequently, She shall emerge on Karthika Panchami in Her ‘shuddha Sattvika’ form and reach You’. The Lord acts per the divine voice and visits Suka Maharshi’s hermitage. Every Durgashtami, temple honours are sent to Kolhapur from Tirumala, in keeping with the long-established tradition since her manifestation. Eventually, the Lord visits Sri Shukapuram i.e. the present Tiruchanur.
Distressed by the Lord’s abandonment, Sri Padmavathi was prescribed severe penance on Venkatachalam by Vakula Matha to expedite His return. With the Lord at Shuka Maharshi’s hermitage, Sri Padmavathi at Venkatachalam, and goddess Maha Lakshmi in Kolhapur, when do they unite? When the Lord arrives at Suka Maharshi’s hermitage, He excavates a divine pond. Vayu Deva was entrusted to equip the excavated pond with the majestic golden lotuses from Deva Loka.
To prevent the lotuses from wilting, the Lord directs the Sun to remain in Kolhapur for twelve years. Reflecting upon Sri Lakshmi’s ‘shuddha sattva’ form, the Lord recites the Maha Lakshmi Moola Mantra meditating on the heart of lotus for twelve years. Reaching Padmasarovaram, the Gods and sages intensified their prayers pleading with Sri Lakshmi to return to the Lord.
With the advent of Panchami of Karthika month in the twelfth year, while the Lord was immersed in deep penance. Brighu Maharshi earnestly apologised for his impertinence urging Maha Lakshmi to be His descendant offering to perform fervent penance.
The golden lotus at the core of Padmasarovaram unfurled revealing a pacified Maha Lakshmi on Karthika Shukla Panchami in Her serene form. Be-jewelled, illuminating, and adorned in white while the majestic elephants showered Her with the sacred Akasha Ganga.
Maha Lakshmi manifested as a sixteen-year-old maiden. Subsequently, the Lord opens His eyes as the deities showered flowers from Heaven. The Lord embraced Goddess Maha Lakshmi and adorned Her with His garland.
With Maha Lakshmi’s absence from Vaikunta, the gods and sages were ecstatic over the Lord’s demonstrativeness. Consequently, they began a soul-stirring recital of Sri Lakshmi Hrudaya Stotra earnestly pleading with Sri Lakshmi to never abandon Vaikunta.
Since Maha Lakshmi’s illustrious emergence in Padmasarovaram, Shuka Maharshi and the gods plead with Her to manifest. She graciously obliges and manifests as Sarva Swatantra Veera Lakshmi in Tiruchanur. At Tiruchanur, all rituals are wholly devoted to the goddess regardless of the Lord’s idol being consecrated later.
So the deity at Tiruchanur is ‘shuddha sattva’ Lakshmi flanked by lotuses She emerged as seated in a golden lotus, hence the epithet Alarmelu Manga. Padmam (lotus) being Sri Lakshmi’s abode, She is hence mellifluously referred to as Padmavathi Devi.
Tiruchanur’s Padmavathi Devi is not Akasha Raja’s daughter, but Sri Lakshmi’s partial incarnation Padmavathi Devi instead. The goddess emerged in a golden lotus in Padmasarovaram, the modern day pillared hall in the temple tank, excavated by the Lord Himself.
One dip in the holy ‘pushkarini’ will dissipate one’s worries. Every Karthika Panchami, to commemorate the occasion of Her emergence, Lord Venkateswara accords temple honours to His divine consort.
Vyuha Lakshmi
Despite being Sarva Swatantra Veera Lakshmi, to remain inseparable, She also manifests as Vyuha Lakshmi in ‘shuddha sattva’ form on the Lord’s chest. Vyuha Lakshmi apprises the Lord that she shall eternally remain on His chest to be able to convey the devotees’ pleas ahead.
The consecration and worship of Vyuha-Lakshmi are meant to secure unbounded and eternal prosperity. In the daily worship of the Hill-God, after the Venkatesa Sahasranama Archana in the morning, this Vyuha-Lakshmi on the Lord’s chest is also worshipped reciting sixteen names of Sri Lakshmi (shodasha-nama) with the offering of Tulasi leaves after each name and also Goddess Padmavathi on the left chest is worshipped at the same time.
This image is specially worshipped during the main deity’s ceremonial bath on Fridays, as also during Makara- Sankranthi, when this Sri Lakshmi on the right chest of the Lord receives a bath with perfumed water.
Lord Venkateswara’s idol has a ‘Srivatsam’ mark on His right chest, which is a permanent part of the idol. It can be seen embossed, but only on Thursdays when the jewels are removed completely, except the Melchat Vastram and on Fridays, during Abhishekam and Nijapada Darshanam. The ‘darshan’ of Vakshasthala Lakshmi can be seen if one comes very near to Kulasekhara Padi and even from there also, one can only assume Her shape.
Only ‘archakas’ can see the image of Vakshasthala Lakshmi on the Lord’s divine chest. This Lakshmi is called Dvi-bhuja-Vyuha-Lakshmi in Vaikhanasa Samhithas. The presence of Lakshmi on the body of the Lord is responsible for the name Sri-Nivasa (the abode of Lakshmi) for Him. This image of Lakshmi is in the Agamas prescribed to be twoarmed and seated in the lotus posture. This form is called Vyuha-Lakshmi.
Bhootha Karunya Lakshmi
Along with Vyuha Lakshmi, the Lord departs for Tirumala to reunite with Goddess Padmavathi who wept uncontrollably upon reconciliation. Lord Venkateswara consoles Her and apprises of Her illustrious previous births.
To quell the separation from the Lord further, She manifests as Bhootha Karunya Lakshmi, unifying with Vyuha Lakshmi, the fifth and sixth manifestations of Ashta Lakshmi. Lord Venkateswara equally embraces His divine consorts Lakshmi and Padmavathi and bears them on His chest. The revered embodiment of Vyuha Lakshmi and Bhootha Karunya Lakshmi gets Srivari Abhishekam duly observed every Friday.
Except Tirumala, the Lord is customarily accompanied by His divine consorts in any Vaishnava temple. One can visit Tiruchanur to offer prayers to Goddess Maha Lakshmi. The Lord married Padmavathi Devi in Narayanavanam. In the southwest corner of the temple Goddess Padmavathi manifests as a radiant new bride and sets out only during the festivities and processions.
This is the contemporaneous exhaustive saga of the sublime Alarmelu Manga, Padmavathi, and Sri Lakshmi.
