Vamana Jayanti 2024 (Significance of Vamana Avatar)

Vamana Jayanti

The purpose of Vamana Avatara is to regain Devaloka (Heaven) to Indra from Asura king Maha Bali.

Vamana Jayanti on 15.09.2024

The Vamana Purana is one of the eighteen Puranas written by Maharshi Veda Vyas. Sri Vamana is the fifth Avatara (incarnation) of Lord Vishnu. According to legends, Lord Vamana is the twelfth of Adityas and the fifth Avatara of Lord Vishnu.

The Bhagavata Purana describes that Lord Vishnu descended as Vamana as an ‘avatar’ to restore the authority of Lord Indra over Devaloka as it had been forcibly encroached upon by King Bali. As said by Lord Krishna, “to protect the virtuous, to destroy evil and to establish ‘dharma’, I recreate myself as an ‘avatar’ in every ‘Yuga’.”

Vamana Avatharam - Incarnation of Lord Vishnu

Trivikrama Avatara

The Vamana Avatara is also known as ‘Trivikrama Avatara’. The main intention of this avatara is to defeat the demon king Maha Bali who has ruled that Gods no longer own the heavens and the earth. Hence, Lord Vishnu took the form of Vamana to defeat the king and restore balance in the universe. Though Bali was an Asura, he was good by nature but his ego was boundless.

King Bali was the great-grandson of Hiranyakashipu, the grandson of Prahlada, and the son of Virochana. Once, the Asura king performed Mahabhishek Viswajeet yagna after consulting his Guru Shukracharya on how to defeat Indra, the king of gods. Bali received several gifts after performing Viswajeet yagna.

Some of them were: A golden chariot pulled by four horses, a quiver with several arrows, a flag post with a lion’s head and celestial armour. Shukracharya presented Bali with a garland of ever-blooming flowers and a conch shell that had a thunderous battle cry.

After the yagna, Bali fought back against Indra and defeated him and thereby the reign of the entire universe fell into Bali’s hands. Later, Gods were threatened by Bali’s rule and then Indra pleaded with Lord Vishnu to help him find a way out to regain his powers. Vishnu decided to reincarnate as Vamana. Lord Brahma suggested Devatas to proceed towards Kasyapa’s hermitage.

When they reached his hermitage, they requested Aditi (wife of Kasyap) to go for penance to please Lord Vishnu. After Aditi’s severe ‘tapas’, Lord Vishnu was extremely pleased and appeared before the couple and gave them the privilege of becoming their son.

Backdrop Of Mahabali

Mahabali defeated the deities and drove Indra and other gods from Devaloka. Very soon, all the three worlds came under his control. During his rule, every corner of his kingdom would be full of religious activities. As a result, the whole world became righteous and Bali’s subjects engaged themselves in pious activities like tapas and yagnas and people followed non-violence and truth in their daily course of life.

Even Goddess Lakshmi had come to Bali to bless him as he was an admirable king.

Vamana Jayanti - Significance of Vamana Avatar

Nobody experienced the pangs of hunger and everybody’s desire was fulfilled. The king Bali’s rule was incomparable and prosperity prevailed throughout his kingdom. It is said that the bond between Bali and Goddess Lakshmi is said to be one of the reasons for celebrating Raksha Bandhan, where sisters pray for the welfare of their brothers and brothers protect the sisters by all means.

The festivals like Onam and Diwali are related to the return of kings Bali from the nether world.

Birth of Vamana

According to Bhagavata Purana, Vamana was born to Aditi wife of Kashyapa at their request. Incidentally, Aditi and Kashyapa were the parents of Indra. Vamana was named Upendra and was a dwarf by nature. Surprisingly, the demons became devoid of their radiance and power.

King Bali asked Prahlad for the sudden development and Prahlad told Bali that demons lost their radiance due to Lord Vishnu who was about to take incarnation at the request of deities. The arrogant and foolish Bali made fun of Vishnu egoistically. Then, Prahlad became furious at Bali’s arrogant utterances and cursed him that very soon he would meet his downfall and lose his kingdom.

After being cursed, King Bali realized his mistake and begged for forgiveness. Then, Prahlad suggested him to take refuge in Lord Vishnu, the supreme protector. He said that Lord Vishnu would be pleased if Bilva patra and Champa flowers were offered to Him. A person who constructs the temple of Lord Vishnu would be liberated from his sins.

Prahlad asked Bali to construct the temple of Lord Vishnu and worship Him with utmost devotion. Then, King Bali followed his instructions meticulously and faithfully and engaged himself in the worship of Lord Vishnu. He instructed Viswakarma to construct a magnificent temple of Lord Vishnu.

Vindhyavali, the wife of Bali fully supported his pursuit in the worship of the Lord. He used to clean the premises of the temple and worship the Lord with utmost devotion.

King Mahabali and Vamana (Fifth Avatar of Maha Vishnu)

The Arrival of Vamana

King Bali was surprised by the sudden shaking and trembling of the earth and he asked his guru Shukracharya on the sudden development and even the Agni deity was not accepting the offerings in the Yagna Gundam. Shukracharya after contemplating for a while, came to know about Vamana’s incarnation and informed Bali that Vamana was on his way to Yagasala and His each step was causing turbulence on the earth.

Bali was pleased that he would get an opportunity to see Lord Vishnu. The king felt proud of his good fortune that the Lord was visiting him. Knowing fully the reason for the arrival of the Lord, Shukracharya warned King Bali against making any promise to Him.

King Bali said that he could not refuse if the Lord demanded anything from him and he was willing to face any hardship to protect his charitable image. He did not mind though, the deities would get benefit by his actions and also said that even if the Lord came intending to kill him, he was not to be scared.

Upanayanam

The Maharshis organized the process of ‘Upanayanam’ of Lord Vamana and all gods and deities presented several things to Vamana. The boy was shining like the radiance of Lord Brahma. Lord Vamana appeared in the guise of a short Brahmin boy carrying an umbrella made of wood and Palmyra leaves. Though he was diminutive in size, each of his step was enough to shake the earth and Vamana arrived at Bali’s Yagnasala.

Vamana’s radiance subdued the power of all demons who were present there. Impressed by the grandeur of King Bali’s yagna, Lord Vamana complimented him for organizing such a magnificent yagna on a large scale. King Bali welcomed and worshipped Lord Vamana and requested the Lord what He would like to receive as a gift from Bali and promised that His desire would be fulfilled.

Lord Vamana smiled and told him that he needed a small piece of land measured by three steps for the performance of a yagna. Bali laughed at the small request and agreed readily. To stop Bali’s charity, Shukracharya took the form of a bee and stuck between the holes so that water does not come out to complete the donation.

Then, Lord Vamana pricked the hole with Dharba grass which made Shukracharya’s blind by one eye. The flow of water was uninterrupted and the donation process was complete.

The young Brahmin boy revealed His identity and started growing in size and enlarged to gigantic and cosmic proportions to stride over the three worlds. He took his first step in which He captured the entire earth and claimed the earth as His. His second step fell midway between earth and heaven which he claimed as His. Now, there was no place to claim for the third step.

Patala Loka
Patala Loka – Image is only for reference

Granting Kingdom of Patala Loka

So, Vamana asked Bali where to keep His third step. Since Bali promised three steps of land, he lowered his head and offered it for the third step of Lord Vamana. Then, the Lord pushed Bali with the pressure of His feet and granted the kingdom of Patala loka and gave Bali immortality for his absolute humility.

Bali was also allowed to return every year to see the citizens of his country. Thus, Mahabali’s pride was suppressed and the Lord blessed Bali that he would enjoy a long life till the end of the present kalpa. Ultimately, Lord Indra regained the kingdom of heaven or Devaloka.

King Bali symbolizes prosperity associated with arrogance and pride. The three feet of Lord Vamana represent the three planes of existence i.e.; Jagruth, Swapna, and Sushupti and third step placed on the head of Bali elevated him from all three states and thereby Bali attained salvation and eternal bliss.

Final Word

A person who reads Vamana Purana helps him get free from all kinds of worldly attachments, miseries and also enhances his devotion and love towards Lord Vishnu for a blissful life.

Significance of Silver (Metal)

Significance of Silver

Silver is one of the most widely used precious metals in jewellery. The jewellery made from silver is elegant, classy, long-lasting, and more affordable than other precious metals.

Generally Indians like wearing gold ornaments but don’t wear gold ornaments under the waist, as it represents the goddess of wealth and prosperity. Due to this reason anklets and toe rings are made of silver.

Our Hindu dharma says wearing silver toe rings on the second toe of both feet by married women is very promising and good for their health. Further, the Ayurveda sastra says a nerve on the second toe of the feet regulates their menstrual cycle and also balances their hormonal levels.

As per Rasa Shastra (a special branch of Ayurveda) Silver is considered a purer metal than gold. This is why the worship utensils like lamps, idols of gods and goddesses, harati plate, bell and naivedya bowl etc. are made of silver. As per astrology silver is associated with the moon. Moon bestows peace in our minds.

Hence by wearing a pearl-studded silver ring, stress and anxiety can be reduced. As the moon is the ruling deity of Monday, those who worship lord shiva with silver flowers on Mondays get free from the ill effects of the moon and are blessed with wealth and luck.

In Garuda Purana, under the 47th chapter of the Preta Khanda mentioned the river Vaitarni. It lies between the earth and the Naraka, the realm of Yama, the Hindu god of death. It is believed to be capable of purifying one’s sins.

After the soul leaves the body, it must cross this river. Persons who have done good karmas and dhaanas in their lifetime can easily cross this river. It is believed that people who do Go (cow) dhanam never fall into the Vaitarni river after death.

Significance of Silver (Metal) - Silver Cow

Nowadays donating a cow to a brahmin is too expensive. So it is suggested that instead of a cow, a silver cow can be donated.

Scientific research says that drinking water in silver vessels stays pure and free from contaminants. If we drink this stored water it helps to balance the ‘ph’ level of water which can support our immune system and reduce inflammation in our body. Due to this reason thousand years back when sailors used to travel on long voyages, they carried silver coins with them and kept them in their water bottles. Then they used to drink this silver-induced water.

Of course, it is one of the reasons for distributing tirtha (sacred water) kept in silver bowls to devotees adjust at temples.

Health Benefits of Silver

It can treat and prevent sinus infections and benefit allergy sufferers. It can heal wounds and skin conditions. Silver alloys are used inside the human body for placing plates in bones etc. It can prevent and kill viruses. It treats and fights against bronchitis and pneumonia. It has Anti-Inflammatory properties. Thus silver is an amazing natural resource that can help us in many ways, both physically and spiritually.

Silver Coins and Dollars in Tirumala Temple

Generally, the devotees of lord Venkateswara use to perform various sevas like Vasanthotsavam, Dolotsavam, Sahasra Deepalankarana seva etc. In addition to this Niluvu dopidi (giving up their belongings-silver, gold or cash to the lord), Thulabharam can also be performed at Tirumala.

Srivari Thulabharam

The objective of the Srivari Thulabharam is to donate some offerings as per the wish of the pilgrim which is equal to their weight.

Offerings like Rice, Jaggery, Sugar Candy, and gold and Silver Coins can be offered to the Lord. But devotees need not bring these things along with them because TTD will provide these offerings to the devotees on a payment basis inside the temple.

In addition to this 5 grams, and 10 grams of silver dollars of Lord Venkateswara and his divine consort Padmavati Devi are also sold by Tirumala Tirupati Devasthanams to devotees at bullion market rates on the date. People also consider these dollars as sacred as it is sold directly from TTD.

Sanakadi Maharishis (4 Kumaras)

Sanakadi Maharishis

Sanaka Kumara, Sanatana Kumara, Sanandana Kumara, and Sanat Kumara are collectively called Sanakadi maharishis.

They are created by Lord Brahma out of his mind and thoughts. They roam the entire universe in the form of children. Lord Brahma desired that these children would enter into a materialistic world by marrying and creating the universe.

But, against the wishes of their father, they vowed to follow the path of celibacy and wandered all over the universe to teach the knowledge of dharma. They spend time meditating on Lord Vishnu and get enlightened with spiritual knowledge. They impart divine knowledge to the rulers so that they can rule their countries with peace by following the right path stated in the Vedas.

Sanaka Kumara, Sanatana Kumara, Sanandana Kumara, and Sanat Kumara

Meaning of the Names

Their names represent the wholesomeness of life,

  • Sanaka means the ancient,
  • Sanatana means eternal,
  • Sanandana means ever joyful and
  • Sanat means ever young.

All the brothers live in the abode of knowledge and Vaikunta and always sing the praise of Lord Vishnu. They acquire the knowledge of Yoga and preceptors in the knowledge of scriptures.

They practised and preached that one should have inner contemplation (Nivritti) for the realization of God.

Curse to Jaya and Vijaya

Once the Sanakadi maharishis were stopped by Jaya and Vijaya, the gatekeepers of Lord Vishnu, when they went to see Lord Vishnu. Assuming that these are four kids, they interrupt them from entering the Vaikunta where Lord Vishnu is resting. The rishis felt that these gatekeepers should come out of their flaws and hence cursed them to take birth on earth.

Curse to Jaya and Vijaya - Sanakadi Maharishis

When they prayed to Lord Vishnu that they could not live separated from Him, the Lord has given two options to them.

2 Options

Take seven births and spend in the service of the Lord or take three births as cruel demons and die at the hands of the Lord. They preferred the second one assuming that they could serve the Lord as gatekeepers after completing only three births instead of seven.

3 Births

They took three births

  1. as Hiranyaksha and Hiranyakashipu in Satya yuga;
  2. as Ravana and Kumbhakarna in Treta yuga and
  3. as Shishupala and Dantavakra in Dwapara yuga.

As enemies of Lord Vishnu, they were demolished by the Lord. After completing their three births, they reached the abode of the Lord.

Advice to King Vritra and Sage Shukra

In the Santhi Parva of Mahabharata, the Rishis narrated the greatness of Lord Vishnu. They consider Lord Vishnu as the creator and destroyer of all beings in the Universe. They also categorized all human beings into six colours. The colours are dark, tawny, blue, red, yellow, and white.

They represent various stages of the Sattva, Rajas, and Tamas qualities of humans. They described how a human being should raise from tamas quality to sattva quality to reach the abode of Lord Vishnu in different births.

Advice to King Prithu

The King asked the rishis to elaborate on the easiest way to obtain emancipation from worldly life. They advised the king that one should pray to Lord Vishnu and keep trust in him. He can only liberate humans from the clutches of the life cycles.

One can free oneself when one follows the path of nonviolence, and by living a simple life. They affirmed to the King that the final destination for any human is salvation and this could be achieved when we surrender to the lotus feet of Lord Vishnu.

Other references

They visited Lord Rama in Tretayuga when the Lord with his brothers and Hanuma were resting in a mango grove. They were mesmerized to see Lord Vishnu in the incarnation of Lord Rama and bowed before him. They also set up traditions and the Nimbarka sampradaya is said to have originated from the rishis. Sanat Kumar Samhita finds a place in Shiv Purana.

As child prodigies, they have enlightened many through their discourses, speeches, and narrations of the great deeds of Lord Vishnu.

Ganga Aarti (Holy Harathi at River Ganga) – Varanasi

Ganga Aarti

The Ganga Aarti in Banaras is amongst the most exquisite religious ceremonies on the planet. It takes place near Kashi Vishwanath Temple in the Ghat Dashashwamedh. The Aarti is held on the stairs at the river’s bank. In honour of the Goddess Ganga, a group of pandits dressed in saffron robes erect massive brass lanterns.

The ritual starts with blowing a conch, which is said to clear bad energy and improve your sensibilities. The air is thick with the scent of sandalwood. People begin gathering early to secure a good viewing spot for the Aarti.

A good method of viewing it is via boat. Alternatively, several nearby establishments rent out their decks to visitors. Varanasi is also a popular tourist spot in North India package tours.

7 Cities

Seven cities in India have been declared holy and sacred which leads one to attain salvation.

They are

  1. Ayodhya,
  2. Mathura,
  3. Maya (Haridwar),
  4. Kanchi,
  5. Kasi (Varanasi),
  6. Avanti (Ujjain) and
  7. Dwaraka.

Among them, Varanasi gets its importance, where Lord Shiva was said to be relieved of the curse of having chopped off the head of Brahma. It is also told that Lord Shiva chants the Rama Mantra in the ears of those who are about to die here, to attain salvation. Every Hindu would like to visit Varanasi at least once in their lifetime, to ward off their sins.

Ganga Aarti (Holy Harathi at River Ganga) - Varanasi

Varanasi – the spiritual capital of India

Varanasi is situated on the banks of River Ganga, which is considered to be the holiest river. In the Scriptures, Ganga is said to have originated from the Holy feet of Lord Sri Vishnu when He took the Aavatara of Trivikrama when His feet enclosed all the worlds. Further, It has been said to be held in the Locks of Lord Shiva. It is a perennial river, with flowing waters throughout the year.

A dip in the Holy Ganga cleans all the sins. Ganga is worshipped as Ganga Mayya.

Varanasi may be said to be the spiritual capital of India, where attending the Ganga Aarti is a visual treat to watch. The Aarti is the main attraction when thousands of people gather on the banks of Ganga, every day. The Aarti at the Sunset offers an extraordinary spiritual feeling.

Every evening, priests of Varanasi perform elaborate and extremely beautiful Aarti on the Ghats of Ganga. The most prominent of these Ghats is Dashashwamedh Ghat which is located right next to Kasi Vishwanath Temple. The other ghats where people can watch Varanasi Aarti are Assi Ghat and Rajendra Prasad Ghat.

At Dashashwamedh Ghat, the entire place keeps silent when a Shankh (conch) is blown. The Shankh’s holy sound heralds that the Aarti is beginning and it draws everyone’s attraction. A statue of Ganga is placed in the centre of the platform. With the sound of bells and chants, and lighting of incense sticks and Diyas (lamps), the Aarti carries on.

The priests do pujas with great devotion for the River Ganga in such a synchronized manner that it makes for a spellbound sight. The Aarti goes on for about 45 minutes and it is impossible to take your sight even for a second. People gather together to witness the wonderful sight.

Timings of Ganga Aarti

For a long period, Ganga Aarti was performed only in the evening. It was always scheduled just after the Sunset. In Summer it would start at 7 pm and in Winter around 6 pm. Nowadays morning Ganga Aarti is also performed.

  • In Summer, morning Aarti is performed from 5 am to 7 am and in Winter from 5.30 am to 7.30 am.
  • The evening Aarti is performed with a focus on Dashashwamedh Ghat and the morning Aarti is focused on the Assi Ghat.

Morning Aarti is a spiritual treat for the Soul.

It begins with the chanting of Veda hymns and is followed by Aarti. A grand tribute is paid to the four basic elements that comprise everything in this universe, viz., Earth, Water, Sky and fire. After the Aarti, classical musicians perform sweet musical concerts.

Ganga Pushkaram a very famous and sacred festival is said to be celebrated during the period April – May, this year, when the planet Jupiter enters the constellation of Aries (Mesha rasi). It will be an added benefit to perform and witness the Holy and Sacred Aarti.

Varanasi is a very sacred place with the presiding deity of Kasi Viswanath with His divine consort Sri Kasi Visalakshi; Ganga is the holy river; Ganga Aarti is a spirit kindling performance. Then what to tell about witnessing Ganga Aarti at Varanasi – a great experience to be felt only and in warding off the sins.

History of Temple Architecture

Temple Architecture

The temple is the heart of Sanatana Dharma. It is where the human learns to seek, understand and reach out to the universal power called God. It is a sacred site where art, science and spirituality come together to help the devotee attune himself to the sacred vibrations of the Supreme power.

A temple makes use of all the five elements, from fire to water, images from nature and of deities, the smell of Incense and the sounds of holy instruments to create an environment to create and propagate “Bhakti”.

It is a sacred abode where the nothingness of the sanctum sanctorum also represents universality. Thus the temple also becomes an important aspect in understanding the culture, period and ideology of Sanatana Dharma.

Types of Temple Architecture

The architectural texts of Shilpa Shastra were written during early medieval times. These texts refer to the three major styles of architecture – Nagara, Dravida and Vesara.

Nagara Style of Architecture

Nagara architecture has its origins in the structural temples of the Gupta period. These temples are usually found in the lands between the Himalayas and the Vindhyas. The plan of the temple is usually a square with gradual projections in the middle of each side, which imparts a cruciform shape.

The Puri Jagannath temple is contemporaneous to the Lingaraj temple, Bhubaneswar, Orissa and is nearly 56.7 m high.

Shree Jagannath Temple puri Odisha
Shree Jagannath Temple, PURI – Odisha

Dravidian Style of Architecture

This style of architecture is associated with the temples of South India or Deccan. The Dravida architectural style goes back to the Gupta period. The outstanding feature of the Dravida architecture is the pyramidal elevation of the Vimana. It consists of a multiplication of storey after storey, slightly reduced than the one below in a domical manner, technically known as a stupa.

Pillars and pilasters are vastly used. The square inner sanctum is set within a large covered enclosure.

Dedicated pavilions can be seen such as the Nandi mantapa in Shaivite temples and the Garuda mantapa in Vaishnavite temples. The Kailashnath temple complex at Kanchi is an excellent example of Dravidian architecture.

Vesara style of Architecture

It is a hybrid architectural style that borrows from both the Northern and Southern styles. It is a combination of both Nagara and Dravidian styles. The Vesara style reduces the height of the temple towers even though the number of tiers is retained. This is achieved by reducing the individual tiers. Sometimes the semicircular structures of some sects are also borrowed. This trend of merging styles was started by the Chalukyas of Badami.

Sri Somanathalinga Temple / History of Temple Architecture
Sri Somanathalinga Temple

The Rashtrakutas of Manyakheta (750-983 A.D) further refined the style as seen in Ellora. It was epitomized by the Hoysalas (1000-1330 A.D) most temples built in Halebid, Belur and Somnathapura are superb examples of Vesara style.

Temple Symbolism

The temple concept is a curious mixture of Vedic, tantric and Agama principles. The tantra regards the human body as a Mandala. Here it is chara or mobile. The agama shastras also regard the temple as a Mandala, but here it is a chala or immobile. The analogy of the temple with the human body finds a closer relationship when the architecture of the temples is keenly observed.

Most often, the temple is seen as a relationship between man and God; the link between the actual and the ideal. Hence the temple is usually called a Devalaya, the abode of God or a Prasada, which means a very pleasing arena or palace.

Thus the symbolism of the temple is conceived in several layers. One, the temple complex is compared to a human body in which God resides. The other symbolism associated with the Vimana is looked upon as the body of the deity. The last symbolism is its comparison to a Sri Chakra.

Sri Chakra Image

Very often the ground plan of a temple is a Mandala. Just as the Sri Chakra is the unfolding of the Bindu at its centre, the temple is the expansion of the deity residing in the Brahmasthana at the centre. The Chakra structure employs the imagery of an all-enveloping space and time continuum issuing out of the womb.

Thus, the centre of the Sri Chakra, Bindu is dimensionless. Therefore it is an imperceptible source of energy. The icon or the Vigraha in the Garbagriha or Sanctum is a manifestation of the imperceptible energy and radiates the same.

The devotee circumambulates in the Avarana or Prakaras and his only goal is to reach the Lord residing serenely within the Garbagriha. This is a representation of the One cosmic principle.

Human Body as a Temple

Human Body as a Temple

The analogy explains that the human body is a temple in which Antaryami resides. The same analogy is extended to explain the various parts of the body representing various aspects of the temple.

  • The forehead represents the Sanctum and the head represents the tower or Shikhara.
  • The space between the eyebrows, the ajna chakra is the seat of divinity.
  • The finial of the tower is the unseen Sahasrara located above the head.
  • This is the passage through which the currents of life ascend to the tower through the stone slab called Brahma Randhra Shila.
  • The images of vehicles or emblems that represent the icon inside the Sanctum are placed on the four corners of this slab.

Human Body as a Temple

The third concept of temple symbolism is the concept of Vimana or the central part of the temple as the physical form of God.

  • The sukhanasi or Ardhamandapa in front of the Garbagriha is the nose;
  • Antarala is the neck;
  • various mandapas are the body;
  • Prakaras are the hands and so on.
  • Vertically, the Garbagriha represents the neck, and the Shikara (superstructure) over the Garbagriha is the head.
  • The Kalasha (finial) is the tuft of hair.

Prominence of Anaghaa Vratham

Prominence of Anaghaa Vratham

According to the Hindu calendar, the month MARGASHIRSHA Maasa starts with the winter season, generally in December as per the English Calendar. It is a lovely month for Lord Sri Mahavishnu and Sri Maha Lakshmi. It is an auspicious month for performing Pujas & Vrathas like ‘Anaghaa Vratham’ and ‘Kaatyayani Vratham’ etc.

Anaghaa Vratham is mainly performed on Krishna Ashtami in Marghashirsha or at least on Ashtami (Krishna/Sukla) every month. The main deities of this Vratha are Anaghaa Devi & Sri Guru Dattatreya. Both were treated as the incarnations of Goddess Maha Laxmi and Sri Maha Vishnu respectively.

Prominence of Anaghaa Vratham / Sri Dattatreya Swamy

Sri Dattatreya Swamy

Sri Dattatreya Swamy was born to the couple Atri Mahamuni and Anasuya Devi. Once the three maataas (Saraswati, Lakshmi, and Parvati) decided to test the chastity of Anasuya. They asked their consorts to test her chastity. Brahma, Vishnu and Shiva went to Anasuya and asked her to give them hospitality undressed. Then Anasuya Devi with the power of her chastity changed them into babies and fed them.

The three maataas anxiously went to Anasuya Devi and requested her to give their consorts back. She accepted their requisition and solicited the trio of Gods to take birth as their sons. As a result of this, the Anasuya and the Atri Mahamuni got Brahma in the form of Chandra, Shiva in the form of Durvasa and Vishnu in the form of Dattatreya as their sons.

Dattatreya Swamy was born on full moon day of Margashirsha maasa. This day is performed as ‘Datta Jayanthi’.

Anaghaashtami

In Kritha Yuga, a demon called ‘Jambaasura’ was insisting devatas in many ways. Devatas went to Dattatreya Swamy to protect them from Jambaasura. Dattatreya Swamy made a fire altar and performed puja there.

From that altar, a lady incarnation came out wearing in eight hands Shanka, Chakra, Gada, Damaru, Trisula, Padmam, Japamaala and Kamandalam to destroy Jambaasura. She is no one but Mahalakshmi in the form of Anaghaa Devi.

As Sri Mahalakshmi took the incarnation of Anaghaa Devi on Krishnaashtami in Margas hirsha Maasa, it is called, ‘Anaghaashtami’.

Anaghaashtami Vratham

Anaghaashtami Vratham had been performed in kruthayuga by Kaarthaveeryarjuna who stood first in the list of devotees of Sri Datta Swamy, in Treta Yuga by Lord Sri Rama and in Dwapara Yuga by Dharma Raja. In this kaliyuga also, the Anaghaastami is being performed in many places of our country for good health, wealth, prosperity, good yielding of crops, good education, employment, marriage and good progeny. It can be performed by unmarried men or women or married couples.

On this auspicious day, those who are going to perform Vratham should clean their houses; and decorate their houses with rangolis, flowers, mango leaves and plantain saplings. Take an oil bath, and be well dressed. After that, install a stool applied with turmeric and vermilion paste on north-east side in the puja mandir.

Anaghaashtami Vratham

Draw two Padmas with rice flour and put the idols of Sri Anaghaa Devi and Sri Datta Swami made either of silver or clay or at least of turmeric paste on this sacred stool.

On backside of these idols put a branch of Amla tree (usirika) as in every vratha here too, lighting the lamps, Kalasa Sthapana, Prana Pratishta, Ganesha Puja, Shodasha Upachaara Puja, Athaanga Puja, Astottara Sata Nama Puja, will be performed with many a fragrant flowers, turmeric and vermilion powder, and perfumed sacred rice. Cow Milk, Fruits and Paayasam (sweet) should be offered. Last but not least, stories of the Vratham consisting of five chapters should be read.

Those who perform this puja with concentration and devotion will obtain the grace of Anaghaa Devi. Their desires will be fulfilled.

Krishna Pushkaram – It’s Significance

Krishna Pushkaram & It’s Significance

To all living beings water is the source of life. The perennial rivers that provide water show evidence related to the beginnings of human culture and their development. It has been the tradition in our country to worship rivers, as images of divinity and worship.

Nadi & Pushkaram

From the place of its origin to a stream flowing beyond a distance of Dhanusses (a Dhanus is an arc of a circle), it is called ‘Nadi’ and also because it produces a musical sound it is called ‘Nadi’. The science of Pushkara (a festival held once every 12 years by turns at certain sacred rivers) which nourishes water is called PUSHKARAM (Poshayatitipushkaram).

During this occasion, crores of Gods, Rishis, and Manes come in human form with Brihaspati, the mentor of Gods, when Guru travels in the zodiac signs such as Mesha at one year in each sign, the zodiac sign into which Brihaspati enters the river related to that sign will get the Pushkaram.

Origin and History of Pushkaram

There are many stories in circulation about the origin and history of Pushkaram. According to one story, in the past, when one Thundila did penance on Parameswara for the gift of a permanent abode with Parameswara, He gave a place to him in the form of water and blessed him with the supremacy of an emperor over three and a half crore sacred rivers.

Since water is essential for his creation, Brahma did penance to Parameswara and got a boon from him for the water to remain in his Kamandalam. Thereafter, when Brihaspati did penance to Brahma and requested him to keep Pushkara in his control, Pushkara who disliked leaving Brahma requested Brahma also to go along with him.

Krishna Pushkaram - It's Significance

When Brihaspati, the image of grahas enters Mesha and other grahas and leave, for twelve days Pushkara should stay with Brihaspati, during that period Brahma settles with Brihaspati and he would keep coming and stays in the sacred river which presides over the zodiac sign (raasi) into which Brihaspati enters with all the Gods. Since then pushkaras came into being.

Pushkaras will be performed for various rivers when Brihaspati along with Pushkara enters into different raasis.

Zodiac Signs and Rivers associated

  • In Mesharaasi to Ganga river,
  • in Vrishabaraasi to Narmada,
  • in Midhunaraasi to Saraswati,
  • in Karkatakaraasi to Yamuna,
  • in Simharaasi to Godavari,
  • in Kanyaraasi to Krishna,
  • in Thularaasi to Cauvery,
  • in Vrischikaraasi to Bhimarathi,
  • in dhanusraasi to Pushkaravahini,
  • in Makara raasi to Tungabhadra,
  • in Kumbharaasi to Sindhu,
  • in Meenaraasi to Pranahita river.

Kanyaka Bhagirathi

In the year 2016, Brihaspati in his roving around the raasis, since he entered the Kanyalagna of the sixth raasi, Pushkaras are being held to Krishna river, the sixth one among the rivers. This pushkara is also known as Kanyaka Bhagirathi. The first twelve days of Brihaspati’s stay in Kanyalagna alone are significant days of Krishna Pushkara.

There are many stories in circulation about the Krishna River whose Pushkara festival is being celebrated in 2016. According to one version Brahma was ready with all the requirements to perform the Yaga on Sahyadri. Even as the auspicious time was advancing, Saraswati did not turn up.

As time passed, at the instance of Vishnu and other Gods, Brahma started the yaga with his second wife Gayatri. After a while Saraswati arrived and got angry and cursed the gods rover there to take the birth as rivers because the yaga was started before her arrival. Due to her curse, it is said that Vishnu was born as river Krishna, Siva as Veni, and Brahma as Kakudmathi.

As all three together flowed down from the range of Sahyadri mountains and then took the form of river ‘krishna’.

Krishna – Image of Vishnu

It is believed firmly that lord Krishna took the form of the Aswatha tree on Sahyadri and that river Krishna descended from the roots of that tree. That is why the river Krishna is mentioned as the image of Vishnu. River Veni descended from the gooseberry tree (usirika), merged with river Krishna and came to be known as Krishnaveni.

According to another version, in Dwaparayuga, Radha and Krishna cursed the gopikas with the names of the sacred rivers, Ganga etc to be born on earth; and when the gopikas prayed for their redemption, Radha and Krishna took pity on them and told them to be born in Bharatakhanda, with their respective names, as the great rivers of Pushkara, flow and deliver the souls.

Thereafter, Krishna created Ganga from his foot, Krishna who was in the form of Ashwatha on Sahyadri created river Krishna from the left side of his body (image of Radha), hence the praise “Krushna Krushnanga sambothe Janthunam Papaharini”.

Krishna Pushkaram - It's Significance

According to another version, responding to the prayers of various Maharishis, river Krishna in Varunaloka appeared in various forms and those forms themselves took shape as Agamasastras.

A pot in one hand, and the rope of Varuna (Varunapasa) in the other and mounting the vehicle of Makra (Capricorn, the tenth zodiacal sign) — in this manner as enunciated in Sritatwanidhi, Silpasastra (The science of sculpture), as decided by scholars river Krishna is the integrated form of

  • Ganga,
  • Yamuna,
  • Godavari,
  • Krishna,
  • Rewa,
  • Taapi,
  • Veni, and
  • Saraswati.

The statue of ‘Krishnaveni’ installed in front of the Prakasham barrage in Vijayawada is sculpted according to this philosophy/ principle only.

Still in various other forms mentioned:

  1. Carrying in four hands, in two of them vessels of Amruta, the boon-giving (varda) seal, carrying lotus and seated on the lotus – this is one form.
  2. Carrying kamandalam and japamala (rosary) — which is another form.
  3. Discus (chakra), trident (trishulam), Parasu (axe), and Akshamala, with three eyes on the vehicle of swan, with the king of the holy water, Pushkara – is another form.

These forms are praiseworthy.

River Krishna – 2nd Longest River

River Krishna is the second longest river in Andhra Pradesh. Originating near Mahabaleswaram in Maharashtra, entering Andhra Pradesh near Targidigi (Mahboobnagar district), flowing 720 km in Kurnool, Nalgonda, and Guntur districts. Near Hamsaladeevi in Krishna district, Krishna splits into two parts as it gets merged with the ocean.

It flows 1440 km from Mahabaleswaram up to its confluence in the ocean.

It is stated in Brahmandapurana that during the Pushkara period bathing in river Krishna is equal to bathing in Ganga, Godavari, etc. One is redeemed of the sins of the previous birth. According to one popular story, a woman of loose morals living on the banks of Ganga indulging in unworthy activities used to bathe in Ganga in the mornings for her redemption.

Mired (Pankilam) in sin in this manner, Ganga used to take bath in the form of a crow in river Krishna, get rid of her sins and becoming pure would fly back in the form of a swan. This is a part of the story.

In the year of Pushkara the first twelve days are considered to be important/primary Pushkara, in the middle of the year as middle Pushkara, and the concluding period as the end of Pushkara. It is said that in all these three periods bathing, charitable acts and ceremonies can be performed.

Krishna Pushkara

On the occasion of Krishna Pushkara to take the ceremonious vow (Sankalpam) one must purify oneself, then approach the river Krishna, meditate upon it, sip water thrice, then take the resolve as follows: “for pleasing Parameswara, for the fulfilment of the principle objects of human life and pursuit (the purushardhas : Dharma, Artha, Kama, and Moksha), in Kanyaraasi, in the great event of three crore theertas Mahapushkara, I am bathing in Krishna” after that going opposite to the prahava one must take bath three times, opposite to the Surya three times, offer water to Surya and then take bath once again.

Thereafter, one should turn to the south and again offer water to the manes (departed spirits) and then again take a bath facing the flow (pravaha), propitiate the Krishna waters, take the sacred water, come to the bank and wear new clothes. Thereafter, one should visit the favourite God and perform charitable acts.

During Pushkara times, the waters of the river possess divine brilliance. Therefore, in those times the following acts are prescribed: bathing, charity, praying, dedication, meditation, homam (an oblation to the gods consisting in the casting of clarified butter etc into the fire), offering of water and ceremonies to the manes. In the days of krishnapushkara to counteract untimely death pushkaravrata is indicated.

During Pushkara times, the religious vow performed for twelve days is equal to that of twelve important kalpas (one kalpa is a day of Brahma or one thousand Mahayugas). Chitranadha, a prince, who was left with a life of three months only, taught by the sage Katschana performed Krishna pushkaravrata and achieved a long life.

This is mentioned in Krishna pushkaravrata Mahatmaya.

Maharshi Veda Vyasa – Apaantharatha

Maharshi Veda Vyasa / Apaantharatha / Krishna Dwaipayana

Vyasa is not an individual. He is the conglomeration of knowledge and wisdom of various preceptors. The history of Vyasa is the history of India. Through this mankind can adequately plan for its future. There had been many stalwarts in the prolonged history of India; who interpreted the visionary ideals of man’s life.

There have been numerous significant people who translated man’s entity into understandable terms. Among them, Badarayana Vyasa the son of Parasara; is pivotal. In a way, he is the first too! The cultural, literary and spiritual treasure accumulated by Vyasa for the Indian nation is invaluable, indispensable and remains indestructible for generations.

Veda Vyasa is the cornerstone of Indian national culture and Indian sense of perception. Variously termed cultures like the Aryan, Vedic, Hindu and Indian – those that we talk about and read today have indeed been concretised by Vyasa; who further provided a future and gigantic significance to them. He is the one who is a trendsetter and the primary preceptor; who needs to be remembered early every morning.

He is an immovably well-balanced person; extremely ingenious; relentless learner; with an unblemished history; luminescent scholar; great poet; knower of the past, present and future; philosopher; follower of dharma; well-versed in sastras; adept manager; respected by the entire universe; and exceptional scholar. In the name of dharma he taught the Indian nation the importance of the best social system for humans.

Through his immense literary works Vyasa, an individual of a sacred character, preached to Indians the path of dharma and the regulations involved therein and also the legal details. He made a significant contribution towards improving man’s perception towards rationalised views on dharma, life, God, devotion, world, after world, theism and atheism.

There is no cultural life or literary history without the mention of Vyasa. This is the truth that even foreigners have not failed to acknowledge.

Incarnations

Vyasa was a man of epics; well-balanced and a scientific author. The epics mention that he is the son of Srimannarayana. It only means that individuals who possess superior qualities, beyond the mundane; are attributed divinity and regarded as the incarnation of the Almighty.

In the hierarchy among the incarnations, Parasurama is considered the sixteenth incarnation. Vyasa, seventeenth. Sri Rama and Sri Krishna, eighteenth and nineteenth, respectively.

Original Name – Apaantharatha

The original name of Vyasa was ‘Apaantharatha’. Vyasa was the title given to him by Narayana. Obeying the orders of the Almighty, he takes birth in all aeons; bearing the responsibility of Vedic knowledge and its safety. The present Vyasa is the son of Vasishta’s grandson, Parasara. (Vasishta’s eldest son was Sakthi.

Sakthi’s wife was Adrusyanthi. Parasara was their son. Vyasa was Parasara’s son through Satyavathi.) He built an ashram in the forest of Badarika, on the shores of river Saraswati; and practised meditation extraordinarily. He is popular as Dwaipayana, Krishna Dwaipayana, Badarayana, Paaraasarya, Saatyavateya.

Born on an Island, hence Dwaipayana

The meaning of ‘Apaantharatha’ means ‘one who dispels the darkness of ignorance’. As he was born on an island he is called ‘Dwaipayana’; as he was dark in complexion he is known as Krishnamuni or Krishna Dwaipayana; as he aids in increasing knowledge through his literary pursuits, he is called Vyasa; and as he brought the Vedas into prominence, he is popular as Veda Vyasa.

Maharshi Veda Vyasa or Apaantharatha or Krishna Dwaipayana

Shores of River Kalindi

Vyasa was born as Satyavathi’s son close to the shores of river Kalindi. Right from his youth he served all the rishis who lived on the banks of rivers like Gomathi, Ganga, Yamuna, Sarawati. He performed penance. More importantly, he learnt all the Vedic education from Mayu, who belonged to the ancestry of Brahma; and became an unsurpassable scholar. He visited many sacred places. He earned immense knowledge beyond the ordinary.

Later on, he spent his life in the forest of Naimisa; and led an unwavering life. During this period he authored the Mahabharata, which is a treatise that preaches the standard philosophy of social lifestyle.

Just learning will not transform an individual into a scholar. Continuing to remain a student even after attaining the knowledge; throughout one’s life, will mark him out as a scholar. He has to remain a disciplined student throughout. He has to sharpen his scholarly pursuits by imparting knowledge to students. He should pursue accumulation of knowledge through an insatiable desire to learn.

From a life that comprises titiksha, sacrifice and compassion; and utilising the experience; one has to reform the scientific knowledge that rules the lives of ordinary people with a focus on attaining the eternal anthrosperity (loka kalyanam).

Vyasa and Bhishma

This is the achievement of Vyasa. He possessed the Vedic view of solemnising the unwanted as the one closely related to you. Vyasa was a contemporary of Bhishma.

  • He possessed divine knowledge;
  • was a leader of divine philosophy;
  • an extremely talented author;
  • a person who churned the ocean of Vedic knowledge;
  • a perceiver of Vedic knowledge;
  • an author of the fifth Veda; and
  • great poet.

Having authored Brahma sutras and Bhagavadgeeta, as a disciplined philosopher, he proved the goal of human life. He was the sculptor who laid the foundations of the Indian cultural heritage.

Guru Poornima or Vyasa Purnima

Guru Poornima

Due to the research work done by Vyasa, Vedas had been successfully divided into Rig, Yajur, Sama and Atharva. He made them popular through his disciples. That sacred ritual was also inaugurated on Vyasa’s birthday i.e. on the full moon day in the month of Ashada. Hence we consider that day as Guru Poornima.

The four Vedas were popularised by Paila, Vaisampayana, Jaimini and Sumantha respectively. His, another disciple Soota, is well-known as Soota-Pauranika as he popularised the puranas, itihasas and the samhithas.

Veda Vyasa

Vyasa came to be called Veda Vyasa as he divided the Vedas as mentioned above and popularised them.

  1. Rig Veda: In this there are mantras authored by Aryan maharshis. They are known as ‘riks’. As it is believed that these mantras are messages useful for daily life; they are also called sookthas. This Veda is divided into ten mandalas and each of the mandala has 191 riks.
  2. Yajur Veda:This veda consists of the various procedures adopted in performing yagnas and yagas by the family man. Being written in prose, they reflect the appearance of the dharmic life of the Aryans.
  3. Sama Veda: This veda contains the musical prayer hymns sung in praise of deities by the rishis during the time of yagnas and other auspicious occasions. These also reflect the dharmic life of the Aryans.
  4. Atharva Veda: This veda has been compiled after some time – in the sense that, quite some time after the three vedas – after recognising the significance of the non-Aryan Indians and bringing about a harmony between the Aryan and non- Aryan life styles. Various issues like institutional dharma, Geography, Astronomy, Arms and ammunition, Education, Medicine, Supernatural (Tantra) are all mentioned in this veda.

Vyasa separated Upanishads as belonging to Vedanta; and they are 1280 in number. Out of these 108 preach total knowledge. Upanishads are also known as Vedantas or Essence of Veda. Several knowledgeable issues are discussed herein. Maharshis with a philosophical outlook and perception combined their experience with logic and submitted it to the world. Universe – Being – Brahma / Nature – Purusa / Soul – Almighty / Devotion – Transcendence have all been elucidated in detail in the Upanishads.

In spiritual and materialistic spheres these propose knowledge – work – upasana paths respectively. Further, because of the third division by Vyasa; not only the Upanishads but also Ayurveda, Dhanurveda, Gandharva veda and Ardha veda as sub-vedas, had been brought to light. These later on have been serving humanity.

If it may be said that Vedas are independently self-luminous; institutionalising human life, then the entire credit goes to the hard work of Vyasa! The abstract ‘heart’ is the focus of not only all the comforts but also all the defeats, and conquering this ‘heart’ is the essence of Vedic literature. Ensuring the protection of these invaluable values of Vedic literature is the ultimate goal of Veda Vyasa.

Greatness of Vyasa

Though he had not authored either the Upanishads or Vedas; the amassment, reformation and compilation of the four Vedas is the greatness of Vyasa only!

Besides these, approximately 555 (slokas) sentences of Brahma sutras;

  • 18 puranas containing 4 lakh slokas;
  • 18 sub-puranas containing 1 lakh slokas;
  • Mahabharata containing 18 chapters of one lakh and
  • twenty-five thousand slokas and
  • many such stotras were all written by Vyasa.

Going by the lowest degree there are a minimum of seven and half lakh slokas to the credit of Vyasa as a proof of his immense ingenuousness. As of date, in no aeon has any individual contributed so much to literature – the credit goes only to Vyasa.

Brihatjaya -> Mahabharata

Regarding the explanation given in the last chapter of Mahabharata, Vyasa authored a treatise named ‘Brihatjaya’ having a total of 60 lakh slokas.

This was meant to preach duty and discipline in the world. This treatise became the Mahabharata.

  • About 30 lakh slokas were popularised in the world of the deities;
  • 15 lakh slokas in the world of forefathers; and
  • 14 lakh slokas in the world of yakshas.

The remaining 1 lakh slokas were proffered to the world. In the four worlds mentioned above Narada, Devala, Suka and Vaisampayana acted as the commentators for the Bharata Samhita, respectively. This might be rejected by the ignorant and the loquacious. But if viewed impartially and beyond all emotions and with a pure scientific perception – then they are better understood.

28 Vyasas – Koorma Purana

In Koorma Purana there is a mention of 28 Vyasas. From the time of the first Manu, Swaayambhuvu to that of the seventh Manu, Vaivaswant; a total of 27 yugas were completed and the 28th yuga has started. Out of the 28 Vyasas mentioned, the last one is the latest Vyasa which is called Dwaipayana. All of them were called Vyasas. Hence on Vyasa Poornima day, remembering Vyasa is as good as remembering all the remaining 27 Vyasa too!

The purpose and effort during different periods by different individuals can be reminisced and revered in one person – then, that is the individual who is called Vyasa.

The rishis did not thwart the mundane world. Basing their lives on the mundane world these rishis tried to attain the immortal world. They preached spirituality and philosophy. The entire life of Vyasa was spent in protecting and safeguarding the spiritual Vedic culture; and in defending anti-vedic procedures and campaigns.

First Teacher

Vyasa is the first teacher of the Indians. As he was able to perceive the entire knowledge of the Vedic literature in all its profundity, he confidently decided to spread it in various forms. He chalked out a sacred plan for this. After gathering, reforming and editing some thousands of Vedic riks; this maharshi presented the hidden knowledge of the vedas to the world in the form of Vedanta Darsanam (Upanishads).

Brahmasutras, which contain four chapters and five hundred and fifty five sutras are the essence of Upanishads in the form of great arguments (Brahma vadam); are lucidly explained by Vyasa. This effort was made in the Naimisa forest. To attribute the Brahmavidya discussed in Brahmasutras to the ordinary world; Vyasa authored Adhyathma Ramayanam, Bharatham, and Bhagavatham.

These works have stood firm through the lives of Indians. ‘Brahmagnana’ is the naturally attained knowledge that dispels ordinary misconceptions and helps through the knowledge and message of experience in the perception of the ultimate Truth.

Augmenting luxuries in life; attempting to earn more for that reason; immaterial to the harm meted out to others in the process; procuring money irrespective of needs, leading one’s life without the least botheration of welfare of others; remaining immune to the facts of life and becoming thick-headed in the process – these are the acts of man in the contemporary world. All this happens when the philosophical bent of mind is absent in a person. Whatever may happen, man remains ignorant of the fact that his life is not in his hands. This, according to Vyasa, happens when the person is deficient in knowledge and enveloped in a shroud of imagination.

To speak truthfully, every living being places its last step in the lap of death. Of all living beings, only humans have an idea of this truth. But even this human seems to have forgotten this. He is unable to realise the truth that the money he has earned will not accompany him on his last journey; neither will his wife and children for whom he had striven hard throughout his life; even his friends and relatives would accompany him only up to the graveyard.

Lastly, even his body would be burnt on the pyre … the only things to accompany him are the virtues and vices he had accomplished in his life. But Vyasa laments man’s failure to realise this.

The significance of Vyasa’s Brahma gnana is to dispel blinding ignorance and reach dazzling knowledge. When man realises the truth of his existence and adapts himself to a humble life; then humanity will flourish. Moreover, it also preaches the truth that the most unattainable human life will turn appreciable and momentous.

Vyasa through his compositions defined a worldly life that is bound by Truth and discipline. He laid the foundation for the human institution that is duty-obligatory. Sin and virtue, heaven and hell were all a creation of Vyasa; done to provide stability to the human institution. The ultimate goal for this maharshi’s thoughts and principles was the welfare of human being. The Advaita he liked and advocated secured world fame.

The seeds of Advaita theory, in truth, are to be found in Upanishads itself. These seeds had sprouted and resulted in tiny saplings in the Brahman sutras of Vyasa.

According to the Brahma sutras the world that is reflected in the quiescent and living forms has as its bedrock an excellent, immeasurable, endless, eternal, shapeless, sturdy and substantial power; which is the Truth, eternal, beyond expectation; beyond all other powers; and it is the Brahma – this is the theory. According to the Vedanta of Vyasa, Brahma is Truth; but the world is not a myth. As the world can be measured philosophers called it a myth. But according to Vyasa ‘myth’ means ‘indescribable’.

Role of Krishna in Bharata and Bhagavata

The role of Krishna in Bharata and Bhagavata is an extraordinary creation of Veda Vyasa. It is a personification of the extreme talent of Vyasa. The ultimate! Not only Krishna. Every character and every situation contributes to its remarkable utility and goal. The writings of Vyasa are a representation of the entirety of human life, secrets of life, aims and principles. Various problems faced in human life and their solutions are all mentioned in Vyasa’s compositions with examples.

The character of Krishna has been created by Vyasa to preach nature through solution, knowledge primarily through work, sacrifice through luxury and soul’s refusal to leave the body. “The procedure adopted by Krishna is replete with paths wherein deceit, treachery, jealousy, hatred, cruelty and cunningness are all conquered. Vaasudeva (Krishna) is a personification of Vyasa’s thoughts and principles! Hence it is said “Vyaasaya Vishnu roopaya, vyaasa rupaaya Vishnave”. Both are the same!

Vedas prove the duty of man. Sastras order the duty of man. Upanishads preach duty to man. Puranas weave stories out of this duty. Poetry reminds us of our duty. In Vyasa’s Mahabharata, all these aspects are included. Bharata is the perception of Vyasa. Dharma, Wealth, Desire and moksha are all mixed in proper proportions and life in its entirety is portrayed.

In this appearance, many life principles have been designed and successful. Hence Vyasa has created a great position called teacher, for India among all other races in the world. Even to this day, he is receiving accolades occupying the position of a teacher.

Vyasa’s concern is about how a human being should assess the efficacy of his survival and the values of his life. He tries to educate man on how to attain the necessary sacrament for it? How to achieve integrity for the same? He had written Bharata and Bhagavata for the same reason.

Maharshi Veda Vyasa or Apaantharatha or Krishna Dwaipayana

Battle of Mahabharata

At the time of the battle of Mahabharata, Vyasa’s age was 150 years. There is evidence that he was alive 40 years after the war.

There is no evidence of Vyasa having ever visited the city of Hastinapura after the Pandavas attained Heaven. The serpent yagna performed by Janamejaya is known to be conducted by Vyasa’s disciples and their disciples like Vaisampayana.

Accepting the individual discipline as formulated by Valmiki, Vyasa thought about the protection and progression of society. He further created the role of Krishna not only to practise but also to preach. While Rama moulded by Valmiki is exemplary for hard work, Vyasa’s Krishna preached that creating awareness in others to put in effort gives a better result than personal effort.

According to Vyasa an exemplary person should not only practise but also preach (so that others also work). He should try to balance both of these. This talent would become an ideal for others and change them for the better.

Vyasa’s perception is yogic. The act of creation of voluminous literature by Vyasa has not been performed earlier; nor will it in the future. He is the greatest of rishis who secured actual knowledge on issues beyond the senses. With the help of relations, doubts and promises; he can realise the good and bad. He can also make them known to others. He can be the trendsetter for the nation.

The commodious and comprehensive literature created by Vyasa has inaugurated a fiefdom for the human race, which will turn out to be progressive. That, though times have passed and situations, changed; enthuses the necessary philosophical knowledge both in India and outside; and also in this world and the next.

The compositions like Brahma sutras, Mahabharata or Bhagavadgeeta, written by Vyasa are not religious texts. They are the knowledgeable epics that elucidate humanity; and mirror man’s pious sense. The qualities to be essentially found in a rishi are common sense, clarity about the best, knowledge about poetry, knowledge about work, knowledge about philosophy, knowledge about dharma, and knowledge about sastras.

With these qualities, a rishi can define the worldly dharma. Vyasa is the treasure trove of all such qualities. Possesses Brahma gnana. He possesses the talent and skills that are to be found in a sadhu, a poet, an author, a king, a philosopher, a historian and a scientist. He never condemned the mortal life. Aversion to him is not the dharma of a sadhu. It is partially a dharma of the rishi. He is unique for quoting the worldly dharma with a lot of affection. For him life is practice. It does not run away on viewing problems.

Vyasa perceived the yugadharma from different directions, discussed and made it history. Many issues proposed by Vyasa have been proved right by contemporary scientists. There was no religion during the time of Vyasa. Vyasa will forever remain inside, outside and beside us. With such ideal principles, it is only dharma that could stabilise and make the national human life, wealthy. To this Vyasa could award a total glow. This has been termed ‘Sanatana dharma’ by elders. ‘Sanatana’ means ancient. This surpasses time and countries.

Vyasa could comprehend the principles involved in life experiences of his forefathers; churned it thoroughly, assimilated it and made it known to the world through the pious artistic practice (through his compositions like Mahabharata). He was able to influence the hearts of people.

Matsya Avatar of Maha Vishnu

Vyasa quotes in his Matsya Purana that a character who – is not treacherous or not practising occult; performs penance without being swayed by the temptation of senses, opts for bachelorhood, remains disciplined while reading, is truthful, has patience, is courageous and mild – is a symbol of ancient dharma.

In Vyasa’s Bhagavadgeeta every question in human life has an appropriate answer. Gita is truly a compendium of the essence of all sastras. This message through Gita is the concoction of human life; a boiled and distilled cool drink. It is the electrical glow that dispels the darkness of ignorance in us.

Vyasa wrote Gita keeping in mind no religious text. It is a scientifically perceived harmonious attempt, way beyond the distinctions of nations, time, colour and honour. Gita has no enmity towards any religion. It is a phenomenal message to mankind advocated through Krishna.

Vyasa gave utmost importance and respect to traits of character and culture. Traits are natural. Vyasa was never allured towards wealth and prosperity. His sole aim was anthrosperity i.e happy and peaceful life for everyone. He was willing to lead his life as one among the many. What a colossal mentality! If mankind is to flourish in peace and contentment then such type of mentality is essential. This is the treasure that has been handed down by Vyasa to us.

“What is difficult for you and what causes sorrow to you – don’t do it to others”. This is Vyasa in his entirety!

Mindful Wisdom and discretionary knowledge are the two aspects that govern humans in the wake of Vyasa’s teachings. Human power should work well within the limits of the above-mentioned virtues. With the thought that life is momentary, an individual should never ignore either his life or body. From the momentary, eternal ought to be attained. Elucidating the point – utilising the momentary and temporary body, traits should be set on to the right path to become virtues; and contribute to the ultimate attainment of a stable society. This is Vyasa’s goal.

Vyasa’s theory is firmly grounded in dharma. This is the cornerstone for the remaining three – wealth (ardha), desire (kama) and transcendence/liberation/emancipation (moksha). Before providing or preparing an individual for liberation; Vyasa believed that dharma to a major extent tries to systematise the corporeal life. Practise of dharma is necessary for the manifestation and purification of self. God is not the closest relative to dharma; it is a human who is divine, that is.

The system of dharma attains strength not from the belief or trust man has in the next world; but from remaining wise and discretionary, in this world. Possessing such social consciousness and leading a life disciplined in duty is the greatest decoration that could be accorded to dharma. Sublime human life is dharma. This is the ideal for the society.

Instead of a person appearing as divine among people, he should attain the eligibility to appear as a human among deities. It only means that pertaining himself to an ordinary human life man should acquire tremendous respect and reverence and thereby prove himself exemplary. According to Vyasa, a man shouldn’t try to acquire honour and respect through his wealth and prosperity.

An individual should be wealthy in character; ethics and honesty being his ornaments he should lead a pious life and gain eligibility as a representative. Vyasa strongly believes that man, before uttering a word, or commencing work or initiating a thought; should meticulously assess his eligibility and only then he may be considered cultured. This is called ‘yoga’. Performing tasks with such virtuous thoughts is “Yogaha karmasu kausalam.”

To avoid routine problems and responsibilities is not sanyasa / renunciation. Contending works with responsibility and living among problems is human dharma. In a detached and disengaged manner, responsibilities should be embarked upon. Undeterred in the pursuit of karma, a person who maintains such detachment in the course of responsible life is a real sanyasi. He is a true yogi. Nurturing discretionary knowledge and pruning desires, not succumbing to earthly affections, discarding unnecessary pomposity, and leading a straight life is a yogi. He is the renouncer. That is Vyasa’s life – yogic.

As a part of Vyasa’s profound preaching he pictured another quality of man i.e. accepting the virtues in man and understanding them; encouraging the virtues; respecting them for what they are. Hatred is harmful in multiple ways. Live life truthfully. Not only living an honest life, a person is supposed to prevail upon his neighbour leading the same too! This was the concept of Vyasa!

His theory was that virtue should cease to remain individualistic; it has to be systemised socially.

Pillai Urangavilli Dasar (Dhanurdasa)

Pillai Urangavilli Dasar (Dhanurdasa)

Pillai Urangavilli Dasar, called Dhanurdasa, was a native of Uraiyur, near Tiruchirappalli and he was a renowned Gymnast. He was born in the Tamil month Masi, in Ayilya Star. He was a fine archer belonging to the Malla caste. He was one among the three Villis serving King Akalanka Chola in Urayiur.

Pillai Urangavilli Dasar wrote a Tanlyan for Iyal Sattu which pays encomium to Sri Ramanuja. This is being recited at the end when Sri Vaishnavites complete the four thousand hymns of Alwars. His annotations for Alwars hymns, particularly Nammalvar’s Tiruvoymozhi are very familiar and recorded in the Edu commentary.

Pillai Urangavilli Dasar (Dhanurdasa)

Marrying Kanakangi

He married a very beautiful girl by the name of Kanakangi whose eyes, he considered, more beautiful than the lotus. He never left her side for a moment and never took his eyes off her moon-like face.

At one time, when he was en route to Tiruvellarai, in the mid-noon, on the Kaveri river sand, he was assisting his wife who suffered in the scorching sun. Sri Ramanuja, noticed this loving pair, particularly Dhanurdasa’s intense care for his beloved’s eyes by holding an umbrella to avoid the scorching sun. He called him and asked him for this doing.

Sri Ramanuja's Service
Sri Ramanuja

He said that he was very much attached to her beautiful eyes which should not fade. Sri Ramanuja told him that there are eyes more beautiful than his wife’s. He took the unbelieving Dhanurdasa to the temple of Lord Ranganatha and showed him the Lord’s bewitching eyes.

Dhanurdasa realized his ignorance and he gave up his food, slept from that day, and daily found in the temple, looking at Lord Ranganatha’s beautiful eyes. He became the disciple of Sri Ramanuja. He gave away all the wealth that he earned as Chief of Malla in Chola Raja Palace, Uraiyur, to Sri Ramanuja Mutt. He used to wake all through the night and do service to the King and daytime without sleep did kainkarya in Sri Ramanuja’s Mutt.

Like Lakshmana, he became Urangavilli and earned the name Urangavilli Dasar. His wife Kanakangi excelled her husband in wisdom and all other spiritual perfections, due to the wonderful grace of Sri Ramanuja. He used to march before the Utsavamurti Namperumal of Srirangam with a sword to safeguard the deity, from any untoward incident.

If anything untoward happened, he wanted to kill himself with that sword. This is explained by Mamunigal in the commentary for Pillai Lokacharya’s Srivachana Bhushanam Sutra 46. Such is the intention of Dhanurdasa being a devotee of Lord and Sri Ramanuja having known the harmonious way of life learnt from Sri Ramanuja.

Kanakangi – extraordinary devotee of Sri Ramanuja

Kanakangi, though belonging to a low caste, proved herself an extraordinary devotee of Sri Ramanuja. At one time, Sri Ramanuja’s disciples asked him if there were many Acharyas, whom they should consider true saviours. He asked them to ask Kanakangi. They approached her and expressed their doubt as to who they should look up to as their true saviour when there are many Acharyas. With all humility, she told them that only Sri Ramanuja could answer this.

They went to Sri Ramanuja and asked him. He asked them what she was doing when they entered her house. They told that she was gathering her hair to gather into knot, tied it up with a red thread and kept silent. Then Sri Ramanuja interpreted this incident as follows: the countless black hairs signified many teachers and the red thread indicated only one saviour that is Sri Ramanuja. Then the disciples were surprised at her steadfastness and fidelity to Sri Ramanuja. They went to her house to compliment her spiritual excellence.

At one time, Lord Ranganatha’s festival was coming to an end. Sri Ramanuja, while going to take a path, held the hand of Acharya Mudaliyandan and after taking bath, he held the hand of Pillai Urangavilli Dasar. Sri Ramanuja feels that holding his hand is the more mental object of contemplation than the complete purification of taking a bath in the Kaveri River.

It is said that Sri Ramanuja felt that like the iron with the touch of the art of alchemy made into gold, the selfishness that came from his upper caste would be redeemed by holding Pillai Urangavilli Dasar’s hand.

In the commentary of Manavala Mamunigal on the Sutra 85 of Acharya Hridya, it is said that Sri Ramanuja before doing Tiruvaradhanam (performing Puja to his Mutt deity) used to purify himself by touching Pillai Urangavilli Dasar. Hence, Dasar is well known as Ramanuja Sparsavedhi. There was a dispute among his disciples for Sri Ramanuja giving much importance to Pillai Urangavilli Dasar. He played a drama to rectify their intentions.

Sri Ramanuja Trekking with Knees to Tirumala
Sri Ramanuja Trekking with disciples on Knees to Tirumala

On another occasion, also Sri Ramanuja made his sceptic disciples realize the detachment of Kanakangi. Sri Ramanuja asked somebody to tear out the clothes of his disciples without knowing them. Having seen this, they were very much angered and blamed those who did this. On the same night, Sri Ramanuja asked some disciples to bring the jewels from the body of Kanakangi when she was sleeping.

While they were taking away the jewels from her body, she noticed and kept quiet till they took away one side jewel by dissimulating herself in sleep. Then she rolled down the next side to give an advantage to them to take away from another side. They thought that she woke up from sleep and ran away from her place. They handed over the jewels to Sri Ramanuja.

After his return from the service in the Palace, Dasar came to his house and having known the news, he blamed his wife Kanakangi for not keeping quite like a stone to take away the jewels from the other side also by them.

He prayed to Sri Ramanuja to give punishment to her. The disciples who witnessed this head down before Sri Ramanuja and informed them of the drama played by him. Then he returned the jewels to her.

He had two nephews viz. Vandavilli and Sendavilli. Both became the disciples of Sri Ramanuja and Sri Ramanuja named them Vandalankara Dasar and Sendalankara Dasar. They stayed in Srirangam by doing service to his Acharya Sri Ramanuja, besides working in the Palace at Uraiyur. He used to give the salary earned by their service at the Palace, to Sri Ramanuja, who accepted it and utilized it for the kainkarya.

Naivedhya

Naivedhya – Food Offered as part of worship

In Hinduism, worship is a ritual of religious devotion directed towards God. Worship is done in different forms or various methods depending upon the groups. It is the essence of loving and being in love with whatever God they adore. One of the steps is to offer Naivedhya to the deity.

Naivedhya, a Sanskrit word meaning supplication, is food offered as part of worship. The Ambrosia is placed before a deity and prayers are offered.

Idol Worship in Hinduism / Naivedhya

The following is the common Mantra recited while offering Naivedhya to the Deity.

“Om bhur bhuvasuvaha,
tat savithur varenyam,
bhargo devasya dhimahi,
dhiyoyo nah prachodayat.
Deva savitah prasuva,
Satyam tvartena parishinchaami,
Amrutah opatarana masi,
Om Pranaaya swaha,
Om Apaanaya swaha,
Om Vyaanaya swaha,
Om Udaanaya swaha,
Om Samaanaya swaha,
Om brahmaney swaha,
Om(name of the God ) namah,
naivedhyami ”

The Naivedhya is then distributed among the devotees or consumed by the households as Maha Prasadam. The offerings may include cooked food, sugar cane, and fruits.

The Naivedhya depends on the Deity worshipped.

For example,

  • Jaggary, Vundrallu (rice laddu) or
  • Banana is generally offered to Lord Ganapathi.
  • Payasam ( rice with milk) Daddojanam (rice with curd preparation) or Chakra Pongal (rice, sugar and milk preparation) are offered to Lord Vishnu and Goddess Lakshmi.
  • Hanuman is offered Vada.
  • Santhoshi maa is offered Bengal gram, with jaggary and panakam (jaggary water) to Narasimha, and so forth.

Irrespective of the deity and the method of Puja, Maha Yagnam or Vratam, the most acceptable Naivedya is offering two important fruits, namely, Coconut and Banana as they are perceived as divine or sacred fruits. Some religious stories are attached to these fruits which further signify their importance in offering them to any deity.

A Puja to a deity should normally be done in sixteen steps, called “Shodashopachara Puja”.

Coconut

Sage Viswamitra was the creator of this holy fruit. Trishanku, the Son of Prithu was a king of the Solar Dynasty. His original name was Satyavrat. He served sage Viswamitra with sincere devotion and was pleased with the servitude the sage adored him with a boon. Satyavrat expressed his desire that he should be sent to heaven in the mortal body.

Viswamitra wanted to exhort his ability to defame sage Vasishta and by his extreme powers sent the king to heaven in the physical form of a human being.

No ritual will be complete without breaking a Coconut, symbolising breaking the ego of the person by surrendering completely to the divine. The closely knitted outer fiber represents lust, greed, selfish and jealous nature of human beings and being so, will be immediately peeled out after breaking the same i.e. the ego of the person.

Trishanku Swargam

Indra, Lord of Heaven, bewildered by human beings entering the heaven with mortal bodies, kicked and threw him out of the heaven. Having noticed this with anguish, Viswamitra ordered Satyavrat to hang in between and contrived heaven for him, which is popularly known as Trishanku Swargam (heaven of the Trishanku).

Subsequently, Viswamitra realised that Trishanku falters hanging between Heaven and Earth forever and was supposed to have supported him with a long pole and his head resting on the top of the prop. The pole or prop is termed the Coconut Tree.

Poorna Kalasam

Coconut is known as the “Satwik” fruit and is also termed “Narikela”, “Shrifal” and “Mahafal”. This is a very auspicious fruit as it will adore the vessel for “Poorna Kalasam” (complete vessel) in all functions. Three distinct eyes on the Coconut symbolise the trinity of evolution, Brahma, Vishnu and Maheswara, the Creator, Preservator and the Desolator.

They also represent human eyes, two apparent and the third one being the eye of knowledge (Gnananetra).

Naivedhyam

BANANA

Kadali was wife of Sage Doorvasa. Once the sage went into a deep sleep and did not get up for his evening Sandhya Vandana (dawn invocation). Unable to decide whether she should wake up the sage to perform the prayer or should not disturb him in deep slumber as it is against the dharma, she preferred the former and woke him up because she was aware that one should not miss the daily invocations.

Having woken up from sleep, Sage in trice cursed Kadali in a daze to become a plant on the earth. She pleaded mercy and requested him to turn her into such a plant, that the leaves, fruits and each part of the plant are useful to serve God. The plant turned out to be Kadali Tree (Banana tree) and the fruit of it is called after her name as Kadaliphal.

Lord Krishna said in Bhagavad Gita, “patram pushpam phalam toyam, yo me bhaktya prayacchatitad aham bhaktyupahrtam, asnami prayatatmanah”

(If one offers Me with Love and Devotion a Leaf, a Flower, a Fruit or Water, I will accept it.)

Here the phalam means the fruits of our success, happiness, love, joy and wealth we derived through the blessings of the Lord in our lifetime.

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