Madhurakavi Alvar – the incarnation of Vainatheya

Madhurakavi Alvar

Madhurakavi Alvar (Chitra – Chitrai) Madhurakavi (Sweet poetic), the incarnation of Vainatheya (the divine bird) was born in the year Easwara, Chitrai month, Sukla Paksha, Chaturdasi day (Friday) in the constellation of Chitrai at Tirukkolur in the Pandya Kingdom. He was well-versed in Tamil and Sanskrit, was of excellent conduct and devoted to Lord Sriman Narayana.

Kanninum Siruthambu

Madurakavi Alvar returned from Ayodhya drawn by the bright light at Tirkkurugur and his encounter with Nammalwar is a well-known story. Madhurakavi was so devoted to his Guru Nammalwar that he held him much higher than even Lord Narayana himself. In just 11 hymns, he composed a poem ‘Kanninum Siruthambu’ (the rope with minute knots) that commenced with those words in praise of Nammalwar also in Antaadhi style.

After Nammalwar departed from the world, he installed an Archa Vigraha (idol) of Nammalwar in tirukkurugur and performed festivals in his honour. He used to proclaim the various honorifies of Nammalwar such as “Vedam Tamizh Seitha Maaran’ – ‘Maaran who rendered Vedas in Tamil’, ‘Alavilaa Gnaanathu Aasiriyar’ – the great preceptor of infinite knowledge etc.

The Sangam poets objected to his praising Nammalwar who they said was not affiliated to the Sangam. Madhurakavi placed a birch bark leaf with the first line of Nammalwar’s verse starting with the words “Kannan Kazhalinai” on a boat in which the poets were sailing. The boat capsized throwing out the haughty poets leaving the leaf alone intact.

Each one of the poets who came ashore struggling through the waters composed a dedicatory verse each acknowledging the greatness of Nammalwar. When they published the verse that they had composed independently, they were surprised to find that all of them had written down the same text without any variation.

Festive image of Nammalvar

Verse Meaning

Thus the verse meaning can be read as –

The president of the Sangam acknowledged the superiority of Nammalwar’s works in a poem comparing other poets to flies in the presence of the divine Vulcan, fireflies in the presence of the Sun, dogs before the terrific tiger, wolf before the Man-Lion Narasimha, to ugly clumsy goblins dancing before the beautiful nymph Urvasi – concluding that not all the works of all the other poets put together could ever equal even a single utterance of Nammalwar”.

Another verse meaning can be read as: Of the two verses dedicated to Alvars, Swami Sri Vedanta Desikan has grouped all other Alvars in his first verse and has dedicated the whole of his second verse exclusively to Madhurakavi Alvar in Guruparampara Saaram of his Rahasya Traya Saaram.

The various aspects of Kanninun Siruthaambu have been listed out in this verse. Swami Sri Vedanta Desika remarks that while Lord Krishna was very much there for –

  • (i) Inbattil – conferring bliss on his devotees,
  • (ii) Irainjutalil – to be their refuge
  • (iii) Isaiyum Petril – to be their final goal
  • (iv) Igazhaatha Palluravil – to stand in relation to them as mother, father etc –
  • (v) Iragam Maarril – to change their desires for earthly pleasures into
  • (vi) Thun Patril – a desire for Himself
  • (vii) Vinai Vilakkil – to remove all their sins
  • (viii) Thaga Vokkattil – to show them infinite compassion
  • (ix) Tattuvam Unarthil – to reveal the eternal truths and
  • (x) Thanmai Aakkil – also to bring about in them a likeness of Himself.

While Krishna was ever ready to do all these, the blemishless Madhurakavi chose to seek the feet of Satakopa only who rendered Veda in Tamil and showed us the royal road to Supreme bliss”.

‘Kanninun Siruthambu’ emphasizes that Acharya Bhakti is more important than even Bhakti towards the Lord. Nammalwar knew none other than Bhagavan true to his ‘Unnum Sorum, Parugum Neerum, Thinnum Vetrilayum Ellaam Kannane’ – ‘the food he ate, the water he drank and the pleasures he enjoyed (figuratively referred to as chewing Paan) – all was Kannan for him. For Madhurakavi, Nammalwar was all these (Vide his statement “Thevu Matrariyen”).

His practice of “Acharya Nishta” is non-pareil (except long after we see when Thiruvarangattu Amudhanar wholeheartedly devoted himself to Emperumanar).

Madhurakavi Alvar - the incarnation of Vainatheya

Divya Prabandhams

A question arose as to how this work exclusively devoted to the Alvar could be counted as part of the 4000 Divya Prabandham – the whole of which is claimed to be dedicated to Bhagavan. Manavaala Maamunigal has answered this question thus: The greatness of its contents raises it to be the central gem that sheds lustre on the other gems of the garland. That is why it was counted amid the 4000 Divya Prabandhams.

Pillai Lokacharya explains that ‘Kanninun Siruthambu’ reveals the ideas underlying such verses as ‘Payilum Sudar Oli’, ‘Nedumaarkku Adimai’ etc of Tiruvoimozhi.

It is said that all the other verses of the 4000 Divya Prabhandhams cannot be a match to the 11 Pasurams of Madhurakavi – because it is this work that holds the key to the treasure of the rest and it is this work that helped Sri Nathamuni to unravel the rich treasures to the world.

It is truly said, “If there were no ‘Kanninun Siruthambu’, there would be no 4000 Divya Prabandhams at all”. Thus, Madhurakavi was responsible for literally the rebirth and publicity of the Prabandhams. It is, therefore, customarily incumbent in ‘Anusanthaanam’ to traditionally first recite ‘Kanninun Siruthambu’ before beginning the other Pasurams especially Nammalwar’s Tiruvoimozhi.

4 kinds of poets

There are four kinds of poets viz Aasukavi – Instant poets, Chitrakavi – Artistic poets, Vistaarakavi – Elaborate poets and Madhurakavi – Sweet poets. Of these, Alvar was a specialist in composing sweet sons. Hence, he is called ‘Madhurakavi’.

Since Madhurakavi Alvar helped through his work to retrieve the 4000 Divya Prabandhams from oblivion for the benefit of humanity, its importance cannot be brought out better than what Swami Sri Vedanta Desikan had done as explained above. Thanians on ‘Kanninun Siruthambu’ composed by Sri Nathamunigal –

“Here is one who knew none other than Nammalwar; the one who made it his mission in life to sing the Dramidopanishad of Nammalwar; The one being overwhelmed by Nammalwar held him as his very God; Let such Madhurakavi fill my heart”.

Madhurakavi Alvar said – “I do not know anything other than Nammalwar also known as Maaran who rendered in Tamil the essence of the Vedas and who is the head of Tirukkurugur. This Madhurakavi is our master. He is the guardian of the group of Prapannaas.

Sri Varadharaja Perumal Temple - Kanchipuram (108 Divya Desams)

Divya Desams

Divya Desams consecrated by Madhurakavi Alvar is the ‘Punya Kshetras’ of

  • (1) Ayodhya
  • (2) Mathura
  • (3) Maya
  • (4) Kasi
  • (5) Kanchi
  • (6) Avanti and
  • (7) Dwaraka.

Kulasekhara Alvar – An Avatar of Kousthubham

Kulasekhara Alvar

Kulasekhara Alvar was born in ThiruvanjikulamChera Kingdom (Kerala). His father was renowned king Dhidaviradhan and Mother Nadhanayagi who was the daughter of Pandya King. He is the Avatar of Gem adorned by Lord Vishnu in his Chest named “Kousthubham”.

He was born in Maasi (between mid-February and mid-March) on Punarvasu Star (Nakshatra).

Kulasekhara Alvar – 7th Among 12 Alvars

He was seventh among the twelve Alvars. He learned all the Astras (Warfare) and Shaastras (Vedas) very young. He married Pandya princess and had a son who was named after his father and a daughter Ilai or Chera Kula Naachiyaar. He was very much attracted towards Lord Ram, hence ruled like “Rama Rajya”.

He was praised as “Kolli Kavalan, KoodalNayagan, Kozhiyaarkone” as he won Chera, Chozha and Pandya Kingdom. He ruled with Justice and people were delighted. But, he was always aligned towards spiritualism.

Devoted to Lord Rama

He was extremely devoted to Lord Ram and he always wanted to visit the Lord of Sri Rangam, Sri Ranganatha Swami. His devotion became extreme when he had a dream of Lord Venkateswara blessing him. From that time onwards, he was not much interested in worldly pleasures. He used to listen to Ramayana daily.

Once, when Ramayana was discoursed, there was an incident where Lord Ram was alone fighting with Demons. At that time, Kulasekhara, who was very involved in listening to Ramayana, ordered his Army to start towards Lord Ram to help him fight against the Demons.

Then, the discourse person immediately reacted and informed to Kulasekhara that Lord Ram had already won the battle and was now safe. Thus, made Kulasekhara back to his normal state. Few people in his court were very much upset about Kulasekhara’s behaviour.

So, they wanted to put the blame on Sri Vaishnavas informing that Lord’s ornaments (Navaratnamala) were stolen by Sri Vaishnavas. Hearing that, Kulasekhara wanted to prove that Sri Vaishnavas would never do such odd jobs and put his hand into the pot which had a very poisonous snake. He challenged the people that, if Sri Vaishnavas had stolen, then the snake would bite him to death.

Chera Kula Naachiyaar

God’s grace, the snake did not bite him as he was so sure to prove that Sri Vaishnavas would not do any such bad deed. He later decided to serve Lord Ranganatha, so he handed over the kingdom to his son and started his spiritual journey. It is also said that Kulasekhara Alvar dedicated his daughter “Chera Kula Naachiyaar” to the Lord of Sri Rangam. We have a shrine dedicated to her.

SerthiServai

During Rama Navami in Sri Rangam, Lord Ranganatha and Chera Kula Naachiyaar give darshan together in Arjuna Mandapam which is also called “SerthiServai”. It was a great day and celestial bath and puja will perform in that Mandapam.

Kulasekhara Alvar - An Avatar of Kousthubham

Kulasekhara Alvar’s work

Kulasekhara Alvar was skilled in Tamil and Sanskrit. He wrote “Mukunda Mala” in praise of Lord Krishna in Sanskrit. He wrote 105 paasurams named as “Perumal Thirumozhi” which is part of “Naalayira Divya Prabhandham”.

His paasuram mentions below Divya Kshetrams

  • Uraiyur (near Trichy),
  • Sri Rangam,
  • Tirupathi,
  • Thirukannapuram (Near Kumbakonam),
  • Thiruchirakootam (Chidambaram)
  • Thiruvaali Thirunagari (Sirkaazhi ),
  • Thiruvitthuvakodu (Kerala),
  • Ayodhya (U.P),
  • Thirupparkadal (Celestial Abode).

Mukunda Mala

Mukunda Mala is a Sanskrit poem beautifully composed describing Lord Narayana who took the Avatara as Krishna. If one has to save from the clutches of Samsara the sea of sorrow, one has to surrender at the feet of Lord Krishna. He emphasizes that Lord Krishna is like medicine, he is the doctor and he is the nectar (the Amritha) who can save us from this distress.

He informs that always thinking of Lord Narayana, performing puja to Lord Narayana, doing service to Lord Narayana and his devotees, singing his praise will help one to attain Moksha (liberation).

Perumal Thirumozhi

Perumal Thirumozhi Comprises of 105 poems on Lord Ram, Lord Krishna, Lord Ranganatha, Lord Venkateswara. The poems are called as “Perumal Thirumozhi” because, the term Perumal represents Lord Ram. As he was very much devoted to Lord Ram, it was named as Perumal Thirumozhi.

In that, Perumal Thirumozhi, Varieties of devotion were showered by Alvar as Father Dasaratha, Mother Devaki, Mother Kausalya, as a Devotee, as a non-living thing and many more. He was also called as Kulasekhara Perumal as he was very much devoted to Lord Ram who is referred to as “Perumal” in Sri Vaishnava Sampradaya. He was the only King in the line of Alvars.

On Lord Venkateswara

He wanted to be born as herbs or fish or stone or dust or Shenbaga Tree or gold vessel which carries flowers to the Lord and finally as a stepping stone which is in front of Lord Srinivasa. Even today, that step is divine and is called as “Kulasekhara Padi”. He is happy to be a non-living thing if he is with devotees as well as united with the Lord.

As Dasaratha,

he lamented Sri Ram, Sita and Lakshmana on moving to the forest. He cries as though he is Dasaratha who made Lord Ram to suffer in the Dandakaranya forest. He laments how Ram would walk in the forest which is full of stones, rocks, and thorns which would prick his soft tender feet. The poem will depict the extreme grief of Dasaratha.

As Kausalya

on Thirukannapuram Divya Desam – Kulasekhara Alvar sung a very beautiful lullaby to Lord Ram which is even today sung during in all the Vishnu temples. The poem depicts the beauty of Lord Ram, his limbs, hair, style of walking, holy feet, smile and many more. By singing this song, one feels the real lullaby which is soothing to babies even today.

As Mother Devaki

he lamented that she did not get any happiness like Mother Yashodha who was able to get all the happiness in raising up Lord Krishna. She was able to hug him, feed him, dress him up, bathe him, could eat his remaining food as prasadam, could teach him dancing, walking, talking and more.

On Lord Sri Rangam

During his kingly period, he wanted to visit Sri Rangam. He was so passionate that daily, he would decide to leave to Sri Rangam. But, the royal workers will somehow convince him that they will take him the next day. The poem depicts the Alvars’ longing wish to get the Darshan of Lord Ranganatha Swami between the “ThirumanaThoongal (Marriage Pillars)”.

Kulasekhara Alvar claims that by getting the darshan of Lord Ranganatha, one can be saved from the sorrows of life. He also expresses that he wanted to praise more on Lord of Sri Rangam. He felt shy that he is not have enough Bhakti to praise the Lord.

On Thiruchitrakootam

Kulasekhara Alvar finally completes the paasuram by writing the Ramayana in short form and dedicates to Lord of Thiruchitrakootam which is the Govindaraja Perumal Temple inside Chidambaram Nataraja Perumal Temple. Kulasekhara spent his last 30 years in Mannarkoyil near Ambasamudram Tirunelveli by performing service to Lord. He was attracted by the beauty of Veda Narayana and Rajagopalaswami who was resembling Lord of Sri Rangam.

As per Alvar’s advice, whoever or whatever position, one should never forget the Lord, should always worship Lord Narayana and Serve his devotees with utmost devotion which will show the way to Salvation.

Kulasekhara Alwar – An Avatar of Kousthubham
– Smt. T.S. Rajalakshmi